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1764] Parkman comments on his round English face—as shown in the portrait which appears on the frontispiece to his Miscellanies, and which we republish as frontispiece to the present volume—and the lack of resolution and courage therein expressed. Yet upon his memorable embassy he displayed no want of either. Probably it was his familiarity with the French language that led to his being chosen for the task; he entered upon it with commendable zeal, and attempted to carry out his orders at every risk.

Doubtless the adventure appealed to that latent fondness for experiences, that men of the literary temperament frequently possess. In his essay on dramatic art he says, "If the world ever afforded me a pleasure equal to that of reading Shakespear at the foot of a water-fall in an American desert, it was Du Menil's performance of tragedy." Morris evinced a steadiness of courage, endurance, and hardihood, fortitude under disaster, and an unflinching determination to do his duty, as well as a power of attaching men to his service, that would do credit to any man. For a victim of Indian cruelties, his magnanimity was a still rarer quality. He bore no grudge against his savage tormentors, speaking of them as "an innocent, much-abused, and once happy people." His appreciation of the qualities of the French Canadians, and his remarks upon their conduct of Indian affairs show keen observation, astuteness, and a judgment free from prejudice. As an author, wit, man of affairs, courageous soldier, magnanimous foe, we may apply to him in earnest the epithet levied in jest by the reviewer of his first volume of songs—the "inimitable Captain Morris."

R. G. T.