Page:EB1911 - Volume 12.djvu/460

HISTORY] however, in the sense of the relative order of the various periods and the approximate intervals between them, is too firmly established, both by internal evidence, such as the development of the styles of pottery, and of the art in general, and by external evidence, such as the points of contact with Egyptian art and history, to admit of its being any longer seriously called in question. If, then, by “Greek history” is to be understood the history of the lands occupied in later times by the Greek race (i.e. the Greek peninsula and the Aegean basin), the beginnings of the history must be carried back some 2000 years before Grote’s proposed starting-point. If, however, “Greek history” is taken to mean the history of the Greek people, the determination of the starting-point is far from easy. For the question to which archaeology does not as yet supply any certain answer is the question of race. Were the creators of the Minoan and Mycenaean civilization Greeks or were they not? In some degree the Minoan evidence has modified the answer suggested by the Mycenaean. Although wide differences of opinion as to the origin of the Mycenaean civilization existed among scholars when the results of Schliemann’s labours were first given to the world, a general agreement had gradually been arrived at in favour of the view which would identify Mycenaean with Achaean or Homeric. In presence of the Cretan evidence it is no longer possible to maintain this view with the same confidence. The two chief difficulties in the way of attributing either the Minoan or the Mycenaean civilization to an Hellenic people are connected respectively with the script and the religion. The excavations at Cnossus have yielded thousands of tablets written in the linear script. There is evidence that this script was in use among the Mycenaeans as well. If Greek was the language spoken at Cnossus and Mycenae, how is it that all attempts to decipher the script have hitherto failed? The Cretan excavations, again, have taught us a great deal as to the religion of the Minoan age; they have, at the same time, thrown a new light upon the evidence supplied by Mycenaean sites. It is no longer possible to ignore the contrast between the cults of the Minoan and Mycenaean ages, and the religious conceptions which they imply, and the cults and religious conceptions prevalent in the historical period. On the other hand, it may safely be asserted that the argument derived from the Mycenaean art, in which we seem to trace a freedom of treatment which is akin to the spirit of the later Greek art, and is in complete contrast to the spirit of Oriental art, has received striking confirmation from the remains of Minoan art. The decipherment of the script would at once solve the problem. We should at least know whether the dominant race in Crete in the Minoan age spoke an Hellenic or a non-Hellenic dialect. And what could be inferred with regard to Crete in the Minoan age could almost certainly be inferred with regard to the mainland in the Mycenaean age. In the meanwhile, possibly until the tablets are read, at any rate until further evidence is forthcoming, any answer that can be given to the question must necessarily be tentative and provisional. (See .)

It has already been implied that this period of the history of Greece may be subdivided into a Minoan and a Mycenaean age. Whether these terms are appropriate is a question of comparatively little importance. They at least serve to remind us of the part played by the discoveries at Mycenae and Cnossus in the reconstruction of the history. The term “Mycenaean,” it is true, has other associations than those of locality. It may seem to imply that the civilization disclosed in the excavations at Mycenae is Achaean in character, and that it is to be connected with the Pelopid dynasty to which Agamemnon belonged. In its scientific use, the term must be cleared of all such associations. Further, as opposed to “Minoan” it must be understood in a more definite sense than that in which it has often been employed. It has come to be generally recognized that two different periods are to be distinguished in Schliemann’s discoveries at Mycenae itself. There is an earlier period, to which belong the objects found in the shaft-graves, and there is a later period, to which belong the beehive tombs and the remains of the palaces. It is the latter period which is “Mycenaean” in the strict sense; i.e. it is “Mycenaean” as opposed to “Minoan.” To this period belong also the palace at Tiryns, the beehive-tombs discovered elsewhere on the mainland of Greece and one of the cities on the site of Troy (Schliemann’s sixth). The pottery of this period is as characteristic of it, both in its forms (e.g. the “stirrup” or “false-necked” form of vase) and in its peculiar glaze, as is the architecture of the palaces and the beehive-tombs. Although the chief remains have been found on the mainland of Greece itself, the art of this period is found to have extended as far north as Troy and as far east as Cyprus. On the other hand, hardly any traces of it have been discovered on the west coast of Asia Minor, south of the Troad. The Mycenaean age, in this sense, may be regarded as extending from 1600 to 1200 The Minoan age is of far wider extent. Its latest period includes both the earlier and the later periods of the remains found at Mycenae. This is the period called by Dr Evans “Late Minoan.” To this period belong the Great Palace at Cnossus and the linear system of writing. The “Middle Minoan” period, to which the earlier palace belongs, is characterized by the pictographic system of writing and by polychrome pottery of a peculiarly beautiful kind. Dr Evans proposes to carry back this period as far as 2500 Even behind it there are traces of a still earlier civilization. Thus the Minoan age, even if limited to the middle and later periods, will cover at least a thousand years. Perhaps the most surprising result of the excavations in Crete is the discovery that Minoan art is on a higher level than Mycenaean art. To the scholars of a generation ago it seemed a thing incredible that the art of the shaft-graves, and the architecture of the beehive-tombs and the palaces, could belong to the age before the Dorian invasion. The most recent discoveries seem to indicate that the art of Mycenae is a decadent art; they certainly prove that an art, hardly inferior in its way to the art of the classical period, and a civilization which implies the command of great material resources, were flourishing in the Aegean perhaps a thousand years before the siege of Troy.

To the question, “What is the origin of this civilization? Is it of foreign derivation or of native growth?” it is not possible to give a direct answer. It is clear, on the one hand that it was developed, by a gradual process of differentiation, from a culture which was common to the whole Aegean basin and extended as far to the

west as Sicily. It is equally clear, on the other hand, that foreign influences contributed largely to the process of development. Egyptian influences, in particular, can be traced throughout the “Minoan” and “Mycenaean” periods. The developed art, however, both in Crete and on the mainland, displays characteristics which are the very opposite of those which are commonly associated with the term “oriental.” Egyptian work, even of the best period, is stiff and conventional; in the best Cretan work, and, in a less degree, in Mycenaean work, we find an originality and a freedom of treatment which remind one of the spirit of the Greek artists. The civilization is, in many respects, of an advanced type. The Cretan architects could design on a grand scale, and could carry out their designs with no small degree of mechanical skill. At Cnossus we find a system of drainage in use, which is far in advance of anything known in the modern world before the 19th century. If the art of the Minoan age falls short of the art of the Periclean age, it is hardly inferior to that of the age of Peisistratus. It is a civilization, too, which has long been familiar with the art of writing. But it is one that belongs entirely to the Bronze Age. Iron is not found until the very end of the Mycenaean period, and then only in small quantities. Nor is this the only point of contrast between the culture of the earliest age and that of the historical period in Greece. The chief seats of the early culture are to be found either in the island of Crete, or, on the mainland, at Tiryns and Mycenae. In the later history Crete plays no part, and Tiryns and Mycenae are obscure. With the great names of a later age, Argos, Sparta and Athens, no great discoveries are connected. In northern Greece, Orchomenos rather than Thebes is the centre of influence. Further points of contrast readily