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 branches, the Erzya (Erza, or Ersa) and the Moksha, differing somewhat in their physical features and language. The southern branch, or the Moksha, have a darker skin and darker eyes and hair than the northern. A third branch, the Karatays, found in Kazan, appears to be mixed with Tatars. The language is a branch of the Western Finnish family, and most nearly allied to the Cheremissian, though presenting many peculiarities (see ). The Mordvins have largely abandoned their own language for Russian; but they have maintained a good deal of their old national dress, especially the women, whose profusely embroidered skirts, original hair-dress large ear-rings which sometimes are merely hare-tails, and numerous necklaces covering all the chest and consisting of all possible ornaments, easily distinguish them from Russian women. They have mostly dark hair, but blue eyes, generally small and rather narrow. Their cephalic index is very near to that of the Finns. They are brachycephalous or sub-brachycephalous, and a few are mesaticephalous. They are finely built, rather tall and strong, and broad-chested. Their chief occupation is agriculture; they work harder and (in the basin of the Moksha) are more prosperous than their Russian neighbours. Their capacities as carpenters were well known in Old Russia, and Ivan the Terrible used them to build bridges and clear forests during his advance on Kazan. They now manufacture wooden ware of various sorts. They are also masters of apiculture, and the commonwealth of bees often appears in their poetry and religious beliefs. They have a considerable literature of popular songs and legends, some of them recounting the doings of a king Tushtyan who lived in the time of Ivan the Terrible. Nearly all are Christians; they received baptism in the reign of Elizabeth, and the Nonconformists have made many proselytes among them. But they still preserve much of their own mythology, which they have adapted to the Christian religion. According to some authorities, they have preserved also, especially the less russified Moksha, the practice of kidnapping brides, with the usual battles between the party of the bridegroom and that of the family of the bride. The worship of trees, water (especially of the water-divinity which favours marriage), the sun or Shkay, who is the chief divinity, the moon, the thunder and the frost, and of the home-divinity Kardazserko still exists among them; and a small stone altar or flat stone covering a small pit to receive the blood of slaughtered animals can be found in many houses. Their burial customs seem founded on ancestor-worship. On the fortieth day after the death of a kinsman the dead is not only supposed to return home but a member of his household represents him, and, coming from the grave, speaks in his name.

 MORE, HANNAH (1745–1833), English religious writer, was born at Stapleton, near Bristol, on the 2nd of February 1745. She may be said to have made three reputations in the course of her long life: first, as a clever verse-writer and witty talker in the circle of Johnson, Reynolds and Garrick; next, as a writer on moral and religious subjects on the Puritanic side; and lastly, as a practical philanthropist. She was the youngest but one of the five daughters of Jacob More, who, though a member of a Presbyterian family in Norfolk, had become a member of the English Church and a strong Tory. He taught a school at Stapleton in Gloucestershire. The elder sisters established a boarding-school at Bristol, and Hannah became one of their pupils when she was twelve years old. Her first literary efforts were pastoral plays, suitable for young ladies to act, the first being written in 1762 under the title of A Search after Happiness (2nd ed. 1773). Metastasio was one of her literary models; on his opera of Attilio regulo she based a drama, The Inflexible Captive, published in 1774. She gave up her share in the school in view of an engagement of marriage she had contracted with a Mr Turner. The wedding never took place, and, after much reluctance, Hannah More was induced to accept from Mr Turner an annuity which had been settled on her without her knowledge. This set her free for literary pursuits, and in 1772 or 1773 she went to London. Some verses on Garrick’s Lear led to an acquaintance with the actor-playwright; Miss More was taken up by Elizabeth Montague; and her unaffected enthusiasm, simplicity, vivacity, and wit won the hearts of the whole Johnson set, the lexicographer himself included, although he is said to have told her that she should “consider what her flattery was worth before she choked him with it.”, Garrick wrote the prologue and epilogue for her tragedy Percy, which was acted with great success at Covent Garden in December 1777. Another drama, The Fatal Falsehood, produced in 1779 after Garrick’s death, was less successful. The Garricks had induced her to live with them; and after Garrick’s death she remained with his wife, first at Hampton Court, and then in the Adelphi. In 1781 she made the acquaintance of Horace Walpole, and corresponded with him from that time. At Bristol she discovered a poetess in Mrs Anne Yearsley (1756–1806), a milkwoman, and raised a considerable sum of money for her benefit. “Lactilla,” as Mrs Yearsley was called, wished to receive the capital, and made insinuations against Miss More, who desired to hold it in trust. The trust was handed over to a Bristol merchant and eventually to the poetess.

Hannah More published Sacred Dramas in 1782, and it rapidly ran through nineteen editions. These and the poems Bas-Bleu and Florio (1786) mark her gradual transition to more serious views of life, which were fully expressed in prose in her Thoughts on the Importance of the Manners of the Great to General Society (1788), and An Estimate of the Religion of the Fashionable World (1790). She was intimate with Wilberforce and Zachary Macaulay, with whose evangelical views she was in entire sympathy. She published a poem on Slavery in 1788. In 1785 she bought a house, at Cowslip, Green, near Wrington, near Bristol, where she settled down to country life, with her sister Martha, and wrote' many ethical books and tracts: Strictures on Female Education (1799), Hints towards forming the Character of a Young Princess (1805), Coelebs in Search of a Wife (only nominally a story, 1809), Practical Piety (1811), Christian Morals (1813), Character of St Paul (1815), Moral Sketches (1819), The tone is uniformly animated; the writing fresh and vivacious; her favourite subjects the minor self-indulgences and infirmities. She was a rapid writer, and her work is consequently discursive and formless; but there was an originality and force in her way of putting commonplace sober sense and piety that fully accounts for her extraordinary popularity. The most famous of her books was Coelebs in Search of a Wife, which had an enormous circulation among pious people. Sydney Smith attacked it with violence in the Edinburgh Review for its general priggishness. It is interesting to note that the model Stanley children have been Said to be drawn from T. B. Macaulay and his sister. She also wrote many spirited rhymes and prose tales, the earliest of which was Village Politics (1792), by “Will Chip,” to, counteract the doctrines of Tom Paine and the influence of the French Revolution. The success of Village Politics induced her to begin the series of “Cheap Repository Tracts,” which were for three years produced by Hannah and her sisters at the rate of three a month. Perhaps the most famous of these is The Shepherd of Salisbury Plain, describing a family of phenomenal frugality and contentment. This was translated into several languages. Two million copies of these rapid and telling sketches were circulated in one year, teaching the poor in rhetoric of most ingenious a homeliness to rely upon the virtues of content, sobriety, humility, industry, reverence for the British Constitution, hatred of the French, trust in God and in the kindness of the gentry.

Perhaps the best proof of Hannah More’s sterling worth was her indefatigable philanthropic work—her long-continued exertions to improve the condition of the children, in the mining districts of the Mendip Hills near her home at, Cowslip Green and Barley Wood. The More sisters met with a good deal of 