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 faithfully reproduced in the restored building. Unusual archaeological interest attaches to the churchyard. Its inscribed stones date from the 4th century, one being in honour of Constantine the Great. Another has Cornish lettering, which can no longer be deciphered; and there are British and Roman crosses. Market gardening and fishing are the main industries.

The charter attributed to Robert count of Mortain, granting lands and liberties to St Michael’s Mount, opposite Marazion, included a market on Thursdays. This appears to have been held from the first on the mainland. From it is probably derived the Marghasbigan (Parvum Forum) of the earlier and the Marghasyewe or Marketjew (Forum Jovis) of the later charters. It may be added that a Jewish origin has been ascribed to the place from the name Marketjew. It is certain that Richard king of the Romans provided that the three fairs, on the two feasts of St Michael and at Mid-Lent, and the three markets which had hitherto been held by the priors of St Michael’s Mount on land not their own at Marghasbighan, should in future be held on their own land at Marchadyou. He transferred in fact the fairs and markets from the demesne lands of the Bloyous in Marazion to those of the prior. To remedy the loss incurred by this measure Ralph Bloyou in 1331 procured for himself and his heirs a market on Mondays and a fair on the vigil, feast and morrow of St Andrew at Marghasyon. In Leland’s time the market was held at Marhasdeythyow (Forum Jovis), and both Norden (1582) and Carew (1602) tell us that Marcajewe signifies the Thursday’s market, which, whether etymologically sound or not, shows that the prior’s market had prevailed over its rival. In 1595 Queen Elizabeth granted to Marazion a charter of incorporation. This ratified the grant of St Andrew’s fair, provided for another on the Feast of St Barnabas and established a market on Saturdays. The corporation was to consist of a mayor, 8 aldermen and 12 capital burgesses. This corporation continued to administer the affairs of the borough until it was dissolved under the Municipal Corporations Act in 1835, when the property belonging to it was vested in charity commissioners. The chairman of the commissioners retains possession of the regalia. Of the fairs only the Michaelmas fair has survived and all the markets have gone. It is frequently stated that Marazion had formerly the right of returning two members to parliament, but that owing to its inability to pay the members’ expenses the right was lost. Under the Commonwealth an attempt was made to secure or recover the right, and two members are said to have been returned, but they were not allowed to take their seats. Remains of an ancient bronze furnace, discovered near the town, tend to prove that tin-smelting was practised here at an early period. Marazion was once a flourishing town, and owed its prosperity to the throng of pilgrims who came to visit St Michael’s Mount. During the first half of the 16th century it was twice plundered; first by the French, and later by the Cornish rebels. The rise and progress of the neighbouring borough of Penzance in the 17th century was the undoing of Marazion.  MARBLE (from Lat. marmor, Gr. , shining stone), a term applied to any limestone or dolomite which is sufficiently close in texture to admit of being polished. Many other ornamental stones—such as serpentine, alabaster and even granite—are sometimes loosely designated marble, but by accurate writers the term is invariably restricted to those crystalline and compact varieties of carbonate of lime (occasionally with carbonate of magnesia) which, when polished, are applicable to purposes of decoration. The crystalline structure is typically shown in statuary marble. A fractured surface of this stone displays a multitude of sparkling facets, which are the rhombohedral cleavage-planes of the component grains. The beautiful lustre of polished statuary marble is due to the light penetrating for a short distance into the rock and then suffering reflection at the surfaces of the deeper-lying crystals. The durability of marble in a dry atmosphere or when protected from rain renders it a valuable (q.v.); on the other hand, when exposed to the weather or the acid atmosphere of large cities, its surface readily crumbles.

Statuary and Economic Marbles.—Among statuary marbles the first place may be assigned to the famous Pentelic marble, the material in which Pheidias, Praxiteles, and other Greek sculptors executed their principal works. The characteristics of this stone are well seen in the Elgin marbles, which were removed from the Parthenon at Athens, and are now at the British Museum. The marble was derived from the quarries of Mount Pentelicus in Attica. Several large buildings have recently been constructed with this marble in London. The neighbouring mountain of Hymettus likewise yielded marbles, but these were neither so pure in colour nor so fine in texture as those of Pentelicus. Parian marble, another stone much used by Greek sculptors and architects, was quarried in the isle of Paros, chiefly at Mount Marpessa. It is called by ancient writers lychnites (from the Gr. , a lamp) in allusion to the fact that the quarries were worked by the light of lamps. The Venus de’ Medici is a notable example of work in this material. Carrara marble is better known than any of the Greek marbles, inasmuch as it constitutes the stone invariably employed by the best sculptors of the present day. This marble occurs abundantly in the Apuan Alps, an offshoot of the Apennines, and is largely worked in the neighbourhood of Carrara, Massa and Serravezza. Stone from this district was employed in Rome for architectural purposes in the time of Augustus, but the finer varieties, adapted to the needs of the sculptor, were not discovered until some time later. It is in Carrara marble that the finest works of Michelangelo and of Canova are executed. The purest varieties of this stone are of snow-white colour and of fine saccharoidal texture. Silica is disseminated through some of the marble, becoming a source of annoyance to the workman; while occasionally it separates as beautifully pellucid crystals of quartz known as “Carrara diamonds.” The geological age of the marbles of the Apuan Alps has been a subject of much dispute, some geologists regarding them as metamorphosed Triassic, Liassic or Rhaetic rocks. Much of the common marble is of a bluish colour, and therefore unfit for statuary purposes; when streaked with blue and grey veins the stone is known as bardiglio. Curiously enough, the common white marble of Tuscany comes to England as Sicilian marble—a name probably due to its having been formerly re-shipped from some port in Sicily.

Although crystalline marbles fit for statuary work are not found to any extent in Great Britain, the limestones of the Palaeozoic formations yield a great variety of marbles well suited for architectural purposes. The Devonian rocks of south Devon are rich in handsome marbles, presenting great diversity of tint and pattern. Plymouth, Torquay, Ipplepen, Babbacombe and Chudleigh may be named as the principal localities. Many of these limestones owe their beauty to the fossil corals which they contain, and are hence known as “madrepore marbles.”

Of far greater importance than the marbles of the Devonian system are those of Carboniferous age. It is from the Carboniferous or Mountain Limestone that British marbles are mainly derived. Marbles of this age are worked in Derbyshire and Yorkshire, in the neighbourhood of Bristol, in North Wales, in the Isle of Man, and in various parts of Ireland. One of the most beautiful of these stones is the “encrinital marble,” a material which owes its peculiarities to the presence of numerous encrinites, or stone-lilies. These fossils, when cut in various directions, give a characteristic pattern to the stone. The joints of the stems and arms are known from their shape as “wheel-stones,” and the rock itself has been called “entrochal marble.” The most beautiful varieties are those in which the calcareous fossils appear as white markings on a ground of grey limestone. In Belgium a black marble with small sections of crinoid stems is known as petit granit, while in Derbyshire a similar rock, crowded with fragments of minute encrinites, is termed “bird’s-eye marble.”

Perhaps the most generally useful marbles yielded by the Carboniferous system are the black varieties, which are largely employed for chimney-pieces, vases, and other ornamental objects. The colour of most black limestone is due to the presence of bituminous matter. Such limestone commonly