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 and learning in a man, may become almost hid, by the force of affectation, and even when we see some degrees of it in men of worth and distinction, we cannot but lament it; thus, for instance, it is sometimes seen at the bar with young barristers, nay, it too often ascends the pulpit, and by making the preacher appear ridiculous, it prevents much good being done.

5. When Cicero consulted the oracle at Delphos, concerning what course of studies he should pursue, the answer was, “follow nature." If every one would do this, affectation would almost be unknown. Affectation is not only a folly, but repugnant to nature, and opposite to the designs of Providence; and therefore it is certainly a crime. Nature indeed has sometimes made a fool, but a coxcomb is always of a man’s own making.

GENIUS is used to signify the talent which we receive from nature, whereby we excel in any one thing; thus we speak of a genius for mathematics, for poetry, painting, or any mechanical employment. Genius cannot be acquired by art and study, though it may be greatly improved by them. Genius is a higher faculty than taste, for it is not uncommon to meet with persons who have an excellent taste in music, poetry, painting, or oratory, or all together; but to find one who is an excellent performer in these is rather rare, and shews a genius.

2. As to an universal genius, or one who excels in all or many arts and sciences, is very