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 June 1808, the son of John Ferrier, writer to the signet. His mother was a sister of John Wilson (Christopher North). He was educated at the university of Edinburgh and Magdalen College, Oxford, and subsequently, his metaphysical tastes having been fostered by his intimate friend, Sir William Hamilton, spent some time at Heidelberg studying German philosophy. In 1842 he was appointed professor of civil history in Edinburgh University, and in 1845 professor of moral philosophy and political economy at St Andrews. He was twice an unsuccessful candidate for chairs in Edinburgh, for that of moral philosophy on Wilson’s resignation in 1852, and for that of logic and metaphysics in 1856, after Hamilton’s death. He remained at St Andrews till his death on the 11th of June 1864. He married his cousin, Margaret Anne, daughter of John Wilson. He had five children, one of whom became the wife of Sir Alexander Grant.

Ferrier’s first contribution to metaphysics was a series of articles in Blackwood’s Magazine (1838–1839), entitled An Introduction to the Philosophy of Consciousness. In these he condemns previous philosophers for ignoring in their psychological investigations the fact of consciousness, which is the distinctive feature of man, and confining their observation to the so-called “states of the mind.” Consciousness comes into manifestation only when the man has used the word “I” with full knowledge of what it means. This notion he must originate within himself. Consciousness cannot spring from the states which are its object, for it is in antagonism to them. It originates in the will, which in the act of consciousness puts the “I” in the place of our sensations. Morality, conscience, and responsibility are necessary results of consciousness. These articles were succeeded by a number of others, of which the most important were The Crisis of Modern Speculation (1841), Berkeley and Idealism (1842), and an important examination of Hamilton’s edition of Reid (1847), which contains a vigorous attack on the philosophy of common sense. The perception of matter is pronounced to be the ne plus ultra of thought, and Reid, for presuming to analyse it, is declared to be a representationist in fact, although he professed to be an intuitionist. A distinction is made between the “perception of matter” and “our apprehension of the perception of matter.” Psychology vainly tries to analyse the former. Metaphysic shows the latter alone to be analysable, and separates the subjective element, “our apprehension,” from the objective element, “the perception of matter,”—not matter per se, but the perception of matter is the existence independent of the individual’s thought. It cannot, however, be independent of thought. It must belong to some mind, and is therefore the property of the Divine Mind. There, he thinks, is an indestructible foundation for the a priori argument for the existence of God.

Ferrier’s matured philosophical doctrines find expression in the Institutes of Metaphysics (1854), in which he claims to have met the twofold obligation resting on every system of philosophy, that it should be reasoned and true. His method is that of Spinoza, strict demonstration, or at least an attempt at it. All the errors of natural thinking and psychology must fall under one or other of three topics:—Knowing and the Known, Ignorance, and Being. These are all-comprehensive, and are therefore the departments into which philosophy is divided, for the sole end of philosophy is to correct the inadvertencies of ordinary thinking.

The problems of knowing and the known are treated in the “Epistemology or Theory of Knowing.” The truth that “along with whatever any intelligence knows it must, as the ground or condition of its knowledge, have some cognizance of itself,” is the basis of the whole philosophical system. Object+subject, thing+me, is the only possible knowable. This leads to the conclusion that the only independent universe which any mind can think of is the universe in synthesis with some other mind or ego.

The leading contradiction which is corrected in the “Agnoiology or Theory of Ignorance” is this: that there can be an ignorance of that of which there can be no knowledge. Ignorance is a defect. But there is no defect in not knowing what cannot be known by any intelligence (e.g. that two and two make five), and therefore there can be an ignorance only of that of which there can be a knowledge, i.e. of some-object-plus-some-subject. The knowable alone is the ignorable. Ferrier lays special claim to originality for this division of the Institutes.

The “Ontology or Theory of Being” forms the third and final division. It contains a discussion of the origin of knowledge, in which Ferrier traces all the perplexities and errors of philosophers to the assumption of the absolute existence of matter. The conclusion arrived at is that the only true real and independent existences are minds-together-with-that-which-they-apprehend, and that the one strictly necessary absolute existence is a supreme and infinite and everlasting mind in synthesis with all things.

Ferrier’s works are remarkable for an unusual charm and simplicity of style. These qualities are especially noticeable in the Lectures on Greek Philosophy, one of the best introductions on the subject in the English language. A complete edition of his philosophical writings was published in 1875, with a memoir by E. L. Lushington; see also monograph by E. S. Haldane in the Famous Scots Series.

FERRIER, PAUL (1843–&emsp;&emsp;), French dramatist, was born at Montpellier on the 29th of March 1843. He had already produced several comedies when in 1873 he secured real success with two short pieces, Chez l’avocat and Les Incendies de Massoulard. Others of his numerous plays are Les Compensations (1876); L’Art de tromper les femmes (1890), with M. Najac. One of Ferrier’s greatest triumphs was the production with Fabrice Carré of Joséphine vendue par ses s&oelig;urs (1886), an opéra bouffe with music by Victor Roger. His opera libretti include La Marocaine (1879), music of J. Offenbach; Le Chevalier d’Harmental (1896) after the play of Dumas père, for the music of A. Messager; La Fille de Tabarin (1901), with Victorien Sardou, music of Gabriel Pierné.

FERRIER, SUSAN EDMONSTONE (1782–1854), Scottish novelist, born in Edinburgh on the 7th of September 1782, was the daughter of James Ferrier, for some years factor to the duke of Argyll, and at one time one of the clerks of the court of session with Sir Walter Scott. Her mother was a Miss Coutts, the beautiful daughter of a Forfarshire farmer. James Frederick Ferrier, noticed above, was Susan Ferrier’s nephew.

Miss Ferrier’s first novel, Marriage, was begun in concert with a friend, Miss Clavering, a niece of the duke of Argyll; but this lady only wrote a few pages, and Marriage, completed by Miss Ferrier as early as 1810, appeared in 1818. It was followed in 1824 by The Inheritance, a better constructed and more mature work; and the last and perhaps best of her novels, Destiny, dedicated to Sir Walter Scott (who himself undertook to strike the bargain with the publisher Cadell), appeared in 1831. All these novels were published anonymously; but, with their clever portraiture of contemporary Scottish life and manners, and even recognizable caricatures of some social celebrities of the day, they could not fail to become popular north of the Tweed. “Lady MacLaughlan” represents Mrs Seymour Damer in dress and Lady Frederick Campbell, whose husband, Lord Ferrier, was executed in 1760, in manners. Mary, Lady Clark, well known in Edinburgh, figured as “Mrs Fox” and the three maiden aunts were the Misses Edmonstone. Many were the conjectures as to the authorship of the novels. In the Noctes Ambrosianae (November 1826), James Hogg is made to mention The Inheritance, and adds, “which I aye thought was written by Sir Walter, as weel’s Marriage, till it spunked out that it was written by a leddy.” Scott himself gave Miss Ferrier a very high place indeed among the novelists of the day. In his diary (March 27, 1826), criticizing a new work which he had been reading, he says, “The women do this better. Edgeworth, Ferrier, Austen, have all given portraits of real society far superior to anything man, vain man, has produced of the like nature.” Another friendly recognition of Miss Ferrier is to be found at the conclusion of his Tales of my Landlord, where Scott calls her his “sister shadow,” the still anonymous author of “the very lively work entitled Marriage.” Lively, indeed, all Miss Ferrier’s works are,—written in clear, brisk English, and