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 Transcendentalists. The doctrine which in others seemed to produce all sorts of extravagances—communistic experiments at Brook Farm and Fruitlands, weird schemes of political reform, long hair on men and short hair on women—in his sane, well-balanced nature served only to lend an ideal charm to the familiar outline of a plain, orderly New England life. Some mild departures from established routine he tranquilly tested and as tranquilly abandoned. He tried vegetarianism for a while, but gave it up when he found that it did him no particular good. An attempt to illustrate household equality by having the servants sit at table with the rest of the family was frustrated by the dislike of his two sensible domestics for such an inconvenient arrangement. His theory that manual labour should form part of the scholar’s life was checked by the personal discovery that hard labour in the fields meant poor work in the study. “The writer shall not dig,” was his practical conclusion. Intellectual independence was what he chiefly desired; and this, he found, could be attained in a manner of living not outwardly different from that of the average college professor or country minister. And yet it was to this property-holding, debt-paying, law-abiding, well-dressed, courteous-mannered citizen of Concord that the ardent and enthusiastic turned as the prophet of the new idealism. The influence of other Transcendental teachers, Dr Hedge, Dr Ripley, Bronson Alcott, Orestes Brownson, Theodore Parker, Margaret Fuller, Henry Thoreau, Jones Very, was narrow and parochial compared with that of Emerson. Something in his imperturbable, kindly presence, his angelic look, his musical voice, his commanding style of thought and speech, announced him as the possessor of the great secret which many were seeking—the secret of a freer, deeper, more harmonious life. More and more, as his fame spread, those who “would live in the spirit” came to listen to the voice, and to sit at the feet, of the Sage of Concord.

It was on the lecture-platform that he found his power and won his fame. The courses of lectures that he delivered at the Masonic Temple in Boston, during the winters of 1835 and 1836, on “Great Men,” “English Literature,” and “The Philosophy of History,” were well attended and admired. They were followed by two discourses which commanded for him immediate recognition, part friendly and part hostile, as a new and potent personality. His Phi Beta Kappa oration at Harvard College in August 1837, on “The American Scholar,” was an eloquent appeal for independence, sincerity, realism, in the intellectual life of America. His address before the graduating class of the divinity school at Cambridge, in 1838, was an impassioned protest against what he called “the defects of historical Christianity” (its undue reliance upon the personal authority of Jesus, and its failure to explore the moral nature of man as the fountain of established teaching), and a daring plea for absolute self-reliance and a new inspiration of religion. “In the soul,” he said, “let redemption be sought. Wherever a man comes, there comes revolution. The old is for slaves. Go alone. Refuse the good models, even those which are sacred in the imagination of men. Cast conformity behind you, and acquaint men at first hand with Deity.” In this address Emerson laid his hand on the sensitive point of Unitarianism, which rejected the divinity of Jesus, but held fast to his supreme authority. A blaze of controversy sprang up at once. Conservatives attacked him; Radicals defended him. Emerson made no reply. But amid this somewhat fierce illumination he went forward steadily as a public lecturer. It was not his negations that made him popular; it was the eloquence with which he presented the positive side of his doctrine. Whatever the titles of his discourses, “Literary Ethics,” “Man the Reformer,” “The Present Age.” “The Method of Nature,” “Representative Men,” “ Conduct of Life,” their theme was always the same, namely, “the infinitude of the private man.” Those who thought him astray on the subject of religion listened to him with delight when he poetized the commonplaces of art, politics, literature or the household. His utterance was Delphic, inspirational. There was magic in his elocution. The simplicity and symmetry of his sentences, the modulations of his thrilling voice, the radiance

of his fine face, even his slight hesitations and pauses over his manuscript, lent a strange charm to his speech. For more than a generation he went about the country lecturing in cities, towns and villages, before learned societies, rustic lyceums and colleges; and there was no man on the platform in America who excelled him in distinction, in authority, or in stimulating eloquence.

In 1847 Emerson visited Great Britain for the second time, was welcomed by Carlyle, lectured to appreciative audiences in Manchester, Liverpool, Edinburgh and London, made many new friends among the best English people, paid a brief visit to Paris, and returned home in July 1848. “I leave England,” he wrote, “with increased respect for the Englishman. His stuff or substance seems to be the best in the world. I forgive him all his pride. My respect is the more generous that I have no sympathy with him, only an admiration.” The impressions of this journey were embodied in a book called English Traits, published in 1856. It might be called “English Traits and American Confessions,” for nowhere does Emerson’s Americanism come out more strongly. But the America that he loved and admired was the ideal, the potential America. For the actual conditions of social and political life in his own time he had a fine scorn. He was an intellectual Brahmin. His principles were democratic, his tastes aristocratic. He did not like crowds, streets, hotels—“the people who fill them oppress me with their excessive civility.” Humanity was his hero. He loved man, but he was not fond of men. He had grave doubts about universal suffrage. He took a sincere interest in social and political reform, but towards specific “reforms” his attitude was somewhat remote and visionary. On the subject of temperance he held aloof from the intemperate methods of the violent prohibitionists. He was a believer in woman’s rights, but he was lukewarm towards conventions in favour of woman suffrage. Even in regard to slavery he had serious hesitations about the ways of the abolitionists, and for a long time refused to be identified with them. But as the irrepressible conflict drew to a head Emerson’s hesitation vanished. He said in 1856, “I think we must get rid of slavery, or we must get rid of freedom.” With the outbreak of the Civil War he became an ardent and powerful advocate of the cause of the Union. James Russell Lowell said, “To him more than to all other causes did the young martyrs of our Civil War owe the sustaining strength of thoughtful heroism that is so touching in every record of their lives.”

Emerson the essayist was a condensation of Emerson the lecturer. His prose works, with the exception of the slender volume entitled Nature (1836), were collected and arranged from the manuscripts of his lectures. His method of writing was characteristic. He planted a subject in his mind, and waited for thoughts and illustrations to come to it, as birds or insects to a plant or flower. When an idea appeared, he followed it, “as a boy might hunt a butterfly”; when it was captured he pinned it in his “Thought-book.” The writings of other men he used more for stimulus than for guidance. He said that books were for the scholar’s idle times. “I value them,” he said, “to make my top spin.” His favourite reading was poetry and mystical philosophy: Shakespeare, Dante, George Herbert, Goethe, Berkeley, Coleridge, Swedenborg, Jakob Boehme, Plato, the new Platonists, and the religious books of the East (in translation). Next to these he valued books of biography and anecdote: Plutarch, Grimm, St Simon, Varnhagen von Ense. He had some odd dislikes, and could find nothing in Aristophanes, Cervantes, Shelley, Scott, Miss Austen, Dickens. Novels he seldom read. He was a follower of none, an original borrower from all. His illustrations were drawn from near and far. The zodiac of Denderah; the Savoyards who carved their pine-forests into toys; the naked Derar, horsed on an idea, charging a troop of Roman cavalry; the long, austere Pythagorean lustrum of silence; Napoleon on the deck of the “Bellerophon,” observing the drill of the English soldiers; the Egyptian doctrine that every man has two pairs of eyes; Empedocles and his shoe; the horizontal stratification of the