Page:EB1911 - Volume 17.djvu/165

 immaterial body. The tanoana is the divine in man and after death returns to its lord, Poewempala boeroe. It goes forth during sleep, and all that it sees it whispers into the sleeper’s ear and then he dreams. According to another account, the tanoana is the substance by which man lives, thinks and acts; the tanoana of man, plants and animals is of the same nature. A man’s tanoana can be strengthened by those of others; when the tanoana is long away or destroyed the man dies. The tanoana seems to be the soul of which lycanthropic feats are asserted.

Among the Toradjas of central Celebes it is believed that a man’s “inside” can take the form of a cat, wild pig, ape, deer or other animal, and afterwards resume human form; it is termed lamboyo. The exact relation of the lamboyo to the tanoana does not seem to be settled; it will be seen below that the view seems to vary. According to some the power of transformation is a gift of the gods, but others hold that werwolfism is contagious and may be acquired by eating food left by a werwolf or even by leaning one’s head against the same pillar. The Todjoers hold that any one who touches blood becomes a werwolf. In accordance with this view is the belief that werwolfism can be cured; the breast and stomach of the werman must be rubbed and pinched, just as when any other witch object has to be extracted. The patient drinks medicine, and the contagion leaves the body in the form of snakes and worms. There are certain marks by which a werman can be recognized. His eyes are unsteady and sometimes green with dark shadows underneath. He does not sleep soundly and fireflies come out of his mouth. His lips remain red in spite of betel chewing, and he has a long tongue. The Todjoers add that his hair stands on end.

Some of the forms of the lamboyo are distinguishable from ordinary animals by the fact that they run about among the houses; the wer-buffalo has only one horn, and the wer-pig transforms itself into an ants’ nest, such as hangs from trees. Some say that the werman does not really take the form of an animal himself, but, like the sorcerer, only sends out a messenger. The lamboyo attacks by preference solitary individuals, for he does not like to be observed. The victim feels sleepy and loses consciousness; the lamboyo then assumes human form (his body being, however, still at home) and cuts up his victim, scattering the fragments all about. He then takes the liver and eats it, puts the body together again, licks it with his long tongue and joins it together. When the victim comes to himself again he has no idea that anything unusual has happened to him. He goes home, but soon begins to feel unwell. In a few days he dies, but before his death he is able sometimes to name the werman to whom he has fallen a victim.

From this account it might be inferred that the lamboyo was identical with the tanoana; the absence of the lamboyo seems to entail a condition of unconsciousness, and it can assume human form. In other cases, however, the lamboyo seems to be analogous to the familiar of the sorcerer. The Toradjas tell a story of how a man once came to a house and asked the woman to give him a rendezvous; it was night and she was asleep; the question was put three times before the answer was given “in the tobacco plantation.” The husband was awake, and next day followed his wife, who was irresistibly drawn thither. The werman came to meet her in human form, although his body was engaged in building a new house, and caused the woman to faint by stamping three times on the ground. Thereupon the husband attacked the werman with a piece of wood, and the latter to escape transformed himself into a leaf; this the husband put into a piece of bamboo and fastened the ends so that he could not escape. He then went back to the village and put the bamboo in the fire. The werman said “Don’t,” and as soon as it was burnt he fell dead.

In another case a woman died, and, as her death was believed to be due to the malevolence of a werwolf, her husband watched by her body. For, like Indian witches, the werwolf, for some reason, wishes to revive his victim and comes in human form to carry off the coffin. As soon as the woman was brought to life the husband attacked the werwolf, who transformed himself into a piece of wood and was burnt. The woman remained alive, but her murderer died the same night.

According to a third form of the belief, the body of the werman is itself transformed. One evening a man left the hut in which a party were preparing to pass the night; one of his companions heard a deer and fired into the darkness. Soon after the man came back and said he had been shot. Although no marks were to be seen he died a few days later.

In Central Java we meet with another kind of wer-tiger. The power of transformation is regarded as due to inheritance, to the use of spells, to fasting and will-power, to the use of charms, &c. Save when it is hungry or has just cause for revenge it is not hostile to man; in fact, it is said to take its animal form only at night and to guard the plantations from wild pigs, exactly as the balams (magicians) of Yucatan were said to guard the corn fields in animal form. Variants of this belief assert that the werman does not recognize his friends unless they call him by name, or that he goes out as a mendicant and transforms himself to take vengeance on those who refuse him alms. Somewhat similar is the belief of the Khonds; for them the tiger is friendly; he reserves his wrath for their enemies, and a man is said to take the form of a tiger in order to wreak a just vengeance.

