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AGE OF THE COMMUNES] enmity. To plot against him, to attempt his life by poison or the sword, was accounted virtuous. His secretary, Piero delle Vigne, was wrongly suspected of conspiring. The crimes of his vicar Ezzelino, who laid whole provinces waste and murdered men by thousands in his Paduan prisons, increased the horror with which he was regarded. Parma revolted from him, and he spent months in 1247–1248 vainly trying to reduce this one time faithful city. The only gleam of success which shone on his ill fortune was the revolution which placed Florence in the hands of the Ghibellines in 1248. Next year Bologna rose against him, defeated his troops and took his son Enzio, king of Sardinia, prisoner at Fossalta. Hunted to the ground and broken-hearted, Frederick expired at the end of 1250 in his Apulian castle of Fiorentino. It is difficult to judge his career with fairness. The only prince who could, with any probability of success, have established the German rule in Italy, his ruin proved the impossibility of that long-cherished scheme. The nation had outgrown dependence upon foreigners, and after his death no German emperor interfered with anything but miserable failure in Italian affairs. Yet from many points of view it might be regretted that Frederick was not suffered to rule Italy. By birth and breeding an Italian, highly gifted and widely cultivated, liberal in his opinions, a patron of literature, a founder of universities, he anticipated the spirit of the Renaissance. At his court Italian started into being as a language. His laws were wise. He was capable of giving to Italy a large and noble culture. But the commanding greatness of his position proved his ruin. Emperor and king of Sicily, he was the natural enemy of popes, who could not tolerate so overwhelming a rival.

After Frederick’s death, the popes carried on their war for eighteen years against his descendants. The cause of his son Conrad was sustained in Lower Italy by Manfred, one of Frederick’s many natural children; and, when Conrad died in 1254, Manfred still acted as vicegerent

for the Swabians, who were now represented by a boy Conradin. Innocent IV. and Alexander IV. continued to make head against the Ghibelline party. The most dramatic incident in this struggle was the crusade preached against Ezzelino. This tyrant had made himself justly odious; and when he was hunted to death in 1259, the triumph was less for the Guelph cause than for humanity outraged by the iniquities of such a monster. The battle between Guelph and Ghibelline raged with unintermitting fury. While the former faction gained in Lombardy by the massacre of Ezzelino, the latter revived in Tuscany after the battle of Montaperti, which in 1260 placed Florence at the discretion of the Ghibellines. Manfred, now called king of Sicily, headed the Ghibellines, and there was no strong counterpoise against him. In this necessity Urban IV. and Clement IV. invited Charles of Anjou to enter Italy and take the Guelph command. They made him senator of Rome and vicar of Tuscany, and promised him the investiture of the regno provided he stipulated that it should not be held in combination with the empire. Charles accepted these terms, and was welcomed by the Guelph party as their chief throughout Italy. He defeated Manfred in a battle at Grandella near Benevento in 1266. Manfred was killed; and, when Conradin, a lad of sixteen, descended from Germany to make good his claims to the kingdom, he too was defeated at Tagliacozzo in 1267. Less lucky than his uncle, Conradin escaped with his life, to die upon a scaffold at Naples. His glove was carried to his cousin Constance, wife of Peter of Aragon, the last of the great Norman-Swabian family. Enzio died in his prison four years later. The popes had been successful; but they had purchased their bloody victory at a great cost. This first invitation to French princes brought with it incalculable evils.

Charles of Anjou, supported by Rome, and recognized as chief in Tuscany, was by far the most formidable of the Italian potentates. In his turn he now excited the jealousy of the popes, who began, though cautiously, to cast their weight into the Ghibelline scale. Gregory initiated the policy of establishing

an equilibrium between the parties, which was carried out by his successor Nicholas III. Charles was forced to resign the senatorship of Rome and the signoria of Lombardy and Tuscany. In 1282 he received a more decided check, when Sicily rose against him in the famous rebellion of the Vespers. He lost the island, which gave itself to Aragon; and thus the kingdom of Sicily was severed from that of Naples, the dynasty in the one being Spanish and Ghibelline, in the other French and Guelph. Meanwhile a new emperor had been elected, the prudent Rudolf of Habsburg, who abstained from interference with Italy, and who confirmed the territorial pretensions of the popes by solemn charter in 1278. Henceforth Emilia, Romagna, the March of Ancona, the patrimony of St Peter and the Campagna of Rome held of the Holy See, and not of the empire. The imperial chancery, without inquiring closely into the deeds furnished by the papal curia, made a deed of gift, which placed the pope in the position of a temporal sovereign. While Nicholas III. thus bettered the position of the church in Italy, the Guelph party grew stronger than ever, through the crushing defeat of the Pisans by the Genoese at Meloria in 1284. Pisa, who had ruined Amalfi, was now ruined by Genoa. She never held her head so high again after this victory, which sent her best and bravest citizens to die in the Ligurian dungeons. The Mediterranean was left to be fought for by Genoa and Venice, while Guelph Florence grew still more powerful in Tuscany. Not long after the battle of Meloria Charles of Anjou died, and was succeeded by his son Charles II. of Naples, who played no prominent part in Italian affairs. The Guelph party was held together with a less tight hand even in cities so consistent as Florence. Here in the year 1300 new factions, subdividing the old Guelphs and Ghibellines under the names of Neri and Bianchi, had acquired such force that Boniface VIII., a violently Guelph pope, called in Charles of Valois to pacify the republic and undertake the charge of Italian affairs. Boniface was a passionate and unwise man. After quarrelling with the French king, Philip le Bel, he fell into the hands of the Colonna family at Anagni, and died, either of the violence he there received or of mortification, in October 1303.

After the short papacy of Benedict XI. a Frenchman, Clement V., was elected, and the seat of the papacy was transferred to Avignon. Thus began that Babylonian exile of the popes which placed them in subjection to the French crown and ruined their prestige in Italy. Lasting

seventy years, and joining on to the sixty years of the Great Schism, this enfeeblement of the papal authority, coinciding as it did with the practical elimination of the empire from Italian affairs, gave a long period of comparative independence to the nation. Nor must it be forgotten that this exile was due to the policy which induced the pontiffs, in their detestation of Ghibellinism, to rely successively upon the houses of Anjou and of Valois. This policy it was which justified Dante’s fierce epigram—the puttaneggiar co regi.

The period we have briefly traversed was immortalized by Dante in an epic which from one point of view might be called the poem of the Guelphs and Ghibellines. From the foregoing bare narration of events it is impossible to estimate the importance of these parties, or to understand their bearing on subsequent Italian history. We are therefore forced to pause awhile, and probe beneath the surface. The civil wars may be regarded as a continuation of the previous municipal struggle, intensified by recent hostilities between the burghers and the nobles. The quarrels of the church and empire lend pretexts and furnish war-cries; but the real question at issue is not the supremacy of pope or emperor. The conflict is a social one, between civic and feudal institutions, between commercial and military interests, between progress and conservatism. Guelph democracy and industry idealize the pope. The banner of the church waves above the camp of those who aim at positive prosperity and republican equality. Ghibelline aristocracy and immobility idealize the emperor. The prestige of the empire, based upon Roman law and feudal tradition, attracts imaginative patriots and systematic thinkers. The two ideals are counterposed and mutually exclusive. No city calls itself either Guelph