Page:EB1911 - Volume 13.djvu/600

 HOLIDAY, originally the “holy day,” a festival set apart for religious observances as a memorial of some sacred event or sacred person; hence a day on which the ordinary work or business ceases. For the religious sense see, and. Apart from the use of the term for a single day of rest or enjoyment, it is commonly used in the plural for a recognized and regular period (as at schools, &c.) of absence from work. It is unnecessary here to deal with what may be regarded as private holidays, which are matters of agreement between employer and employed or between the authorities of this or that institution and those who attend it. In recent years there has been a notable tendency in most occupations to shorten the hours of labour, and make holidays more regular. It will suffice to deal here with public holidays, the observance of which is prescribed by the state. In one respect these have been diminished, in so far as saints’ days are no longer regarded as entailing non-attendance at the government offices in England, as was the case at the beginning of the 19th century. But while the influence of religion in determining such holidays has waned, the importance of making some compulsory provision for social recreation has made itself felt. In England four days, known as (q.v.), are set apart by statute to be observed as general holidays, while the sovereign may by proclamation appoint any day to be similarly observed. Endeavours have been made from time to time to get additional days recognized as general holidays, such as Empire Day (May 24th), Arbor Day, &c. In the British colonies there is no uniform practice. In Canada eight days are generally observed as public holidays: New Year’s Day, Good Friday, Easter Monday, Christmas Day, the birthday of the sovereign, Victoria Day, Dominion Day and Labour Day. Some of the provinces have followed the American example by adding an Arbor Day. Alberta and Saskatchewan observe Ash Wednesday. In Quebec, where the majority of the population is Roman Catholic, the holy days are also holidays, namely, the Festival of the Epiphany, Ash Wednesday, Good Friday, Easter Monday, the Ascension, All Saint’s Day, Conception Day, Christmas Day. In 1897 Labour Day was added. In New South Wales, the 1st of January, Good Friday, Easter Eve, Easter Monday, the birthday of the sovereign, the 1st of August, the birthday of the prince of Wales, Christmas Day and the 26th of December, are observed as holidays. In Victoria there are thirteen public holidays during the year, and in Queensland fourteen. In New Zealand the public holidays are confined to four, Christmas Day, New Year’s Day, Good Friday and Labour Day. In most of the other British colonies the usual number of public holidays is from six to eight.

In the United States there is no legal holiday in the sense of the English bank holidays. A legal holiday is dependent upon state and territorial legislation. It is usual for the president to proclaim the last Thursday in November as a day of thanksgiving; this makes it only a legal holiday in the District of Columbia, and in the territories, but most states make it a general holiday. Independence Day (July 4th) and Labour Day (first Monday in September) are legal holidays in most states. There are other days which, in connexion with particular events or in remembrance of particular persons, have been made legal holidays by particular states. For example, Lincoln’s birthday, Washington’s birthday, Memorial Day (May 30th), Patriots’ Day (April 19th, Maine and Mass.), R. E. Lee’s birthday (Jan. 19th, Ala., Fla., Ga., Va.), Pioneers’ Day (July 24th, Utah), Colorado Day (Aug. 1st), Battle of New Orleans (Jan. 8th, La.), Bennington Battle Day (Aug. 16th, Vt.), Defender’s Day (Sept, 12th, Md.), Arbor Day (April 22nd, Nebraska; second Friday in May R.I., &c.), Admission Day (September 9th, Cal.; Oct. 31st, Nev.), Confederate Memorial Day (April 26th, Ala., Fla., Ga., Miss., May 10th, N. & S. Car., June 3rd, La., Miss., Texas), &c.

See M‘Curdy, Bibliography of Articles relating to Holidays (Boston, 1905).

