Page:EB1911 - Volume 13.djvu/260

Rh HELMET (from an obsolete diminutive of O. Fr. helme, mod. heaume; the English word is “helm,” as in O. Eng., Dutch and Ger.; all are from the Teutonic base hal-, pre-Teut. kal-, to cover; cf. Lat. celare, to hide, Eng. “hell,” &c.), a defensive covering for the head. The present article deals with the helmet during the middle ages down to the close of the period when body armour was worn. For the helmet worn by the Greeks and Romans see .

The head-dress of the warriors of the dark ages and of the earlier feudal period was far from being the elaborate helmet which is associated in the imagination with the knight in armour and the tourney. It was a mere casque, a cap with or without additional safeguards for the ears, the nape of the neck and the nose (fig. 1). By those warriors who possessed the means to equip themselves fully, the casque was worn over a hood of mail, as shown in fig. 2. In manuscripts, &c., armoured men are sometimes portrayed fighting in their hoods, without casques, basinets or other form of helmet. The casque was, of course, normally of plate, but in some instances it was a strong leather cap covered with mail or imbricated plates. The most advanced form of this early helmet is the conical steel or iron cap with nasal (fig. 2), worn in conjunction with the hood of mail. This is the typical helmet of the 11th-century warrior, and is made familiar by the Bayeux Tapestry. From this point however (c. 1100) the evolution of war head-gear follows two different paths for many years. On the one hand the simple casque easily transformed itself into the basinet, originally a pointed iron skull-cap without nasal, ear-guards, &c. On the other hand the knight in armour, especially after the fashion of the tournament set in, found the mere cap with nasal insufficient, and the heaume (or “helmet”) gradually came into vogue. This was in principle a large heavy iron pot covering the head and neck. Often a light basinet was worn underneath it—or rather the knight usually wore his basinet and only put the heaume on over it at the last moment before engaging. The earlier (12th century) war heaumes are intended to be worn with the mail hood and have nasals (fig. 3). Towards the end of the 13th century, however, the basinet grew in size and strength, just as the casque had grown, and began to challenge comparison with the heavy and clumsy heaume. Thereupon the heaume became, by degrees, the special head-dress of the tournament, and grew heavier, larger and more elaborate, while the basinet, reinforced with camail and vizor, was worn in battle. Types of the later, purely tilting, heaume are shown in figs. 4 and 5.

The basinet, then, is the battle head-dress of nobles, knights and sergeants in the 14th century. Its development from the 10th-century cap to the towering helmet of 1350, with its long snouted vizor and ample drooping “camail,” is shown in fig. 6, a, b, c and d, the two latter showing the same helmet with vizor down and up. But the tendency set in during the earlier years of the 15th century to make all parts of the armour thicker. Chain “mail” gradually gave way to plate on the body and the limbs, remaining only in those parts, such as neck and elbows, where flexibility was essential, and even there it was in the end replaced by jointed steel bands or small plates. The final step was the discarding of the “camail” and the introduction of the “armet.” The latter will be described later. Soon after the beginning of the 15th century the high-crowned basinet gave place to the salade or sallet, a helmet with a low rounded crown and a long brim or neck-guard at the back. This was the typical headpiece of the last half of the Hundred Years’ War as the vizored basinet had been of the first. Like the basinet it was worn in a simple form by archers and pikemen and in a more elaborate form by the knights and men-at-arms. The larger and heavier salades were also often used instead of the heaume in tournaments. Here again, however, there is a great difference between those worn by light armed men, foot-soldiers and archers and those of the heavy cavalry. The former, while possessing as a rule the bowl shape and the lip or brim of the type, and always destitute of the conical point which is the distinguishing mark of the basinet, are cut away in front of the face (fig. 7 a). In some cases this was remedied in part by the addition of a small pivoted vizor, which, however, could not protect the throat. In the larger salades of the heavy cavalry the wide brim served to protect the whole head, a slit being made in that part of the brim which came in front of the eyes (in some examples the whole of the front part of the brim was made movable). But the chin and neck, directly opposed to the enemy’s blows, were scarcely protected at all, and with these helmets a large volant-piece or beaver (mentonnière)—usually a continuation of the body armour up to the chin or even beyond—was worn for this purpose, as shown in fig. 7 b. This arrangement combined, in a rough way, the advantages of freedom of movement for the head with adequate protection for the neck and lower part of the face. The armet, which came into use about 1475–1500 and completely superseded the salade, realized these requirements far better, and later at the zenith of the armourer’s art (about 1520) and throughout the period of the decline of armour it remained the standard pattern of helmet, whether for war or for tournament. It figures indeed in nearly all portraits of kings, nobles and