Lycanthropy in South America.—According to K. F. P. v. Martius the kanaima is a human being who employs poison to carry out his function of blood avenger; other authorities represent the kanaima as a jaguar, which is either an avenger of blood or the familiar of a cannibalistic sorcerer. The Europeans of Brazil hold that the seventh child of the same sex in unbroken succession becomes a wer-man or woman, and takes the form of a horse, goat, jaguar or pig.

II. As a pathological state lycanthropy may be described as a kind of hysteria, and may perhaps be brought into connexion with the form of it known as latah. It is characterized by the patient’s belief that he has been metamorphosed into an animal, and is often accompanied by a craving for strange articles of food, including the flesh of living beings or of corpses. In the lower stages of culture the state of the patient is commonly explained as due to possession, but where he leaves the neighbourhood of man real metamorphosis may be asserted, as in ordinary lycanthropic beliefs. Marcellus of Sida says that in Greece the patients frequented the tombs at night; they were recognizable by their yellow complexion, hollow eyes and dry tongue. The Garrows of India are said to tear their hair when they are seized with the complaint, which is put down to the use of a drug applied to the forehead; this recalls the stories of the witch’s salve in Europe. In Abyssinia the patient is usually a woman; two forms are distinguished, caused by the hyena and the leopard respectively. A kind of trance ushers in the fit; the fingers are clenched, the eyes glazed and the nostrils distended; the patient, when she comes to herself, laughs hideously and runs on all fours. The exorcist is a blacksmith; as a rule, he applies onion or garlic to her nose and proceeds to question the evil spirit.

.—For the anthropological side of the subject see bibliography to ; also Tijdskrift voor indische Taal, Land en Volkenkunde, xxviii. 338, xli. 548, 568; ''Med. Zendelingsgenootschap'', xxxix. 3, 16; O. Stoll, Suggestion, p. 418; W. H. Brett, Indians of British Guiana. For the pathological side, see Hack Tuke, ''Dict. of Psychological Medicine, s.v. “Lycanthropy”; Dict.'' des sciences médicales; Waldmeier, Autobiography, p. 64; A. J. Hayes, Source of Blue Nile, p. 286 seq.; ''Abh. phil.-hist. Klasse kgl.'' sächsische Gesellschaft der Wiss. 17, No. 3.

 LYCAON, in Greek mythology, son of Pelasgus, the mythical first king of Arcadia. He, or his fifty impious sons, entertained Zeus and set before him a dish of human flesh; the god pushed away the dish in disgust and either killed the king and his sons by lightning or turned them into wolves (Apollodorus iii. 8; Ovid, Metam. i. 198). Some say that Lycaon slew and dished up his own son Nyctimus (Clem. Alex. Protrept. ii. 36; Nonnus, Dionys. xviii. 20; Arnobius iv. 24). The deluge was said to have been sent by Zeus in the time of Deucalion in consequence of the sons’ impiety. Pausanias (viii. 2) says that Lycaon sacrificed a child to Zeus on the altar on mount Lycaeus, and immediately after the sacrifice was turned into a wolf. This gave rise to the story that a man was turned into a wolf at each annual sacrifice to Zeus Lycaeus, but recovered his human form if he abstained from human flesh for ten years. The oldest city, the oldest cultus (that of Zeus Lycaeus), and the first civilization of Arcadia are attributed to Lycaon. His story has been variously interpreted. According to Weizsäcker, he was an old Pelasgian or pre-Hellenic god, to whom human sacrifice was offered, bearing a non-Hellenic name similar to , whence the story originated of his metamorphosis into a wolf. His cult was driven out by that of the Hellenic Zeus, and Lycaon himself was afterwards represented as an evil spirit, who had insulted the new deity by setting human flesh before him. Robertson Smith considers the sacrifices offered to the wolf-Zeus in Arcadia to have been originally cannibal feasts of a wolf-tribe, who recognized the wolf as their totem. Usener and others identify Lycaon with Zeus Lycaeus, the god of light, who slays his son Nyctimus (the dark) or is succeeded by him, in allusion to the perpetual succession of night and day. According to Ed. Meyer, the belief that Zeus Lycaeus accepted human sacrifice in the form of a wolf was the origin of the myth that Lycaon, the founder of his cult, became a wolf, i.e. participated in the nature of the god by the act of sacrifice, as did all who afterwards duly performed it. W. Mannhardt sees in the ceremony an allusion to certain agricultural rites, the object of