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DOMESTIC HISTORY] could not be averted or success insured without recourse to Buddhist priests. Thus, during a reign of only 13 years at the close of the 11th century, the emperor Shirakawa caused 5420 religious pictures to be painted, ordered the casting of 127 statues of Buddha, each 11 ft. high, of 3150 life-sized images and of 2930 smaller idols, and constructed 21 large temples as well as 446,630 religious edifices of various kinds. Side by side with this faith in the supernatural, sexual immorality prevailed widely, never accompanied, however, by immodesty. Literary proficiency ranked as the be-all and end-all of existence. “A man estimated the conjugal qualities of a young lady by her skill in finding scholarly similes and by her perception of the cadence of words. If a woman was so fortunate as to acquire a reputation for learning, she possessed a certificate of universal virtue and amiability.” All the pastimes of the Nara epoch were pursued with increased fervour and elaboration in the Heian (Kiōto) era. The building of fine dwelling-houses and the laying out of landscape gardens took place on a considerable scale, though in these respects the ideals of later ages were not yet reached. As to costume, the close-fitting, business-like and comparatively simple dress of the 8th century was exchanged for a much more elaborate style. During the Nara epoch the many-hued hats of China had been abandoned for a sober head-gear of silk gauze covered with black lacquer, but in the Heian era this was replaced by an imposing structure glistening with jewels: the sleeves of the tunic grew so long that they hung to the knees when a man’s arms were crossed, and the trowsers were made so full and baggy that they resembled a divided skirt. From this era may be said to have commenced the manufacture of the tasteful and gorgeous textile fabrics for which Japan afterwards became famous. “A fop’s ideal was to wear several suits, one above the other, disposing them so that their various colours showed in harmoniously contrasting lines at the folds on the bosom and at the edges of the long sleeves. A successful costume created a sensation in court circles. Its wearer became the hero of the hour, and under the pernicious influence of such ambition men began even to powder their faces and rouge their cheeks like women. As for the fair sex, their costume reached the acme of unpracticality and extravagance in this epoch. Long flowing hair was essential, and what with developing the volume and multiplying the number of her robes, and wearing above her trowsers a many-plied train, a grand lady of the time always seemed to be struggling to emerge from a cataract of habiliments.” It was fortunate for Japan that circumstances favoured the growth of a military class in this age of her career, for had the conditions existing in Kiōto during the Heian epoch spread throughout the whole country, the penalty never escaped by a demoralized nation must have overtaken her. But by the middle of the 12th century the pernicious influence of the Fujiwara had paled before that of the Taira and the Minamoto, and a question of succession to the throne marshalled the latter two families in opposite camps, thus inaugurating an era of civil war which held the country in the throes of almost continuous battle for 450 years, placed it under the administration of a military feudalism, and educated a nation of warriors. At first the Minamoto were vanquished and driven from the capital, Kiyomori, the Taira chief, being left complete master of the situation. He established his headquarters at Rokuharu, in Kiōto, appropriated the revenues of 30 out of the 66 provinces forming the empire, and filled all the high offices of state with his own relatives or connexions. But he made no radical change in the administrative system, preferring to follow the example of the Fujiwara by keeping the throne in the hands of minors. And he committed the blunder of sparing the lives of two youthful sons of his defeated rival, the Minamoto chief. They were Yoritomo and Yoshitsunē; the latter the greatest strategist Japan ever produced, with perhaps one exception; the former, one of her three greatest statesmen, the founder of military feudalism. By these two men the Taira were so completely overthrown that they never raised their heads again, a sea-fight at Dan-no-ura (1155) giving them the coup de grâce. Their supremacy had lasted 22 years.

The Feudal Era.—Yoritomo, acting largely under the advice of an astute counsellor, Oye no Hiromoto, established his seat of power at Kamakura, 300 m. from Kiōto. He saw that, effectively to utilize the strength of the military class, propinquity to the military centres in the provinces was essential. At Kamakura he organized an administrative body similar in mechanism to that of the metropolitan government but studiously differentiated in the matter of nomenclature. As to the country at large, he brought it effectually under the sway of Kamakura by placing the provinces under the direct control of military governors, chosen and appointed by himself. No attempt was made, however, to interfere in any way with the polity in Kiōto: it was left intact, and the nobles about the Throne—kuge (courtly houses), as they came to be called in contradistinction to the buke (military houses)—were placated by renewal of their property titles. The Buddhist priests, also, who had been treated most harshly during the Taira tenure of power, found their fortunes restored under Kamakura’s sway. Subsequently Yoritomo obtained for himself the title of sei-itai-shōgun (barbarian-subduing generalissimo), and just as the office of regent (kwambaku) had long been hereditary in the Fujiwara family, so the office of shōgun became thenceforth hereditary in that of the Minamoto. These changes were radical. They signified a complete shifting of the centre of power. During eighteen centuries from the time of Jimmu’s invasion—as Japanese historians reckon—the country had been ruled from the south; now the north became supreme, and for a civilian administration a purely military was substituted. But there was no contumely towards the court in Kiōto. Kamakura made a show of seeking Imperial sanction for every one of its acts, and the whole of the military administration was carried on in the name of the emperor by a shōgun who called himself the Imperial deputy. In this respect things changed materially after the death of Yoritomo (1198). Kamakura then became the scene of a drama analogous to that acted in Kiōto from the 10th century.

The Hōjō family, to which belonged Masa, Yoritomo’s consort, assumed towards the Kamakura shōgun an attitude similar to that previously assumed by the Fujiwara family towards the emperor in Kiōto. A child, who on

state occasions was carried to the council chamber in Masa’s arms, served as the nominal repository of the shōgun’s power, the functions of administration being discharged in reality by the Hōjō family, whose successive heads took the name of shikken (constable). At first care was taken to have the shōgun’s office filled by a near relative of Yoritomo; but after the death of that great statesman’s two sons and his nephew, the puppet shōguns were taken from the ranks of the Fujiwara or of the Imperial princes, and were deposed so soon as they attempted to assert themselves. What this meant becomes apparent when we note that in the interval of 83 years between 1220 and 1308, there were six shōguns whose ages at the time of appointment ranged from 3 to 16. Whether, if events had not forced their hands, the Hōjō constables would have maintained towards the Throne the reverent demeanour adopted by Yoritomo must remain a matter of conjecture. What actually happened was that the ex-emperor, Go-Toba, made an ill-judged attempt (1221) to break the power of Kamakura. He issued a call to arms which was responded to by some thousands of cenobites and as many soldiers of Taira extraction. In the brief struggle that ensued the Imperial partisans were wholly shattered, and the direct consequences were the dethronement and exile of the reigning emperor, the banishment of his predecessor together with two princes of the blood, and the compulsory adoption of the tonsure by Go-Toba; while the indirect consequence was that the succession to the throne and the tenure of Imperial power fell under the dictation of the Hōjō as they had formerly fallen under the direction of the Fujiwara. Yoshitoki, then head of the Hōjō family, installed his brother, Tokifusa, as military governor of Kiōto, and confiscating about 3000 estates, the property of those who had espoused the Imperial cause, distributed these lands among the adherents of his own family, thus