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 saying it that she would go with them and prevent any entanglement. She had told him, too, without once alluding to the scene of which he was ashamed. And she knew, of course, now, that there was no danger of any entanglement, at least not one which involved Sybil.

Sitting with the book closed in her lap, she remained for a time watching the back of her husband's head—the thin gray hair, the cords that stood out weakly under the desiccated skin, the too small ears set too close against the skull; and in reality, all the while she was seeing another head set upon a full muscular neck, the skin tanned and glowing with the flush of health, the thick hair short and vigorous; and she felt an odd, inexplicable desire to weep, thinking at the same time, "I am a wicked woman. I must be really bad." For she had never known before what it was to be in love and she had lived for nearly twenty years in a family where love had occupied a poor forgotten niche.

She was sitting thus when John Pentland came in at last, looking more yellow and haggard than he had been in days. She asked him quietly, so as not to disturb Anson, whether Mrs. Soames was really ill. "No," said the old man, "I don't think so; she seems all right, a little tired, that's all. We're all growing old."

He seated himself and began to read like the others, pretending clearly an interest which he did not feel, for Olivia caught him suddenly staring before him in a line beyond the printed page. She saw that he was not reading at all, and in the back of her mind a little cluster of words kept repeating themselves—"a little tired, that's all, we're all growing old; a little tired, that's all, we're all growing old"—over and over again monotonously, as if she were hypnotizing herself. She found herself, too, staring into space in the same enchanted fashion as the old man. And then, all at once, she became aware of a figure standing in the doorway