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Rh human nature and the rich endowments of His providence, only as the means of exercising His mad and immoral cruelty in the time to come. When the Semitic skin of Job is scratched, we find a modern pessimist beneath. Others in later days have brought the keen sensibility of the human frame and the torture which it endures together, and asked with Job to whom at last all this has to be referred. Towards the end of the cycle a star of heavenly light seems to rise on the horizon; the thought seizes the sufferer’s mind that man might have another life, that God’s anger pursuing him to the grave might be sated, and that He might call him out of it to Himself again (xiv. 13). This idea of a resurrection, unfamiliar to Job at first, is one which he is allowed to reach out of the necessities of the moral complications around him, but from the author’s manner of using the idea we may judge that it was familiar to himself. In the second cycle the thought of a future reconciliation with God is more firmly grasped. That satisfaction or at least composure which, when we observe calamities that we cannot morally account for, we reach by considering that providence is a great scheme moving according to general laws, and that it does not always truly reflect the relation of God to the individual, Job reached in the only way possible to a Semitic mind. He drew a distinction between an outer God whom events obey, pursuing him in His anger, and an inner God whose heart was with him, who was aware of his innocence; and he appeals from God to God, and beseeches God to pledge Himself that he shall receive justice from God (xvi. 19; xvii. 3). And so high at last does this consciousness that God is at one with him rise that he avows his assurance that He will yet appear to do him justice before men, and that he shall see Him with his own eyes, no more estranged but on his side, and for this moment he faints with longing (xix. 25 seq.).

After this expression of faith Job’s mind remains calm, though he ends by firmly charging God with perverting his right, and demanding to know the cause of his afflictions (xxvii. 2 seq.; xxxi. 35, where render: “Oh, that I had the indictment which mine adversary has written!”). In answer to this demand the Divine voice answers Job out of the tempest: “Who is this that darkeneth counsel by words without knowledge?” The word “counsel” intimates to Job that God does not act without a design, large and beyond the comprehension of man; and to impress this is the purpose of the Divine speeches. The speaker does not enter into Job’s particular cause; there is not a word tending to unravel his riddle; his mind is drawn away to the wisdom and majesty of God Himself. His own words and those of his friends are but re-echoed, but it is God Himself who now utters them. Job is in immediate nearness to the majesty of heaven, wise, unfathomable, ironical over the littleness of man, and he is abased; God Himself effects what neither the man’s This remarkable passage reads thus: “But I know that my redeemer liveth, and afterwards he shall arise upon the dust, and after my skin, even this body, is destroyed, without my flesh shall I see God; whom I shall see for myself, and mine eyes shall behold, and not as a stranger; my reins within me are consumed with longing.” The redeemer who liveth and shall arise or stand upon the earth is God whom he shall see with his own eyes, on his side. The course of exegesis was greatly influenced by the translation of Jerome, who, departing from the Itala, rendered: “ In novissimo die de terra surrecturus sum et rursum circumdabor pelle mea et in carne mea videbo deum meum. ” The only point now in question is whether: (a) Job looks for this manifestation of God to him while he is still alive, or (b) after death, and therefore in the sense of a spiritual vision and union with God in another life; that is, whether the words “destroyed” and “without my flesh” are to be taken relatively only, of the extremest effects of his disease upon him, or literally, of the separation of the body in death. A third view which assumes that the words rendered “without my flesh,” which run literally, “out of my flesh,” mean looking out from my flesh, that is, clothed with a new body, and finds the idea of resurrection repeated, perhaps imports more into the language than it will fairly bear. In favour of (b) may be adduced the persistent refusal of Job throughout to entertain the idea of a restoration in this life: the word “afterwards”; and perhaps the analogy of other passages where the same situation appears, as Ps. xlix. and lxxiii., although the actual dénouement of the tragedy supports (a). The difference between the two senses is not important, when the Old Testament view of immortality is considered. To the Hebrew the life beyond was not what it is to us, a freedom from sin and sorrow and admission to an immediate divine fellowship not attainable here. To him the life beyond was at best a prolongation of the life here; all he desired was that his fellowship with God here should not be interrupted in death, and that Sheol, the place into which deceased persons descended and where they remained, cut off from all life with God, might be overleapt. On this account the theory of Ewald, which throws the centre of gravity of the book into this passage in ch. xix., considering its purpose to be to teach that the riddles of this life shall be solved and its inequalities corrected in a future life, appears one-sided. The point of the passage does not lie in any distinction which it draws between this life and a future life; it lies in the assurance which Job expresses that God, who even now knows his innocence, will vindicate it in the future, and that, though estranged now, He will at last take him to His heart. own thoughts of God nor the representations of his friends could accomplish, though by the same means. The religious insight of the writer sounds here the profoundest deeps of truth.

