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 Cyclus oder die homerischen Dichter (Bonn, 1835–1849); on Proclus and the Cycle reference may also be made to Wilamowitz-Möllendorf p. 328 seq.; E. Bethe, ''Rhein. Mus.'' (1891), xxvi. p. 593 seq.; O. Immisch, ''Festschrift Th. Gomperz dargebracht'' (1902), p. 237 sq.; Lauer, Geschichte der homerischen Poesie (Berlin, 1851); Sengebusch, two dissertations prefixed to the two volumes of W. Dindorf’s Homer in the Teubner series (1855–1856); Friedländer, Die homerische Kritik von Wolf bis Grote (Berlin, 1853); Nutzhorn, Die Entstehungsweise der homerischen Gedichte, mit Vorwort von J. N. Madvig (Leipzig, 1869); E. Kammer, Zur homerischen Frage (Königsberg, 1870); and Die Einheit der Odyssee (Leipzig, 1873); Ä. Kirchhoff, Die Composition der Odyssee (Berlin, 1869); Volkmann, Geschichte und Kritik der Wolf’schen Prolegomena (Leipzig, 1874); K. Sittl, Die Wiederholungen in der Odyssee (München, 1882); U. v. Wilamowitz-Möllendorf, Homerische Untersuchungen (Berlin, 1884); O. Seeck, Die Quellen der Odyssee (Berlin, 1887); F. Blass, Die Interpolationen in der Odyssee (Leipzig, 1905). The interest taken in the question by English students is sufficiently shown in the writings of W. E. Gladstone, F. A. Paley, Henry Hayman (in the Introduction to his Odyssey), P. Geddes, R. C. Jebb and A. Lang (see especially the latter’s Homer and his Age, 1907).

The Homeric dialect must be studied in the books (such as those of G. Curtius) that deal with Greek on the comparative method. The best special work is the brief Griechische Formenlehre of H. L. Ahrens (Göttingen, 1852). Other important works are those of Aug. Fick: Die homerische Odyssee in der ursprünglichen Sprachform wiederhergestelt (Göttingen, 1883); Die homerische Ilias (ibid., 1886); W. Schulze, Quaestiones epicae (Güterslohe, 1892). On Homeric syntax the chief book is B. Delbrück’s Syntactische Forschungen (Halle, 1871–1879), especially vols. i. and iv.; on metre, &c., Hartel’s Homerische Studien (i.-iii., Vienna); Knös, De digammo Homerico quaestiones (Upsala, 1872–1873–1878); Thumb, Zur ''Geschichte des griech. Digamma, Indogermanische Forschungen'' (1898), ix. 294 seq. The papers reprinted in Bekker’s Homerische Blätter (Bonn, 1863–1872) and Cobet’s Miscellanea Critica (Leiden, 1876) are of the highest value. Hoffmann’s Quaestiones Homericae (Clausthal, 1842) is a useful collection of facts. Buttmann’s Lexilogus, as an example of method, is still worth study.

The antiquities of Homer—using the word in a wide sense—may be studied in the following books: Völcker, Über homerische Geographie und Weltkunde (Hanover, 1830); Nägelsbach’s Homerische Theologie (2nd ed., Nuremberg, 1861); H. Brunn, Die Kunst bei Homer (Munich, 1868); W. W. Lloyd, On the Homeric Design of the Shield of Achilles (London, 1854); Buchholz, Die homerischen Realien (Leipzig, 1871–1873); W. Helbig, Das homerische Epos aus den Denkmälern erläutert (Leipzig, 1884; 2nd ed., ibid., 1887); W. Reichel, Über homerische Waffen (Vienna, 1894); C. Robert, Studien zur Ilias (Berlin, 1901); W. Ridgeway, The Early Age of Greece (Cambridge, 1901); V. Bérard, Les Phéniciens et l’Odyssée (Paris, 1902–1903); C. Robert, “Topographische Probleme der Ilias,” in Hermes, xlii., 1907, pp. 78-112.

Among other aids should be mentioned the Index Homericus of Seber (Oxford, 1780); Prendergast’s Concordance to the Iliad (London, 1875); Dunbar’s id. to the Odyssey and Hymns (Oxford, 1880); Frohwein, Verbum Homericum, (Leipzig, 1881); Gehring, Index Homericus (Leipzig, 1891); the Lexicon Homericum, edited by H. Ebeling (Leipzig, 1880–1885) and the facsimile of the cod. Ven. A (Sijthoff; Leiden, 1901), with an introduction by D. Comparetti.

