Page:EB1911 - Volume 09.djvu/706

Rh sculptured drums (columnae caelatae) of the latest temple, and archaic sculptures from the drums and parapet of the earlier building. He also made accurate measurements and a plan of the Hellenistic temple, found many inscriptions and a few miscellaneous antiquities, and had begun to explore the Precinct, when the great expense and other considerations induced the trustees of the British Museum to suspend his operations in 1874. Wood made two subsequent attempts to resume work, but failed; and the site lay desolate till 1904, when the trustees, wishing to have further information about the earlier strata and the Precinct, sent D. G. Hogarth to re-examine the remains. As a result of six months’ work, Wood’s “earliest temple” was re-cleared and planned, remains of three earlier shrines were found beneath it, a rich deposit of offerings, &c., belonging to the earliest shrine was discovered, and tentative explorations were made in the Precinct. This deep digging, however, which reached the sand of the original marsh, released much ground water and resulted in the permanent flooding of the site.

The history of the Artemision, as far as it can be inferred from the remains, is as follows. (1) There was no temple on the plain previous to the Ionian occupation, the primeval seat of the nature-goddess having been in the southern hills, at Ortygia (near mod. Arvalia). Towards the end of the 8th century a small shrine came into existence on the plain. This was little more than a small platform of green schist with a sacred tree and an altar, and perhaps later a wooden icon (image), the whole enclosed in a temenos: but, as is proved by a great treasure of objects in precious and other metals, ivory, bone, crystal, paste, glass, terra-cotta and other materials, found in 1904–1905, partly within the platform on which the cult-statue stood and partly outside, in the lowest stratum of deposit, this early shrine was presently enriched by Greeks with many and splendid offerings of Hellenic workmanship. A large number of electron coins, found among these offerings, and in style the earliest of their class known, combine with other evidence to date the whole treasure to a period considerably anterior to the reign of Croesus. This treasure is now divided between the museums of Constantinople and London. (2) Within a short time, perhaps after the Cimmerian sack (? 650 ), this shrine was restored, slightly enlarged, and raised in level, but not altered in character. (3) About the close of the century, for some reason not known, but possibly owing to collapse brought about by the marshy nature of the site, this was replaced by a temple of regular Hellenic form. The latter was built in relation to the earlier central statue-base but at a higher level than either of its predecessors, doubtless for dryness’ sake. Very little but its foundations was spared by later builders, and there is now no certain evidence of its architectural character; but it is very probable that it was the early temple in which the Ionic order is said to have been first used, after the colonists had made use of Doric in their earlier constructions (e.g. in the Panionion); and that it was the work of the Cnossian Chersiphron and his son, Metagenes, always regarded afterwards as the first builders of a regular Artemision. Their temple is said by Strabo to have been made bigger by another architect. (4) The latter’s work must have been the much larger temple, exposed by Wood, and usually known as the Archaic or Croesus temple. This overlies the remains of No. 3, at a level higher by about a metre, and the area of its cella alone contains the whole of the earlier shrines. Its central point, however, was still the primitive statue-base, now enlarged and heightened. About half its pavement, parts of the cella walls and of three columns of the peristyle, and the foundations of nearly all the platform, are still in position. The visible work was all of very fine white marble, quarried about 7 m. N.E., near the modern Kos Bunar. Fragments of relief-sculptures belonging to the parapet and columns, and of fluted drums and capitals, cornices and other architectural members have been recovered, showing that the workmanship and Ionic style were of the highest excellence, and that the building presented a variety of ornament, rare among Hellenic temples. The whole ground-plan covered about 80,000 sq. ft. The height of the temple is doubtful, the measurements of columns given us by later authority having reference probably to its successor, the height of which was considered abnormal and marvellous. Judged by the diameter of the drums, the columns of the Croesus temple were not two-thirds of the height of those of the Hellenistic temple. This fourth temple is, beyond question, that to which Croesus contributed, and it was, therefore, in process of building about 540 Our authorities seem to be referring to it when they tell us that the Artemision was raised by common contribution of the great cities of Asia, and took 120 years to complete. It was dedicated with great ceremony, probably between 430 and 420, and the famous Timotheus, son of Thersander, carried off the magnificent prize for a lyric ode against all comers. Its original architects were, probably, Paeonius of Ephesus, and Demetrius, a of the shrine itself: but it has been suggested that the latter may have been rather the actual contracting builder than the architect. Of this temple Herodotus speaks as existing in his day; and unless weight be given to an isolated statement of Eusebius, that it was burned about 395, we must assume that it survived until the night when one Herostratus, desirous of acquiring eternal fame if only by a great crime, set it alight. This is said to have happened in 356 on the October night on which Alexander the Great came into the world, and, as Hegesias said, the goddess herself was absent, assisting at the birth; but the exactness of this portentous synchronism makes the date suspect. (5) It was succeeded by what is called the Hellenistic temple, begun almost immediately after the catastrophe, according to plans drawn by the famous Dinocrates the architect of Alexandria. The platform was once more raised to a higher level, some 7 ft. above that of the Archaic, by means of huge foundation blocks bedded upon the earlier structures; and this increase of elevation necessitated a slight expansion of the area all round, and ten steps in place of three. The new columns were of greater diameter than the old and over 60 ft. high; and from its great height the whole structure was regarded as a marvel, and accounted one of the wonders of the world. Since, however, other Greek temples had colonnades hardly less high, and were of equal or greater area, it has been suggested that the Ephesian temple had some distinct element of grandiosity, no longer known to us—perhaps a lofty sculptured parapet or some imposing form of podium. Bede, in his treatise De sept. ''mir. mundi'', describes a stupendous erection of several storeys; but his other descriptions are so fantastic that no credence can