Integrity.—Doubts whether particular portions of the present book belonged to the original form of it have been raised by many. M. L. De Wette expressed himself as follows: “It appears to us that the present book of Job has not all flowed from one pen. As many books of the Old Testament have been several times written over, so has this also” (Ersch and Gruber, Ency., sect. ii. vol. viii.). The judgment formed by De Wette has been adhered to more or less by most of those who have studied the book. Questions regarding the unity of such books as this are difficult to settle; there is not unanimity among scholars regarding the idea of the book, and consequently they differ as to what parts are in harmony or conflict with unity; and it is dangerous to apply modern ideas of literary composition and artistic unity to the works of antiquity and of the East. The problem raised in the book of Job has certainly received frequent treatment in the Old Testament; and there is no likelihood that all efforts in this direction have been preserved to us. It is probable that the book of Job was but a great effort amidst or after many smaller. It is scarcely to be supposed that one with such poetic and literary power as the author of chap. iii–xxxi., xxxviii.–xli. would embody the work of any other writer in his own. If there be elements in the book which must be pronounced foreign, they have been inserted in the work of the author by a later hand. It is not unlikely that our present book may, in addition to the great work of the original author, contain some fragments of the thoughts of other religious minds upon the same question, and that these, instead of being loosely appended, have been fitted into the mechanism of the first work. Some of these fragments may have originated at first quite independently of our book, while others may be expansions and insertions that never existed separately. At the same time it is scarcely safe to throw out any portion of the book merely because it seems to us out of harmony with the unity of the main part of the poem, or unless several distinct lines of consideration conspire to point it out as an extraneous element.

The arguments against the originality of the prologue—as, that it is written in prose, that the name Yahweh appears in it, that sacrifice is referred to, and that there are inconsistencies between it and the body of the book—are of little weight. There must have been some introduction to the poem explaining the circumstances of Job, otherwise the poetical dispute would have been unintelligible, for it is improbable that the story of Job was so familiar that a poem in which he and his friends figured as they do here would have been understood. And there is no trace of any other prologue or introduction having ever existed. The prologue, too, is an essential element of the work, containing the author’s positive contribution to the doctrine of suffering, for which the discussion in the poem prepares the way. The intermixture of prose and poetry is common in Oriental works containing similar discussions; the reference to sacrifice is to primitive not to Mosaic sacrifice; and the author, while using the name Yahweh freely himself, puts the patriarchal Divine names into the mouth of Job and his friends because he regards them as belonging to the patriarchal age and to a country outside of Israel. That the observance of this rule had a certain awkwardness for the writer appears perhaps from his allowing the name Yahweh to slip in once or twice (xii. 9, cf. xxviii. 28) in familiar phrases in the body of the poem. The discrepancies, such as Job’s references to his children as still alive (xix. 17, the interpretation is doubtful), and to his servants, are trivial, and even if real imply nothing in a book admittedly poetical and not historical. The objections to the epilogue are equally unimportant—as that the Satan is not mentioned in it, and that Job’s restoration is in conflict with the main idea of the poem—that earthly felicity does not follow righteousness. The epilogue confirms the teaching of the poem when it gives the divine sanction to Job’s doctrine regarding God in opposition to that of the friends (xlii. 7). And it is certainly not the intention of the poem to teach that earthly felicity does not follow righteousness; its purpose is to correct the exclusiveness with which the friends of Job maintained that principle. The Satan is introduced in the prologue, exercising his function as minister of God in heaven; but it is to misinterpret wholly the doctrine of evil in the Old Testament to assign to the Satan any such personal importance or independence of power as that he should be called before the curtain to receive the hisses that accompany his own discomfiture. The Satan, though he here appears with the beginnings of a malevolent will of his own, is but the instrument of the sifting providence of God. His work was to try; that done he