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Rh against her mother and stepfather, love for her dead father and her brother in exile; a woman who has known luxury and state, and cares much for them; who is intolerant of poverty, and who feels her youth passing away. And meantime there is her name, on which all legend, if I am not mistaken, insists; she is A-lektra, "the Unmated."

There is, perhaps, no woman's character in the range of Greek tragedy so profoundly studied. Not Aeschylus' Clytemnestra, not Phaedra nor Medea. One's thoughts can only wander towards two great heroines of "lost" plays, Althaea in the Meleager, and Stheneboea in the Bellerophon.

G. M.