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 Republics (1892); T. R. Lombard, The New Honduras (New York, 1887); H. Jalhay, La République de Honduras (Antwerp, 1898); Perry, Directorio nacional de Honduras (New York, 1899); H. G. Bourgeois, Breve noticia sobre Honduras (Tegucigalpa, 1900).

HONE, NATHANIEL (1718–1784), British painter, was the son of a merchant at Dublin, and without any regular training acquired in his youth much skill as a portrait-painter. Early in his career he left Dublin for England and worked first in various provincial towns, but ultimately settled in London, where he soon made a considerable reputation. His oil-paintings were decidedly popular, but he gained his chief success by his miniatures and enamels, which he executed with masterly capacity. He became a member of the Incorporated Society of Artists and afterwards a foundation member of the Royal Academy; but he had several disagreements with his fellow-members of that institution, and on one occasion they rejected two of his pictures, one of which was regarded as a satire on Reynolds and the other on Angelica Kauffman. Most of his contributions to the Academy exhibitions were portraits. The quality of his work varied greatly, but the merit of his miniatures and enamels entitles him to a place among the ablest artists of the British school. He executed also a few mezzotint plates of reasonable importance, and some etchings. His portrait, painted by himself two years before his death, is in the possession of the Royal Academy.

HONE, WILLIAM (1780–1842), English writer and bookseller, was born at Bath on the 3rd of June 1780. His father brought up his children with the sectarian narrowness that so frequently produces reaction. Hone received no systematic education, and was taught to read from the Bible only. His father having removed to London in 1783, he was in 1790 placed in an attorney’s office. After two and a half years spent in the office of a solicitor at Chatham he returned to London to become clerk to a solicitor in Gray’s Inn. But he disliked the law, and had already acquired a taste for free-thought and political agitation. Hone married in 1800, and started a book and print shop with a circulating Library in Lambeth Walk. He soon removed to St Martin’s Churchyard, where he brought out his first publication, Shaw’s Gardener (1806). It was at this time that he and his friend, John Bone, tried to realize a plan for the establishment of popular savings banks, and even had an interview on the subject with the president of the Board of Trade. This scheme, however, failed. Bone joined him next in a bookseller’s business; but Hone’s habits were not those of a tradesman, and bankruptcy was the result. He was in 1811 chosen by the booksellers as auctioneer to the trade, and had an office in Ivy Lane. Independent investigations carried on by him into the condition of lunatic asylums led again to business difficulties and failure, but he took a small lodging in the Old Bailey, keeping himself and his now large family by contributions to magazines and reviews. He hired a small shop, or rather box, in Fleet Street but this was on two separate nights broken into, and valuable books lent for show were stolen. In 1815 he started the Traveller newspaper, and endeavoured vainly to exculpate Eliza Fenning, a poor girl, apparently quite guiltless, who was executed on a charge of poisoning. From February 1 to October 25, 1817, he published the Reformer’s Register, writing in it as the serious critic of the state abuses, which he soon after attacked in the famous political squibs and parodies, illustrated by George Cruikshank. In April 1817 three ex-officio informations were filed against him by the attorney-genera, Sir William Garrow. Three separate trials took place in the Guildhall before special juries on the 18th, 19th and 20th of December 1817. The first, for publishing Wilkes’s Catechism of a Ministerial Member (1817), was before Mr Justice Abbot (afterwards Lord Tenterden); the second, for parodying the litany and libelling the prince regent, and the third, for publishing the Sinecurist’s Creed (1817), a parody on the Athanasian creed, were before (q.v.). The prosecution took the ground that the prints were calculated to injure public morals, and to bring the prayer-book and even religion itself into contempt. But there can be no doubt that the real motives of the prosecution were political; Hone had ridiculed the habits and exposed the corruption of the prince regent and of other persons in power. He went to the root of the matter when he wished the jury “to understand that, had he been a publisher of ministerial parodies, he would not then have been defending himself on the floor of that court.” In spite of illness and exhaustion Hone displayed great courage and ability, speaking on each of the three days for about seven hours. Although his judges were biassed against him he was acquitted on each count, and the result was received with enthusiastic cheers by immense crowds within and without the court. Soon after the trials a subscription was begun which enabled Hone to get over the difficulties caused by his prosecution. Among Hone’s most successful political satires were The Political House that Jack built (1819), The Queen’s Matrimonial Ladder (1820), in favour of Queen Caroline, The Man in the Moon (1820), The Political Showman (1821), all illustrated by Cruikshank. Many of his squibs are directed against a certain “Dr Slop,” a nickname given by him to Dr (afterwards Sir John) Stoddart, of The Times. In researches for his defence he had come upon some curious and at that time little trodden literary ground, and the results were shown by his publication in 1820 of his Apocryphal New Testament, and in 1823 of his Ancient Mysteries Explained. In 1826 he published the Every-day Book, in 1827–1828 the Table-Book, and in 1829 the Year-Book; all three were collections of curious information on manners, antiquities and various other subjects. These are the works by which Hone is best remembered. In preparing them he had the approval of Southey and the assistance of Charles Lamb, but pecuniarily they were not successful, and Hone was lodged in King’s Bench prison for debt. Friends, however, again came to his assistance, and he was established in a coffee-house in Gracechurch Street; but this, like most of his enterprises, ended in failure. Hone’s attitude of mind had gradually changed to that of extreme devoutness, and during the latter years of his life he frequently preached in Weigh House Chapel, Eastcheap. In 1830 he edited Strutt’s Sports and Pastimes, and he contributed to the first number of the Penny Magazine. He was also for some years sub-editor of the Patriot. He died at Tottenham on the 6th of November 1842.

HONE (in O. Eng. hán, cognate with Swed. hen; the root appears in Skt. çána, ço to sharpen), a variety of finely siliceous stone employed for whetting or sharpening edge tools, and for abrading steel and other hard surfaces. Synonyms are hone-stone, whetstone, oilstone and sharpening stone. Hones are generally prepared in the form of flat slabs or small pencils or rods, but some are made with the outline of the special instrument they are designed to sharpen. Their abrading action is due to the quartz or silica which is always present in predominating proportion, some kinds consisting of almost pure quartz, while in others the siliceous element is very intimately mixed with aluminous or calcareous matter, forming a uniform compact stone, the extremely fine siliceous particles of which impart a remarkably keen edge to the instruments for the sharpening of which they are applied. In some cases the presence of minute garnets or magnetite assists in the cutting action. Hones are used either dry, with water, or with oil, and generally the object to be sharpened is drawn with hand pressure backward and forward over the surface of the hone; but sometimes the stone is moved over the cutting edge.

The coarsest type of stone which can be included among hones is the bat or scythe stone, a porous fine-grained sandstone used for sharpening scythes and cutters of mowing machines, and for other like purposes. Next come the ragstones, which consist of quartzose mica-schist, and give a finer edge than any sandstone. Under the head of oilstones or hones proper the most famous and best-known qualities are the German razor hone, the Turkey oilstone, and the Arkansas stone. The German razor hone, used, as its name implies, chiefly for razors, is obtained from the slate mountains near Ratisbon, where it forms a yellow vein of from 1 to 18 in. in the blue slate. It is sawn into thin slabs, and these are cemented to slabs of slate which serve as a support. Turkey oilstone is a close-grained bluish stone 