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was Olivia's habit (and in some way every small action at Pentlands came inevitably to be a habit) to go about the house each night before climbing the paneled stairs, to see that all was in order, and by instinct she made the little tour as usual after Sabine had disappeared, stopping here and there to speak to the servants, bidding them to go to bed and clear away in the morning. On her way she found that the door of the drawing-room, which had been open all the evening, was now, for some reason, closed.

It was a big square room belonging to the old part of the house that had been built by the Pentland who made a fortune out of equipping privateers and practising a sort of piracy upon British merchantmen—a room which in the passing of years had come to be a museum filled with the relics and souvenirs of a family which could trace its ancestry back three hundred years to a small dissenting shopkeeper who had stepped ashore on the bleak New England coast very soon after Miles Standish and Priscilla Alden. It was a room much used by all the family and had a worn, pleasant look that compensated for the monstrous and incongruous collection of pictures and furniture. There were two or three Sheraton and Heppelwhite chairs and a handsome old mahogany table, and there were a plush sofa and a vast rocking-chair of uncertain ancestry, and a hideous bronze lamp that had been the gift of Mr. Longfellow to old John Pentland's mother. There were two execrable water-colors—one of the Tiber and the Castle San Angelo and one of an Italian village—made by