Page:EB1911 - Volume 08.djvu/775

 para-nitraniline red, which serves as a substitute for Turkey-red, although it is not so fast to light as the latter.

(b) Developed Direct Colours.—The primuline colours were the first representatives of this class and are derived from the yellow dyestuff known as primuline, which dyes cotton in the same manner as the direct colours. The primuline yellow thus obtained is fugitive to light and of little practical value, but since the colouring matter is an amido base it can be diazotized in the fibre and then developed in solutions of phenols or amines, whereby azo dyes of various hues may be obtained, according to the developer employed; thus, -naphthol develops a bright red colour, resorcin develops an orange, phenol a yellow, naphthylamine a brown, &c. The dyeing of the primuline yellow is effected by boiling the cotton for one hour in a solution of primuline (5%) and common salt (10 to 20%). The diazotizing operation consists in passing the dyed and rinsed cotton for 5 to 10 minutes into a cold solution of nitrous acid—i.e. a solution of oz. sodium nitrite per gallon of water, slightly acidified with sulphuric acid. The diazotized material should not be exposed to light, but at once washed in cold water and passed into the developer. The developing process consists in working the diazotized material for 5 to 10 minutes in a cold solution of the necessary phenol, and finally washing with water. The only developer of any practical importance is a solution of -naphthol in caustic soda, which produces primuline red. The primuline colours are best adapted for cotton dyeing, and the colours obtained are fast to washing and to moderate soaping, but they are not very fast to light.

If cotton is dyed with other direct colours containing free amido groups, the colour can be diazotized on the dyed fibre exactly in the same manner as in the case of primuline-dyed cotton, and then developed by passing into the solution of an amine or phenol, or by treating it with a warm solution of sodium carbonate. In this manner a new azo dye is produced upon the fibre, which differs from the original one not only in colour, but also by being faster to washing and other influences. A treatment with copper sulphate solution after development is frequently beneficial in rendering the colour faster to light. Some Direct Colours, indeed, are of little value, owing, for example, to their sensibility to acids, until they have been diazotized and developed, the usual developers being -naphthol, resorcinol, phenol and phenylene-diamine.

The following Direct Colours, after being applied to cotton, may be submitted to the above treatment, the colours produced being chiefly blue, brown and black:—

Blue.—Diazurine, diazo blue, diamine blue, diaminogene.

Red.—Rosanthiene.

Brown.—Diazo brown, diamine cutch, diamine brown, cotton brown.

Grey and Black.—Senzo blue, diazo blue black, diazo black, diamine black, diazo brilliant black.

(c) Benzo Nitrol Colours.—These are certain Direct Colours, dyed on cotton in the ordinary manner, which are then developed by passing into a diazo solution—e.g. diazotized para-nitraniline, &c. The dyed colour here plays the part of a phenol or amine, and reacts with the diazo compound to produce a new colour. The process is similar to the production of the Insoluble Azo Colours, the -naphthol which is there applied to the fibre being here replaced by a Direct Colour. The colour of the latter is rendered much deeper by the process, and also faster to washing and to the action of acids. The dyestuffs recommended for application in the manner described are: Benzo nitrol brown, toluylene brown, direct fast brown, Pluto black, direct blue black.

”Topping” Direct Colours.—The direct colours possess the remarkable property of precipitating the basic colours from aqueous solution. Use is frequently made of this property for “topping” cotton dyed with direct colours either with a view to obtain compound shades or to brighten the colour. Thus by dyeing cotton first yellow in chrysamine and then dyeing it again in a cold bath of methylene blue a brilliant shade of green results. If, on the other hand, a direct blue is topped with methylene blue, its brilliancy may be enhanced.

—The colouring matters of this class include some of the most important dyestuffs employed, since they furnish many colours remarkable for their fastness to light, washing and other influences. Employed by themselves, Mordant Colours are usually of little or no value as dyestuffs, because, with few exceptions, either they are not attracted by the fibre, particularly in the case of cotton, or they only yield a more or less fugitive stain. Their importance and value as dyestuffs are due to the fact that they act like weak acids and have the property of combining with metallic oxides to form insoluble coloured compounds termed “lakes,” which vary in colour according to the metallic oxide or salt employed. The most stable lakes are those in which the colouring matter is combined with two metallic oxides, a sesquioxide and a monoxide—e.g. alumina and lime. In applying colouring matters of this class the object of the dyer is to precipitate and fix these coloured lakes upon and within the fibre, for which purpose two operations are necessary, namely, mordanting and dyeing.

