Page:EB1911 - Volume 28.djvu/387

Rh on the ancient donjon of Hook Tower (139 ft. in height) and others. The quay, at which there is a depth of 22 ft. of water at low tide, was enlarged in 1705 by the removal of the city walls, and is about 1¼ m. in length. At Ferrybank, on the Kilkenny side of the river, there is a shipbuilding yard with patent slip and graving dock. By the Suir there is navigation for barges to Clonmel, and for sailing vessels to Carrick-on-Suir; by the Barrow for sailing vessels to New Ross and thence for barges to Athy, and so to Dublin by a branch of the Grand Canal; and by the Nore for barges to Inistioge. The shores of the harbour are picturesque and well-wooded, studded with country residences and waterside villages, of which Passage and Duncannon are popular resorts of the citizens of Waterford.

Anciently Waterford was called Cuan-na-groith, the haven of the sun. By early writers it was named Menapia. It is supposed to have existed in very early times, but first acquired importance under the Danes, of whom it remained one of the principal strongholds until its capture by Strongbow in 1171. On the 18th of October 1172 Henry II. landed near Waterford, and he here received the hostages of the people of Munster. It became a cathedral city in 1096. The Protestant dioceses of Cashel, Emly, Waterford and Lismore were united in 1833. Prince John, afterwards king of England, who had been declared lord of Ireland in 1177, landed at Waterford in 1185. After ascending the English throne he granted it a fair in 1204, and in 1206 a charter of incorporation. He landed at Waterford in 1210, in order to establish within his nominal territories in Ireland a more distinct form of government. The city received a new charter from Henry III. in 1232. Richard II. landed at Waterford in October 1394 and again in 1399. In 1447 it was granted by Henry VI. to John Talbot, earl of Shrewsbury, who was created earl of Waterford. In 1497 it successfully resisted an attempt of Perkin Warbeck to capture it, in recognition of which it received various privileges from Henry VII., who gave it the title of urbs intacta. In 1603, after the accession of James I. to the English crown, the city, along with Cork, took a prominent part in opposition to the government and to the Protestant religion, but on the approach of Mountjoy it formally submitted. From this time, however, the magistrates whom it elected refused to take the oath of supremacy, and, as by its charter it possessed the right to refuse admission to the king’s judges, and therefore to dispense with the right of holding assizes, a rule was obtained in the Irish chancery for the seizure of its charter, which was carried into effect in 1618. In 1619 an attempt was made to induce Bristol merchants to settle in the city and undertake its government, but no one would respond to the invitation, and in 1626 the charter was restored. The city was unsuccessfully attacked by Cromwell in 1649, but surrendered to Ireton on the 10th of August 1650. After the battle of the Boyne James II. embarked at it for France (July 1690). Shortly afterwards it surrendered to William, who sailed from it to England. It sent two members to parliament from 1374 to 1885, when the number was reduced to one. In 1898 it was constituted one of the six county boroughs having separate county councils.  WATERFORD, a village of Saratoga county, New York, U.S.A., on the W. bank of the Hudson river, near the mouth of the Mohawk river, and about 10 m. N. of Albany. Pop. (1900) 3146, of whom 474 were foreign-born; (1905) 3134; (1910) 3245. Waterford is served by the Delaware & Hudson railway, and is at the junction of the Erie and the Champlain divisions of the great barge canal connecting Lake Erie and Lake Champlain. There was a settlement here probably as early as 1630, and Waterford was laid out in 1784, and was incorporated as a village in 1794.  WATERHOUSE, ALFRED (1830–1905), English architect, was born at Liverpool on the 19th of July 1830, and passed his professional pupilage under Richard Lane in Manchester, His earliest commissions were of a domestic nature, but his position as a designer of public buildings was assured as early as 1859 by success in the open competition for the Manchester assize courts. This work marked him not only as an adept in the planning of a complicated building on a large scale, but also as a champion of

