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 and Logroño and W. by Álava. It is traversed from east to west by the Pyrenees and the Cantabrian Mountains, and almost the whole of the province is overrun by the ramifications of these ranges. From Navarre there are only three practicable roads for carriages into France—those by the Puerta de Vera, the Puerta de Maya and Roncesvalles. The highest summit in the province is the Monte Adi (4931 ft.). The chief river flowing towards the Atlantic is the Bidasoa, which rises near the Puerta de Maya, and after flowing southwards through the valley of Baztán takes a north-easterly course, and for a short distance above its outfall at Fuenterrabia constitutes the frontier between France and Spain (Guipúzcoa); by far the larger portion of Navarre is drained to the Mediterranean through the Ebro, which flows along the western frontier and crosses the extreme south of the province. The hilly districts consist almost entirely of forest and pasture, the most common trees being the pine, beech, oak and chestnut. Much of the lower ground is well adapted for agriculture, and yields grain in abundance; the principal fruit grown is the apple, from which cider is made in some districts; hemp, flax and oil are also produced, and mulberries are cultivated for silkworms. The wine trade is active, and the products of the vineyards are in great demand in south-west France and at Passages in Guipúzcoa for mixing with French wines. Navarre is one of the richest provinces of Spain in live stock. Game, both large and small, is plentiful in the mountains, and the streams abound with trout and other fish. Gypsum, limestone, freestone and marble are quarried; there are also mines of copper, lead, iron, zinc and rock salt. Mineral and thermal springs are numerous, but none is of more than local fame. The other industries include manufactures of arms, paper, chocolate, candles, alcohol, leather, coarse linens and cloth. The exports both by rail and by the passes in the Pyrenees consist of live stock, oil, wine, wool, leather and paper.

The Ebro Valley railway, which traverses southern Navarre and skirts the western frontier, sends out a branch line from Castejon to Pamplona and Alsasua junction, where it connects with the Northern railways from Madrid to France. Narrowgauge railways convey timber and ore from the mountains to these main lines. Pamplona, the capital (pop., 1900, 28,886), and Tudela (9449) are described in separate articles. The only other towns with more than 5000 inhabitants are Baztán (9234), Corella (6793), Estella (5736) and Tafalla (5494).

History.—The kingdom of Navarre was formed out of a part of the territory occupied by the Vascones, i.e. the Basques and Gascons, who occupied the southern slope of the western Pyrenees and part of the shore of the Bay of Biscay. In the course of the 6th century there was a considerable emigration of Basques to the north of the Pyrenees. The cause is supposed to have been the pressure put upon them by the attacks of the Visigoth kings in Spain. Yet the Basques maintained their independence. The name of Navarre is derived by etymologists from “nava” a flat valley surrounded by hills (a commonplace name in Spain; cf. Navas de Tolosa to the south of the Sierra Morena) and “erri” a region or country. It began to appear as the name of part of Vasconia towards the end of the Visigoth epoch in Spain in the 7th century. Its early history is more than obscure. In recent times ingenious attempts have been made to trace the descent of the first historic king of Navarre from one Semen Lupus, duke of Aquitaine in the 6th century. The reader may consult La Vasconie by Jean de Jaurgain (Paris, 1898) for the latest example of this reconstruction of ancient history from fragmentary and dubious materials. Jaurgain has been subjected to very damaging criticism by L. Barrau-Dihigo (Revue Hispanique, t. vii. 141). The first historic king of Navarre was Sancho Garcia, who ruled at Pamplona in the early years of the 10th century. Under him and his immediate successors Navarre reached the height of its power and its extension (see : History, for the reign of Sancho el Mayor, and the establishment of the Navarrese line as kings of Castile and Leon, and of Aragon). When the kingdom was at its height it included all the modern province of the name; the northern slope of the western Pyrenees called by the Spaniards the “Ultra-puertos” or country beyond the passes, and now known as French Navarre; the Basque provinces; the Bureba, the valley between the Basque Mountains and the Montes de Oca to the north of Burgos; the Rioja and Tarazona in the upper valley of the Ebro. In the 12th century the kings of Castile gradually annexed the Rioja and Alava. While Navarre was reunited to Aragon—1076–1134—(see did not recover the territory taken by Castile. About the year 1200 Alfonso VIII. of Castile annexed the other two Basque provinces, Biscay (Vizcaya) and Guipúzcoa. Tarazona remained in possession of Aragon. After 1234 Navarre, though the crown was claimed by. the kings of Aragon, passed by marriage to a succession of French rulers. In 1516 Spanish Navarre was finally annexed by Ferdinand the Catholic. French Navarre survived as an independent little kingdom till it was united to the crown of France by Henry IV. founder of the Bourbon dynasty. From 1510 until 1833, when it was fully incorporated with Spain, Navarre was a viceroyalty.
 * History) it was saved from aggression on the east, but

NAVARRETE, JUAN FERNANDEZ (1526–1579), surnamed El Mudo (The Mute), Spanish painter of the Madrid school, was born at Logroño in 1526. An illness in infancy deprived him of his hearing, but at a very early age he began to express his wants by sketching objects with a piece of charcoal. He received his first instructions in art from Fray Vicente de Santo Domingo, a Hieronymite monk at Estella, and afterwards he visited Naples, Rome, Florence and Milan. According to the ordinary account he was for a considerable time the pupil of Titian at Venice. In 1568 Philip II. summoned him to Madrid with the title of king’s painter and a salary, and employed him to execute pictures for the Escorial. The most celebrated of the works he there produced are a “Nativity” (in which, as in the well-known work on the same subject by Correggio, the light emanates from the infant Saviour), a “Baptism of Christ” (now in the Madrid Picture Gallery), and “Abraham Receiving the Three Angels” (one of his last performances, dated 1576). He executed many other altarpieces, all characterized by boldness and freedom in design, and by the rich warm colouring which has acquired for him the surname of “the Spanish Titian.” He died at Toledo in February 1579.

NAVARRETE, MARTIN FERNANDEZ DE (1765–1844), Spanish historian, was born at Abalos on the 9th of November 1765, and entered the navy in 1780. He was engaged in the unsuccessful operations against Gibraltar in 1782, and afterwards in the suppression of Algerine pirates. Ill-health compelled him for a time to withdraw from active service, but he devoted this forced leisure to historical research, and in 1789 he was appointed by the crown to examine the national archives relating to the maritime history of Spain. Rejoining the navy in 1793, he was present at the siege of Toulon, and afterwards received command of a frigate. From 1797 to 1808 he held in succession various