 HOLINSHED (or ), RAPHAEL (d. c. 1580), English chronicler, belonged probably to a Cheshire family, and according to Anthony Wood was educated at one of the English universities, afterwards becoming a “minister of God’s Word.” The authenticity of these facts is doubtful, although it is possible that Raphael was the Holinshed who matriculated from Christ’s College, Cambridge, in 1544. About 1560 he came to London and was employed as a translator by Reginald or Reyner Wolfe, to whom he says he was “singularly beholden.” Wolfe was already engaged in the preparation of a universal history, and Holinshed worked for some years on this undertaking; but after Wolfe’s death in 1573 the scope of the work was abridged, and it appeared in 1578 as the Chronicles of England, Scotland, and Ireland. The work was in two volumes, which were illustrated, and although Holinshed did a great deal of the work he received valuable assistance from William Harrison (1534–1593) and others, while the part dealing with the history of Scotland is mainly a translation of Hector Boece’s Scotorum historiae. Afterwards, as is shown by his will, Holinshed served as steward to Thomas Burdet of Bramcott, Warwickshire, and died about 1580.

A second edition of the Chronicles, enlarged and improved but without illustrations, which appeared in 1587, contained statements which were offensive to Queen Elizabeth and her advisers, and immediately after publication some of the pages were excised by order of the privy council. These excisions were published separately in 1723. An edition of the Chronicles, in accordance with the original text, was published in six volumes in 1808. The work contains a large amount of information, and shows that its compilers were men of great industry; but its chief interest lies in the fact that it was largely used by Shakespeare and other Elizabethan dramatists; Shakespeare, who probably used the edition of 1587, obtaining from the Chronicles material for most of his historical plays, and also for Macbeth, King Lear and part of Cymbeline. A single manuscript by Holinshed is known to be extant. This is a translation of Florence of Worcester, and is in the British Museum. See W. G. Boswell-Stone, Shakspere’s Holinshed. The Chronicle and the historical plays compared (London, 1896).

HOLKAR, the family name of the Mahratta ruler of (q.v.), which has been adopted as a dynastic title. The termination -kar implies that the founder of the family came from the village of Hol near Poona.

HOLL, FRANK (1845–1888), English painter, was born in London on the 4th of July 1845, and was educated chiefly at University College School. He was a grandson of William Holl, an engraver of note, and the son of Francis Holl, A.R.A., another engraver, whose profession he originally intended to follow. Entering the Royal Academy schools as a probationer in painting in 1860, he rapidly progressed, winning silver and gold medals, and making his début as an exhibitor in 1864 with “A Portrait,” and “Turned out of Church,” a subject picture. “A Fern Gatherer” (1865); “The Ordeal” (1866); “Convalescent” (the somewhat grim pathos of which attracted much attention), and “Faces in the Fire” (1867), succeeded. Holl gained the travelling studentship in 1868; the successful work was characteristic of the young painter’s mood, being “The Lord gave, and the Lord hath taken away.” His insatiable zeal for work of all kinds began early to undermine the artist’s health, but his position was assured by the studentship picture, which created a sort of furore, although, as with most of his works, the blackness of its coloration, probably due to his training as an engraver, was even more decidedly against it than the sadness of its theme. Otherwise, this painting exhibited nearly all the best technical qualities to which he ever attained, except high finish and clearness, and a very sincere vein of pathos. Holl was much below Millais in portraiture, and far inferior in all the higher ways of design; in technical resources, relatively speaking, he was but scantily provided. The range of his studies and the manner of his painting were narrower than those of Josef Israels, with whom, except as a portrait-painter, he may better be compared than with Millais. In 1870 he painted “Better is a Dinner of Herbs where Love is, than a Stalled Ox and Hatred therewith”; “No Tidings from the Sea,” a scene in a fisherman’s cottage, in 1871—a story told with breath-catching pathos and power; “I am the Resurrection and the Life” (1872); “Leaving Home” (1873), “Deserted” (1874), both of which had great success; “Her First-born,” girls carrying a baby to the grave (1876); and “Going Home” (1877). In 1877 he painted the two pictures “Hush” and