Page:Edgar Allan Poe - a centenary tribute.pdf/111

 In business as in personal relations, Poe made many friends in Philadelphia. In a letter received by the writer in March, 1909, mention is made of Robert Dybale of that city, &quot;an ardent admirer of Poe's, who even in his darkest days would never permit anyone to speak slightingly of him, or his reputed habits. At the time of Poe's residence in this city, Mr. Dybale was connected with the editorial staff of The Press, then learning to appreciate his genius and brilliant mind. Poe would come into the office and perch himself on the table, unroll his manuscript, and read his articles to the staff. These were never submitted for inspection before being sent to the printer, inasmuch that they were written in a faultless manner. Poe always wrote on strips of paper about six inches wide, which as the MS. progressed were rolled up, and another strip pasted on.&quot; The writer of the letter, Mrs. Robert B. Keesey, of Philadelphia, adds: &quot;We can readily see how fortunate it was for the reader that his services were not needed, for I doubt if he could have unrolled and rolled as Poe did.&quot;

In 1838-1839, many new stories from Poe appeared. The American Museum of Baltimore gave &quot;Ligeia&quot; to the public, also &quot;Signora Zenobia,&quot; &quot;Scythe of Time,&quot; &quot;A Predicament,&quot; and the weird glory of &quot;The Haunted Palace;&quot; and Miss Eliza Leslie's Annual boasted &quot;William Wilson.&quot; In July, 1839, William E. Burton, proprietor of The Gentleman's Magazine, associated Poe with him in its editing. &quot;The Fall of the House of Usher&quot; soon appeared in this magazine, followed by &quot;The Conversations of Eiros and Charmion&quot; (or &quot;The Rainbow and the Dove&quot;) the latter characterized by powers of speculation that hold the reader enthralled.