 HOMER, WINSLOW (1836–1910), American painter, was born in Boston, U.S.A., on the 24th of February 1836. At the age of nineteen he was apprenticed to a lithographer. Two years later he opened a studio in Boston, and devoted much of his time to making drawings for wood-engravers. In 1859 he removed to New York, where he studied in the night-school of the National Academy of Design. During the American Civil War he was with the troops at the front, and contributed sketches to Harper’s Weekly. The war also furnished him with the subjects for the first two pictures which he exhibited (1863), one of which was “Home, Sweet Home.” His “Prisoners from the Front”—perhaps his most generally popular picture—was exhibited in New York in 1865, and also in Paris in 1867, where he was spending the year in study. Among his other paintings in oil are “Snap the Whip” (which was exhibited at the Philadelphia Centennial Exhibition of 1876, and, in company with “The Country Schoolroom,” at the Paris Salon the following year), “Eating Water-melon,” “The Cotton Pickers,” “Visit from the Old Mistress, Sunday Morning,” “The Life-Line” and “The Coming of the Gale.” His genius, however, has perhaps shown better in his works in water-colour, among which are his marine studies painted at Gloucester, Mass., and his “Inside the Bar,” “The Voice from the Cliffs” (pictures of English fisherwomen), “Tynemouth,” “Wrecking of a Vessel” and “Lost on the Grand Banks.” His work, which principally consists of genre pictures, is characterized by strength, rugged directness and unmistakable freshness and originality, rather than by technical excellence, grace of line or beauty of colour. He was little affected by European influences. His types and scenes, apart from his few English pictures, are distinctly American—soldiers in blue, New England children, negroes in the land of cotton, Gloucester fishermen and stormy Atlantic seas. Besides being a member of the Society of Painters in Water-color, New York, he was elected in 1864 an associate and the following year a member of the National Academy of Design.  HOMESTEAD, a borough of Allegheny county, Pennsylvania, U.S.A., on the Monongahela river, 8 m. S.E. of Pittsburg. Pop. (1890) 7911; (1900) 12,554, of whom 3604 were foreign-born and 640 were negroes; (U.S. census, 1910) 18,713. It is served by the Pennsylvania and the Pittsburg & Lake Erie railways, and by the short Union Railroad, which connects with the Bessemer & Lake Erie and the Wabash railways. The borough has a Carnegie library and the C.M. Schwab Manual Training School. Partly in Homestead but chiefly in the adjoining borough of Munhall (and therefore not reported as in Homestead by the U.S. Census) is one of the largest plants in the United States for the manufacture of steel used in the construction of bridges and steel-frame buildings and of steel armour-plate, and this is its chief industry; among Homestead’s other manufactures are glass and fire-bricks. The water-works are owned and operated by the municipality. Homestead was first settled in 1871, and it was incorporated in 1880. In 1892 a labour strike lasting 143 days and one of the most serious in the history of the United States was carried on here by the National Amalgamated Association of Iron and Steel Workers of the United States against the Carnegie Steel Company. The arrival (on the 6th of July) of a force of about 200 Pinkerton detectives from New York and Chicago resulted in a fight in which about 10 men were killed, and to restore order two brigades of the state militia were called out. See.  HOMESTEAD AND EXEMPTION LAWS, laws (principally in the United States) designed primarily either to aid the head of a family to acquire title to a place of residence or to protect the owner against loss of that title through seizure for debt. These laws have all been enacted in America since about the middle of the 19th century, and owe their origin to the demand for a population of the right sort in a new country, to the conviction that the freeholder rather than the tenant is the natural supporter of popular government, to the effort to prevent insolvent debtors from becoming useless members of society, and to the belief that such laws encourage the stability of the family.

By the cessions of several of the older states, and by various treaties with foreign countries, public lands have been acquired for the United States in every state and territory of the Union except the original thirteen, and Maine, Vermont, Kentucky, Tennessee and Texas. For a time they were regarded chiefly as a source of revenue, but about 1820, as the need of revenue for the payment of the national debt decreased and the inhabitants of an increasing number of new states became eager to have the vacant lands within their bounds occupied, the demand that the public lands should be disposed of more in the interest of the settler became increasingly strong, and the homestead idea originated. Until the advent of railways, however, the older states of the North were opposed to promoting the development of the West in this manner, and soon afterwards the Southern representatives in Congress opposed the general homestead bills in the interests of slavery, so that except in isolated cases where settlers were desired to protect some frontier, as in Florida and Oregon, and to a limited extent in the case of the Pre-emption Act of 1841 (see below), the homestead principle was not applied by the national government until the Civil War had begun. A general homestead bill was passed by Congress in 1860, but this was vetoed by President James Buchanan; two years later, however, a similar bill became a law. The act of 1862 originally provided that any citizen of the United States, or applicant for citizenship, who was the head of a family, or