the Gothic cause. Nine years later, in 1868, another competition secured for Waterhouse the execution of the Manchester town-hall, where he was able to show a firmer and perhaps more original handling of the Gothic manner. The same year brought him the rebuilding of part of Caius College, Cambridge, not his first university work, for Balliol, Oxford, had been put into his hands in 1867. At Caius, out of deference to the Renaissance treatment of the older parts of the college, the Gothic element was intentionally mingled with classic detail, while Balliol and Pembroke, Cambridge, which followed in 1871, may be looked upon as typical specimens of the style of his mid career—Gothic tradition (European rather than British) tempered by individual taste and by adaptation to modern needs. Girton College, Cambridge, a building of simpler type, dates originally from the same period (1870), but has been periodically enlarged by further buildings. Two important domestic works were undertaken in 1870 and 1871 respectively—Eaton Hall for the duke, then marquis, of Westminster, and Heythrop Hall, Oxfordshire, the latter, a restoration, being of a fairly strict classic type. Iwerne Minster for Lord Wolverton was begun in 1877. In 1865 Waterhouse had removed his practice from Manchester to London, and he was one of the architects selected to compete for the Royal Courts of Justice. He received from the government, without competition, the commission to build the Natural History Museum, South Kensington, a design which marks an epoch in the modern use of terra-cotta. The new University Club—a Gothic design—was undertaken in 1866, to be followed nearly twenty years later by the National Liberal Club, a study in Renaissance composition. Waterhouse’s series of works for Victoria University, of which he was made LL.D. in 1895, date from 1870, when he was first engaged on Owens College, Manchester. Yorkshire College, Leeds, was begun in 1878; and Liverpool University College in 1885. St Paul’s School, Hammersmith, was begun in 1881, and in the same year the Central Technical College in Exhibition Road, London. Waterhouse’s chief remaining works in London are the new Prudential Assurance Company’s offices in Holborn; the new University College Hospital; the National Provincial Bank, Piccadilly, 1892; the Surveyors' Institution, Great George Street, 1896; and the Jenner Institute of Preventive Medicine, Chelsea, 1895. For the Prudential Company he designed many provincial branch offices, while for the National Provincial Bank he also designed premises at Manchester. The Liverpool Infirmary is Waterhouse’s largest hospital; and St. Mary's Hospital, Manchester, the Alexandra Hospital, Rhyl, and extensive additions at the general hospital, Nottingham, also engaged him. Among works not already mentioned are the Salford gaol; St Margaret’s School, Bushey; the Metropole Hotel, Brighton; Hove town-hall; Alloa town-hall, St Elizabeth’s church. Reddish; the Weigh House chapel, Mayfair; and Hutton Hall, Yorks. He died on the 22nd of August, 1905.

Waterhouse became a fellow of the Royal Institute of British Architects in 1861, and president from 1888 to 1891. He obtained a grand prix for architecture at the Paris Exposition of 1867, and a “Rappel” in 1878. In the same year he received the Royal gold medal of the Royal Institute of British Architects, and was made an associate of the Royal Academy, of which body he became a full member in 1885 and treasurer in 1898. He became a member of the academies of Vienna (1869), Brussels (1886), Antwerp (1887), Milan (1888) and Berlin (1889), and a corresponding member of the Institut de France (1893). After 1886 he was constantly called upon to act as assessor in architectural competitions, and was a member of the international jury appointed to adjudicate on the designs for the west front of Milan Cathedral in 1887. In 1890 he served as architectural member of the Royal Commission on the proposed enlargement of Westminster Abbey as a place of burial. From 1891 to 1902, when he retired, his work was conducted in partnership with his son, Paul Waterhouse.  WATERHOUSE, JOHN WILLIAM (1847–), English painter, was the son of an artist, by whom he was mainly trained. As a figure-painter he shows in his work much imaginative power and a very personal style, and his pictures are for the most part illustrations of classic myths treated with attractive fantasy. An able draughtsman and a fine colourist, he must be ranked among the best artists of the British school. He was