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142 triumphant. He has a talent for all things, but no positive genius for adaptation, and still less for that metaphysical art in which the souls of all mysteries lie. "Caleb Williams" is a far less noble work than "The Old Curiosity Shop"; but Mr. Dickens could no more have constructed the one than Mr. Godwin could have dreamed of the other.

[Ballads and Other Poems, by Henry Wadsworth Longfellow, reviewed in Graham's Magazine, April, 1842. In the first part of the review Poe states his objections to Longfellow's themes: they are concerned too much with didacticism and too little with pure beauty. In the following extract Poe applies his thesis to individual poems. We omit the strictures on Longfellow's hexameters.]

We have thus shown our ground of objection to the general themes of Professor Longfellow. In common with all who claim the sacred title of poet, he should limit his endeavors to the creation of novel moods of beauty, in form, in color, in sound, in sentiment; for over all this wide range has the poetry of words dominion. To what the world terms prose may be safely and properly left all else. The artist who doubts of his thesis, may always resolve his doubt by the single question—"might not this matter be as well or better handled in prose?" If it may, then is it no subject for the Muse. In the general acceptation of the term Beauty we are content to rest; being careful only to suggest that, in our peculiar views, it must be understood as inclusive of the sublime.