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Rh GELSENKIRCHEN, a town of Germany in the Prussian province of Westphalia, 27 m. W. of Dortmund on the railway Duisburg-Hamm. Pop. (1905) 147,037. It has coal mines, iron furnaces, steel and boiler works, and soap, glass and chemical factories. In 1903 various neighbouring industrial townships were incorporated with the town.

GEM (Lat. gemma, a bud,—from the root gen, meaning “to produce,”—or precious stone; in the latter sense the Greek term is  ), a word applied in a wide sense to certain minerals which, by reason of their brilliancy, hardness and rarity, are valued for personal decoration; it is extended to include pearl. In a restricted sense the term is applied only to precious stones after they have been cut and polished as jewels, whilst in their raw state the minerals are conveniently called “gem-stones.” Sometimes, again, the term “gem” is used in a yet narrower sense, being restricted to engraved stones, like seals and cameos.

The subject is treated here in two sections: (1) Mineralogy and general properties; (2) Gems in Art, i.e. engraved gems, such as seals and cameos. The artificial products which simulate natural gem-stones in properties and chemical composition are treated in the separate article.

The gem-stones form a small conventional group of minerals, including principally the diamond, ruby, sapphire, emerald and opal. Other stones of less value—such as topaz, spinel, chrysoberyl, chrysolite, zircon and tourmaline—are sometimes called “fancy stones.” Many minerals still less prized, yet often used as ornamental stones,—like moonstone, rock-crystal and agate,—occasionally pass under the name of “semi-precious stones,” but this is rather a vague term and may include the stones of the preceding group. The classification of gem-stones is, indeed, to some extent a matter of fashion.

Descriptions of the several gem-stones will be found under their respective headings, and the present article gives only a brief review of the general characters of the group.

A high degree of hardness is an essential property of a gem-stone, for however beautiful and brilliant a mineral may be it is useless to the jeweller if it lack sufficient hardness to withstand the abrasion to which articles of personal decoration are necessarily subjected. Even if not definitely

scratched, the polished stone becomes dull by wear. Imitations in paste may be extremely brilliant, but being comparatively soft they soon lose lustre when rubbed. In the article it is explained that the varying degrees of hardness are registered on a definite scale. The exceptional hardness of the diamond gives it a supreme position in this scale, and to it the arbitrary value of 10 has been assigned. The corundum gem-stones (ruby and sapphire), though greatly inferior in hardness to the diamond, come next, with the value of 9; and it is notable that the sapphire is usually rather harder than ruby. Then follows the topaz, which, with spinel and chrysoberyl, has a hardness of 8; whilst quartz falls a degree lower. Most gem-stones are harder than quartz, though precious opal, turquoise, moonstone and sphene are inferior to it in hardness. Those stones which are softer than quartz have been called by jewellers demi-dures. To test the hardness of a cut stone, one of its sharp edges may be drawn, with firm pressure, across the smooth surface of a piece of quartz; if it leave a scratch its hardness must be above 7. The stone is then applied in like manner to a fragment of topaz, preferably a cleavage-piece, and if it fail to leave a distinct scratch its hardness is between 7 and 8, whereas if the topaz be scratched it is above 8. An expert may obtain a fair idea of hardness by gently passing the stone over a fine steel file, and observing the feel of the stone and the grating sound which it emits. If a stone be scratched by a steel knife its hardness is below 6. The degree of hardness of a precious stone is soon ascertained by the lapidary when cutting it.

Gem-stones differ markedly among themselves in density or specific weight; and although this is a character which does not directly affect their value for ornamental purposes, it furnishes by its constancy an important means of distinguishing one stone from another. Moreover, it is a character very easily determined

and can be applied to cut stones without injury. The relative weightiness of a stone is called its specific gravity, and is often abbreviated as S.G. The number given in the description of a mineral as S.G. shows how many times the stone is heavier than an equal bulk of the standard with which it is compared, the standard being distilled water at 4° C. If, for example, the S.G. of diamond is said to be 3·5 it means that a diamond weighs 3 times as much as a mass of water of the same bulk. The various methods of determining specific gravity are described under. The readiest method of testing precious stones, especially when cut, is to use dense liquids. Suppose it be required to determine whether a yellow stone be true topaz or false topaz (quartz), it is merely necessary to drop the stone into a liquid made up to the specific gravity of about 3; and since topaz has S.G. of 3·5 it sinks in this medium, but as quartz has S.G. of only 2·65 it floats. The densest gem-stone is zircon, which may have S.G. as high as 4·7, whilst the lowest is opal with S.G. 2·2. Amber, it is true, is lighter still, being scarcely denser than water, but this substance can hardly be called a gem.

Although the great majority of precious stones occur crystallized, the characteristic form is destroyed in cutting. The crystal-forms of the several stones are noticed under their respective headings, and the subject is discussed fully under. A few substances

used as ornamental stones—like opal, turquoise, obsidian and amber—are amorphous or without crystalline form; whilst others, like the various stones of the chalcedony-group, display no obvious crystal-characters, but are seen under the microscope to possess a crystalline structure. Gem-stones are frequently found in gravels or other detrital deposits, where they occur as rolled crystals or fragments of crystals, and in many cases have been reduced to the form of pebbles. By the disintegration of the rock which formed the original matrix, its constituent minerals were set free, and whilst many of them were worn away by long-continued attrition, the gem-stones survived by virtue of their superior hardness.

Many crystallized gem-stones exhibit cleavage, or a tendency to split in definite directions. The lapidary recognizes a “grain” in the stone. When the cleavage is perfect, as in topaz, it may render the working of the stone difficult, and produce incipient cracks in the cut gem. Flaws due to the cleavage planes are called “feathers.” The octahedral cleavage of the diamond is taken advantage of in dressing the stone before cutting it. The cutting of gem-stones is explained under.

The beauty and consequent value of gems depend mainly on their colour. Some stones, it is true, are valued for entire absence of colour, as diamonds of pure “water.” Certain kinds of sapphire and topaz, too, are “water clear,” as also is pure rock-crystal; but in most stones colour is a

prime element of attraction. The colour, however, is not generally an essential property of the mineral, but is due to the presence of foreign pigmentary matter, often in very small proportion and in some cases eluding determination. Thus, corundum when pure is colourless, but the presence of traces of certain mineral substances imparts to it not only the red of ruby and the blue of sapphire, but almost every other colour. The tinctorial matter may be distributed either uniformly throughout the stone or in regular zones, or in quite irregular patches. A tourmaline, for instance, may be red at one end of a prismatic crystal and green at the other extremity, or the colour may be so disposed that in transverse section the centre will be red and the outer zone green. A beryl may be yellow and green in the same crystal. Sapphire, again, is often parti-coloured, one portion of the stone being blue and other portions white or yellow; and the skilful lapidary, in cutting the stone, will take advantage of the blue portion. The character of the pigment is in many cases not definitely known. It by no means follows that the material capable of imparting a certain tint to glass is identical with that which naturally colours a stone of the same tint; thus a glass of sapphire-blue may be obtained by the use of cobalt, yet cobalt 