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 army with the rank of colonel. He was permanently lamed by a wound received at Breda in 1637, and returned to England early in 1639, when he was made governor of Portsmouth. He served in the Scottish war, and already had a considerable reputation when he was concerned in the “Army Plot.” Officers of the army stationed at York proposed to petition the king and parliament for the maintenance of the royal authority. A second party was in favour of more violent measures, and Goring, in the hope of being appointed lieutenant-general, proposed to march the army on London and overawe the parliament during Strafford’s trial. This proposition being rejected by his fellow officers, he betrayed the proceedings to Mountjoy Blount, earl of Newport, who passed on the information indirectly to Pym in April. Colonel Goring was thereupon called on to give evidence before the Commons, who commended him for his services to the Commonwealth. This betrayal of his comrades induced confidence in the minds of the parliamentary leaders, who sent him back to his Portsmouth command. Nevertheless he declared for the king in August. He surrendered Portsmouth to the parliament in September 1642 and went to Holland to recruit for the Royalist army, returning to England in December. Appointed to a cavalry command by the earl of Newcastle, he defeated Fairfax at Seacroft Moor near Leeds in March 1643, but in May he was taken prisoner at Wakefield on the capture of the town by Fairfax. In April 1644 he effected an exchange. At Marston Moor he commanded the Royalist left, and charged with great success, but, allowing his troopers to disperse in search of plunder, was routed by Cromwell at the close of the battle. In November 1644, on his father’s elevation to the earldom of Norwich, he became Lord Goring. The parliamentary authorities, however, refused to recognize the creation of the earldom, and continued to speak of the father as Lord Goring and the son as General Goring. In August he had been despatched by Prince Rupert, who recognized his ability, to join Charles in the south, and in spite of his dissolute and insubordinate character he was appointed to supersede Henry, Lord Wilmot, as lieut.-general of the Royalist horse (see ). He secured some successes in the west, and in January 1645 advanced through Hampshire and occupied Farnham; but want of money compelled him to retreat to Salisbury and thence to Exeter. The excesses committed by his troops seriously injured the Royalist cause, and his exactions made his name hated throughout the west. He had himself prepared to besiege Taunton in March, yet when in the next month he was desired by Prince Charles, who was at Bristol, to send reinforcements to Sir Richard Grenville for the siege of Taunton, he obeyed the order only with ill-humour. Later in the month he was summoned with his troops to the relief of the king at Oxford. Lord Goring had long been intriguing for an independent command, and he now secured from the king what was practically supreme authority in the west. It was alleged by the earl of Newport that he was willing to transfer his allegiance once more to the parliament. It is not likely that he meditated open treason, but he was culpably negligent and occupied with private ambitions and jealousies. He was still engaged in desultory operations against Taunton when the main campaign of 1645 opened. For the part taken by Goring’s army in the operations of the Naseby campaign see . After the decisive defeat of the king, the army of Fairfax marched into the west and defeated Goring in a disastrous fight at Langport on the 10th of July. He made no further serious resistance to the parliamentary general, but wasted his time in frivolous amusements, and in November he obtained leave to quit his disorganized forces and retire to France on the ground of health. His father’s services secured him the command of some English regiments in the Spanish service. He died at Madrid in July or August 1657. Clarendon gives him a very unpleasing character, declaring that “Goring would, without hesitation, have broken any trust, or done any act of treachery to have satisfied an ordinary passion or appetite; and in truth wanted nothing but industry (for he had wit, and courage, and understanding and ambition, uncontrolled by any fear of God or man) to have been as eminent and successful in the highest attempt of wickedness as any man in the age he lived in or before. Of all his qualifications dissimulation was his masterpiece; in which he so much excelled, that men were not ordinarily ashamed, or out of countenance, with being deceived but twice by him.”

 GORKI, MAXIM (1868–&emsp;&emsp;), the pen-name of the Russian novelist Alexei Maximovich Pyeshkov, who was born at Nizhni-Novgorod on the 26th of March 1868. His father was a dyer, but he lost both his parents in childhood, and in his ninth year was sent to assist in a boot-shop. We find him afterwards in a variety of callings, but devouring books of all sorts greedily, whenever they fell into his hands. He ran away from the boot-shop and went to help a land-surveyor. He was then a cook on board a steamer and afterwards a gardener. In his fifteenth year he tried to enter a school at Kazan, but was obliged to betake himself again to his drudgery. He became a baker, than hawked about kvas, and helped the barefooted tramps and labourers at the docks. From these he drew some of his most striking pictures, and learned to give sketches of humble life generally with the fidelity of a Defoe. After a long course of drudgery he had the good fortune to obtain the place of secretary to a barrister at Nizhni-Novgorod. This was the turning-point of his fortunes, as he found a sympathetic master who helped him. He also became acquainted with the novelist Korolenko, who assisted him in his literary efforts. His first story was Makar Chudra, which was published in the journal Kavkaz. He contributed to many periodicals and finally attracted attention by his tale called Chelkash, which appeared in Russkoe Bogatsvo (“Russian wealth”). This was followed by a series of tales in which he drew with extraordinary vigour the life of the bosniaki, or tramps. He has sometimes described other classes of society, tradesmen and the educated classes, but not with equal success. There are some vigorous pictures, however, of the trading class in his Foma Gordeyev. But his favourite type is the rebel, the man in revolt against society, and him he describes from personal knowledge, and enlists our sympathies with him. We get such a type completely in Konovalov. Gorki is always preaching that we must have ideals—something better than everyday life, and this view is brought out in his play At the Lowest Depths, which had great success at Moscow, but was coldly received at St Petersburg.

 GÖRLITZ, a town of Germany, in the Prussian province of Silesia, on the left bank of the Neisse, 62 m. E. from Dresden on the railway to Breslau, and at the junction of lines to Berlin, Zittau and Halle. Pop. (1885) 55,702, (1905) 80,931. The Neisse at this point is crossed by a railway bridge 1650 ft. long and 120 ft. high, with 32 arches. Görlitz is one of the handsomest, and, owing to the extensive forests of 70,000 acres, which are the property of the municipality, one of the wealthiest towns in Germany. It is surrounded by beautiful walks and fine gardens, and although its old walls and towers have now been demolished, many of its ancient buildings remain to form a picturesque contrast with the signs of modern industry. From the hill called Landskrone, about 1500 ft. high, an extensive prospect is obtained of the surrounding country. The principal buildings are the fine Gothic church of St Peter and St Paul, dating from the 15th century, with two stately towers, a famous organ and a very heavy bell; the Frauen Kirche, erected about the end of the 15th century, and possessing a fine portal and choir in pierced work; the Kloster Kirche, restored in 1868, with handsome choir stalls and a carved altar dating from 1383; and the Roman Catholic church, founded in 1853, in the Roman style of architecture, with beautiful glass windows and oil-paintings. The old town hall (Rathaus) contains a very valuable library, having at its entrance a fine flight of steps. There is