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 the modern myth that she is striving to change in one predetermined direction. Nevertheless, the fact that Nietzsche’s attention was fascinated by the will to grow and to dominate shows that he was in sympathy with young things, that his heart was big with the future, and that his age believed in progress.

The change from pessimism to optimism, verbally so complete, did not imply any divergence between Nietzsche and Schopenhauer in their description of the facts; it was all a matter of a little more spirit in the younger thinker and a little more conscience in the elder. Romantic poets and their heroes are well known to oscillate between passionate despair and passionate enterprise. Schopenhauer affected passionate despair, Nietzsche recommended passionate enterprise, each being wedded exclusively to one of those moods which Faust or Byron could feel alternately and reduce to act with all the dashing tumult of anarchy. The value which the world has in the eyes of its inhabitants is necessarily mixed, so that a sweeping optimism or pessimism can be only a theoretic pose, false to the natural sentiment even of those who assume it. Both are impressionistic judgments passed on the world at large, not perhaps without some impertinence.

Yet it is these poses or attitudes, or, if you like, these impertinences, that give importance to