Page:Early Autumn (1926).pdf/20

 ercised all her theories of upbringing upon the unfortunate orphaned little daughter of her husband's brother.

At the moment, the old lady sat half-way down the white stairs, her sharp, black eyes surveying the ball with a faint air of disapproval. The noisy music made her nervous and uneasy, and the way young girls had of using paint and powder seemed to her cheap and common. "One might as well brush one's teeth at the dinner-table." Secretly, she kept comparing everything with the ball given for herself forty years earlier, an event which had resulted at length in the capture of Mr. Struthers. Dressed economically (for she made it a point of honor to live on the income of her income), and in mourning for a husband dead eight years earlier, she resembled a dignified but slightly uneasy crow perched on a fence.

It was Sabine who observed that Aunt Cassie and her "lady companion," Miss Peavey, sitting on the steps together, resembled a crow and a pouter pigeon. Miss Peavey was not only fat, she was actually bulbous—one of those women inclined by nature toward "flesh," who would have been fat on a diet of sawdust and distilled water; and she had come into the family life nearly thirty years earlier as a companion, a kind of slave, to divert Aunt Cassie during the long period of her invalidism. She had remained there ever since, taking the place of a husband who was dead and children who had never been born.

There was something childlike about Miss Peavey—some people said that she was not quite bright—but she suited Aunt Cassie to a T, for she was as submissive as a child and wholly dependent in a financial sense. Aunt Cassie even gave her enough to make up for the losses she incurred by keeping a small shop in Boston devoted to the sale of "artistic" pottery. Miss Peavey was a lady, and though penniless, was "well connected" in Boston. At sixty she had grown too heavy for her birdlike little feet and so took very little exercise. To-