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 the dignity of manhood—to rise above the clouds of sorrow and disappointment, and bathe in the pure sunlight. The spiritual beauty of his face, the calm dignity of his life will live in the memory of men and add to the force of his writings.

Longfellow has said,

"Look, then, into thine heart, and write."

Every aspiration, every care and sorrow, every mood and sentiment, finds in him a true sympathy; he stands foremost, not as a genius of the intellect, but as a genius of the heart. How often he enters our homes, sits at our firesides, touches the sweetest, tenderest chords of the lyre, awakens the purest aspirations of our being.

Then comes Dickens, and tells us that fiction may have a high and noble mission; that it may teach love, benevolence, and charity; that it may promote cheerfulness and contentment; that it may expose injustice and defend truth and right.

All these, each a master in his field, are powerful in their influence; but beyond this fact is the more significant one that they index some of the better tendencies of the century. Never before were so many fields of thought represented; never did any possess masters of greater skill. We may hope that, even in the midst of this period of material prosperity, invention, and scientific research, the spiritual side of man's nature will ultimately gain new strength, and thought a deeper insight.

With our exact thought and practical energy, is there not danger of losing all the romance which clothes human existence with beauty and hope?