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 partly by the observation of certain signs in the skin when it was cut or burned. Another less familiar procedure that belongs to this subdivision is that which was known as divination, which might sometimes have been the cries of birds, but in an oracle of Hermes at the Achaean city of Pharae were the casual utterances of men. Pausanias tells us how this was worked. The consultant came in the evening to the statue of Hermes in the market-place that stood by the side of a hearth-altar to which bronze lamps were attached; having kindled the lamps and put a piece of money on the altar, he whispered into the ear of the statue what he wished to know; he then departed, closing his ears with his hands, and whatever human speech he first heard after withdrawing his hands he took for a sign. The same custom seems to have prevailed at Thebes in a shrine of Apollo, and in the Olympian oracle of Zeus.

Of omens taken from what we call the inanimate world salient examples are those derived from trees and water, a divination to be explained by an animistic feeling that may be regarded as at one time universal. Both were in vogue at Dodona, where the ecstatic method of prophecy was never used; we hear of divination there from the bubbling stream, and still more often of the “talking oak”; under its branches may once have slept the Selloi, who interpreted the sounds of the boughs, and who may be regarded as the depositories of the Aryan tradition of Zeus, the oak god who spoke in the tree. At Korope in Thessaly we hear vaguely of an Apolline divination by means of a branch of the tamarisk tree, a method akin no doubt to that of the divining rod which was used in Greece as elsewhere; and there is a late record that at Daphne near Antioch oracles were obtained by dipping a laurel leaf or branch in a sacred stream. Water divination must have been as familiar at one time to the Greeks as it was to the ancient Germans; for we hear of the fountain at Daphne revealing things to come by the varying murmur of its flow; and marvellous reflections of a mantic import might be seen in a spring on Taenaron in Laconia; from another at Patrae omens were drawn concerning the chances of recovery from disease. Thunder magic, which was practised in Arcadia, is usually associated with thunder divination; but of this, which was so much in vogue in Etruria and was adopted as a state-craft by Rome, the evidence in Greece is singularly slight. Once a year watchers took their stand on the wall at Athens and waited till they saw the lightning flash from Harma, which was accepted as an auspicious omen for the setting out of the sacred procession to Apollo Pythius at Delphi; and the altar of Zeus, the sender of omens, on Mount Parnes, may have been a religious observatory of meteorological phenomena. No doubt such a rare and portentous event as the fall of a meteor-stone would be regarded as ominous, and the state would be inclined to consult Delphi or Dodona as to its divine import.

We may conclude the examples of this main department of by mentioning a method that seems to have been much in vogue in the earlier times, that which was called, or divination by the drawing or throwing of lots; these must have been objects, such as small pieces of wood or dice, with certain marks inscribed upon them, drawn casually or thrown down and interpreted according to a certain code. This simple process of immemorial antiquity, for other Aryan peoples such as the Teutonic possessed it, was practised at Delphi and Dodona by the side of the more solemn procedure; we hear of it also in the oracle of Heracles at Bura in Achaea. It is this method of “scraping” or “notching” signs on wood

that explains probably the origin of the words, , for oracular consultation and deliverance.

The processes described above are part of a world-wide system of popular divination. And most of them were taken up by the oracular shrines in Greece, Apollo himself having no special and characteristic mantic method, but generally adopting that which was of local currency. But much that is adopted by the higher personal religions descends from a more primitive and lower stage of religious feeling. And all this divination was originally independent of any personal divinity. The primitive diviner appealed directly to that mysterious potency which was supposed to inhere in the tree and spring, in the bird or beast, or even in a notched piece of wood. At a later stage, it may be, this power is interpreted in accordance with the animistic, and finally with the theistic, belief; and now it is the god who sends the sign, and the bird or animal is merely his organ. Hence the omen-seeker comes to prefer the sacrificed animal, as likely to be filled with the divine spirit through contact with the altar. And, again, if we are to understand the most primitive thought, we probably ought to conceive of it as regarding the omen not as a mere sign, but in some confused sense as a cause of that which is to happen. By sympathetic magic the flight of the bird, or the appearance of the entrails, is mysteriously connected, as cause with effect, with the event which is desired or dreaded. Thus in the Aztec sacrifice of children to procure rain, the victims were encouraged to shed tears copiously; and this was not a mere sign of an abundant rainfall, but was sympathetically connected with it. And in the same way, when of the three beasts over which three kings swore an oath of alliance, one died prematurely and was supposed thereby to portend the death of one of the kings, or when in the Lacedaemonian sacrifice the head of the victim mysteriously vanished, and this portended the death of their naval commander, these omens would be merely signs of the future for the comparatively advanced Hellene; but we may discern at the back of this belief one more primitive still, that these things were somehow casually or sympathetically connected with the kindred events that followed. We can observe the logical nexus here, which in most instances escapes us. This form of divination, then, we may regard as a special branch of sympathetic magic, which nature herself performs for early man, and which it concerns him to watch.

The other branch of the mantic art, the ecstatic or inspired, has had the greater career among the peoples of the higher religions; and morphologically we may call it the more advanced, as Shamanism or demoniac or divine possession implies the belief in spirits or divinities. But actually it is no doubt of great antiquity, and it is found still existing at a rather low grade of savagery. Therefore it is unsafe to infer from Homer's silence about it that it only became prevalent in Greece in the post-Homeric period. It did not altogether supersede the simpler method of divination by omens; but being far more impressive and awe-inspiring, it was adopted by some of the chief Apolline oracles, though never by Dodona.

The most salient example of it is afforded by Delphi. In the historic period, and perhaps from the earliest times, a woman known as the Pythoness was the organ of inspiration, and it was generally believed that she delivered her oracles under the direct afflatus of the god. The divine possession worked like an epileptic seizure, and was exhausting and might be dangerous; nor is there any reason to suppose that it was simulated. This communion with the divinity needed careful preparation. Originally, as it seems, virginity was a condition of the tenure of the office; for the virgin has been often supposed to be the purer vehicle for divine communication; but later the rule was established that a married woman over fifty years of age should be chosen, with the proviso that she should be attired as a maiden. As a preliminary to the divine possession, she appears to have chewed leaves of the sacred laurel, and then to have drunk water from the prophetic stream called Kassotis which flowed underground. But the culminating point of the afflatus was reached when she seated herself upon the tripod; and here, according to the belief