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 Consort, both of whom came to regard him with confidence and respect. After the Prince’s death, the Queen early turned to Helps to prepare an appreciation of her husband’s life and character. In his introduction to the collection (1862) of the Prince Consort’s speeches and addresses Helps adequately fulfilled his task. Some years afterwards he edited and wrote a preface to the Queen’s Leaves from a Journal of our Life in the Highlands (1868). In 1864 he received the honorary degree of D.C.L. from the university of Oxford. He was made a C.B. in 1871 and K.C.B.. in the following year. His later years were troubled by financial embarrassments, and he died on the 7th of March 1875.

 HELSINGBORG, a seaport of Sweden in the district (län) of Malmöhus, 35 m. N. by E. of Copenhagen by rail and water. Pop. (1900), 24,670. It is beautifully situated at the narrowest part of Öresund, or the Sound, here only 3 m. wide, opposite Helsingör (Elsinore) in Denmark. Above the town the brick tower of a former castle crowns a hill, commanding a fine view over the Sound. On the outskirts are the Öresund Park, gardens containing iodide and bromide springs, and frequented sea-baths. On the coast to the north is the royal château of Sofiero; to the south, the small spa of Ramlösa. A system of electric trams is maintained. North and east of Helsingborg lies the only coalfield in Sweden, extending into the lofty Kullen peninsula, which forms the northern part of the east shore of the Sound. Potter’s clay is also found. Helsingborg ranks among the first manufacturing towns of Sweden, having copper works, using ore from Sulitelma in Norway, india-rubber works and breweries. The artificial harbour has a depth of 24 ft., and there are extensive docks. The chief exports are timber, butter and iron. The town is the headquarters of the first army division.

The original site of the town is marked by the tower of the old fortress, which is first mentioned in 1135. In the 14th century it was several times besieged. From 1370 along with other towns in the province of Skåne, it was united for fifteen years with the Hanseatic League. The fortress was destroyed by fire in 1418, and about 1425 Eric XIII. built another near the sea, and caused the town to be transported thither, bestowing upon it important privileges. Until 1658 it belonged to Denmark, and it was again occupied by the Danes in 1676 and 1677. In 1684 its fortifications were dismantled. It was taken by Frederick IV. of Denmark in November 1709, but on the 28th of February 1710 the Danes were defeated in the neighbourhood, and the town came finally into the possession of Sweden, though in 1711 it was again bombarded by the Danes. A tablet on the quay commemorates the landing of Bernadotte after his election as successor to the throne in 1810.

 HELSINGFORS (Finnish Helsinki), a seaport and the capital of Finland and of the province of Nyland, centre of the administrative, scientific, educational and industrial life of Finland. The fine harbour is divided into two parts by a promontory, and is protected at its entrance by a group of small islands, on one of which stands the fortress of Sveaborg. A third harbour is situated on the west side of the promontory, and all three have granite quays. The city, which in 1810 had only 4065 inhabitants, Åbo the then capital having 10,224, has increased with great rapidity, having 22,228 inhabitants in 1860, 61,530 in 1890 and 111,654 in 1904. It is the centre of an active shipping trade with the Baltic ports and with England, and of a railway system connecting it with all parts of the grand duchy and with St Petersburg. Helsingfors is handsome and well laid out with wide streets, parks, gardens and monuments. The principal square contains the cathedral of St Nicholas, the Senate House and the university, all striking buildings of considerable architectural distinction. In the centre is the statue of the Tsar Alexander II., who is looked upon as the protector of the liberties of Finland, the monument being annually decorated with wreaths and garlands. The university has a teaching staff of 141 with (1906) 1921 students, of whom 328 were women. The university is well provided with museums and laboratories and has a library of over 250,000 volumes. Other public institutions are the Athenaeum, with picture gallery, a Swedish theatre and opera house, a Finnish theatre, the Archives, the Senate House, the Nobles’ House (Riddarhuset) and the House of the Estates, the German (Lutheran) church and the Russian church. Some of the scientific societies of Helsingfors have a wide repute, such as the academy of sciences, the geographical, historical, Finno-Ugrian, biblical, medical, law, arts and forestry societies, as also societies for the spread of popular education and of arts and crafts. There are a polytechnic, ten high schools, navigation and trade schools, institutes for the blind and the mentally deficient, and numerous elementary schools. The general standard of education is high, the publication of books, reviews and newspapers being very active. The language of culture is Swedish, but owing to recent manufacturing developments the majority of the population is Finnish-speaking. Helsingfors displays great manufacturing and commercial activity, the imports being coal, machinery, sugar, grain and clothing. The manufactures of the city consist largely of tobacco, beer and spirits, carpets, machinery and sugar.

 HELST, BARTHOLOMAEUS VAN DER, Dutch painter, was born in Holland at the opening of the 17th century, and died at Amsterdam in 1670. The date and place of his birth are uncertain; and it is equally difficult to confirm or to deny the time-honoured statement that he was born in 1613 at Amsterdam. It has been urged indeed by competent authority that Van der Helst was not a native of Amsterdam, because a family of that name lived as early as 1607 at Haarlem, and pictures are shown as works of Van der Helst in the Haarlem Museum which might tend to prove that he was in practice there before he acquired repute at Amsterdam. Unhappily Bartholomew has not been traced amongst the children of Severijn van der Helst, who married at Haarlem in 1607, and there is no proof that the pictures at Haarlem are really his; though if they were so they would show that he learnt his art from Frans Hals and became a skilled master as early as 1631. Scheltema, a very competent judge in matters of Dutch art chronology, supposes that Van der Helst was a resident at Amsterdam in 1636. His first great picture, representing a gathering of civic guards at a brewery, is variously assigned to 1639 and 1643, and still adorns the town-hall of Amsterdam. His noble portraits of the burgomaster Bicker and Andreas Bicker the younger, in the gallery of Amsterdam, of the same date no doubt as Bicker’s wife lately in the Ruhl collection at Cologne, were completed in 1642. From that time till his death there is no difficulty in tracing Van der Helst’s career at Amsterdam. He acquired and kept the position of a distinguished portrait-painter, producing indeed little or nothing besides portraits at any time, but founding, in conjunction with Nicolaes de Helt Stokade, the painters’ guild at Amsterdam in 1654. At some unknown date he married Constance Reynst, of a good patrician family in the Netherlands, bought himself a house in the Doelenstrasse and ended by earning a competence. His likeness of Paul Potter at the Hague, executed in 1654, and his partnership with Backhuysen, who laid in the backgrounds of some of his pictures in 1668, indicate a constant companionship with the best artists of the time. Wagen has said that his portrait of Admiral Kortenaar, in the gallery of Amsterdam, betrays the teaching of Frans Hals, and the statement need not be gainsaid; yet on the whole Van der Helst’s career as a painter was mainly a protest against the systems of Hals and Rembrandt. It is needless to dwell on the pictures which preceded that of 1648, called the Peace of Münster, in the gallery of Amsterdam. The Peace challenges comparison at once with the so-called Night Watch by Rembrandt and the less important but not less characteristic portraits of Hals and his wife in a neighbouring room. Sir Joshua Reynolds was disappointed by Rembrandt, whilst Van der Helst surpassed his expectation. But Bürger asked whether Reynolds had not already been struck with blindness when he ventured on this criticism. The question is still an open one. But certainly Van der Helst attracts by qualities entirely differing from those of Rembrandt and Frans Hals. Nothing can be more striking than the contrast between the strong concentrated light and the deep gloom of Rembrandt and the contempt of chiaroscuro