The mordanting operation aims at fixing upon the fibre the necessary metallic oxide or insoluble basic salt, which is called the mordant, although the term is also applied to the original metallic salt employed. In the subsequent dyeing operation the mordanted material is boiled with a solution of the colouring matter, during which the metallic oxide attracts and chemically combines with the colouring matter, producing the coloured lake in situ on the fibre, which thus becomes dyed. The mode of applying the mordants varies according to the nature of the fibre and the metallic salt employed, the chief mordants at present in use being salts of chromium, aluminium, tin, copper and iron. The method of mordanting wool depends upon its property of decomposing metallic salts, and fixing upon itself an insoluble metallic compound, when boiled in their solutions. This decomposition is facilitated by the heating and by the dilution of the solution, but it is chiefly due to the action of the fibre itself. The exact nature of the substance fixed upon the fibre has not in all cases been determined; probably it is a compound of the metallic oxide with the wool-substance itself, which has the character of an amido-acid. The mordant most largely employed for wool is bichromate of potash, since, besides being simply applied, and leaving the wool with a soft feel, it yields with the various mordant-dyestuffs a large variety of fast colours. The wool is boiled for 1 to 1 hours in a solution containing 2 to 3% bichromate of potash on the weight of the wool employed. During this operation the wool at first attracts chromic acid, which is gradually reduced to chromium chromate, so that the mordanted fibre has finally a pale olive-yellow tint. In the dyebath, under the influence of a portion of the dyestuff, further complete reduction to chromic hydrate occurs before it combines with the colouring matter. Not unfrequently certain so-called “assistants” are employed in small amount along with the bichromate of potash—e.g. sulphuric acid, cream of tartar, tartaric acid, lactic acid, &c. The use of the organic acids here mentioned ensures the complete reduction of the chromic acid on the wool to chromic hydrate already in the mordant bath, and the pale greenish mordanted wool is better adapted for dyeing with colours which are susceptible to oxidation—e.g. alizarin blue. For special purposes chromium fluoride, chrome alum, &c., are employed. Alum or aluminium sulphate (8%), along with acid potassium tartrate (cream of tartar) (7%), is used for brighter colours—e.g. reds, yellows, &c. The object of the tartar is to retard the mordanting process and ensure the penetration of the wool by the mordant, by preventing superficial precipitation through the action of ammonia liberated from the wool; it ensures the ultimate production of clear, bright, full colours. For still brighter colours, notably yellow and red, stannous chloride was at one time largely employed, now it is used less frequently; and the same may be said of copper and ferrous sulphate, which were used for dark colours. Silk may be often mordanted in the same manner as wool, but as a rule it is treated like cotton. The silk is steeped for several hours in cold neutral or basic solutions of chromium chloride, alum, ferric sulphate, &c., then rinsed in water slightly, and passed into a cold dilute solution of silicate of soda, in order to fix the mordants on the fibre as insoluble silicates. Cotton does not, like wool and silk, possess the property of decomposing metallic salts, hence the methods of mordanting this fibre are more complex, and vary according to the metallic salts and colouring matters employed, as well as the particular effects to be obtained. One method is to impregnate the cotton with a solution of so-called “sulphated oil” or “Turkey-red oil”; the oil-prepared material is then dried and passed into a cold solution of some metallic salt—e.g. aluminium acetate, basic chromium chloride, &c. The mordant is thus fixed on the fibre as a metallic oleate, and after a passage through water containing a little chalk or silicate of soda to remove acidity, and a final rinsing, the cotton is ready for dyeing. Another method of mordanting cotton is to fix the metallic salt on the fibre as a tannate instead of an oleate. This is effected by first steeping the cotton in a cold solution of tannic acid or in a cold decoction of some tannin matter, e.g. sumach, in which operation the cotton attracts a considerable amount of tannic acid; after squeezing, the material is steeped for an hour or more in a solution of the metallic salt, and finally washed. The mordants employed in this case are various—e.g. basic aluminium or ferric sulphate, basic chromium chloride, stannic chloride (cotton spirits), &c. There are other methods of mordanting cotton besides those mentioned, but the main object in all cases is to fix an insoluble metallic compound on the fibre. It is interesting to note that whether the metallic oxide is united with the substance of the fibre, as in the case of wool and silk, or precipitated as a tannate, oleate, silicate, &c., as in the case of cotton or silk, it still has the power of combining with the colouring matter in the dyebath to form the coloured “lake” or dye on the material.

The dyeing operation consists in working the mordanted material in a solution of the necessary colouring matter, the dyebath being gradually raised to the boiling point. With many colouring matters, e.g. with alizarin, it is necessary to add a small percentage of calcium acetate to the dyebath, and also acetic acid if wool is being dyed. In wool-dyeing, also, the mordanting operation may follow that of dyeing instead of preceding it, in which case the boiling of the wool with dyestuff is termed “stuffing,” and the subsequent developing of the colour by applying the mordant is termed “saddening,” because this method has in the past been usually carried out with iron and copper mordants, which give dull or sad colours. The method of “stuffing and saddening” may, however, be carried out with other mordants, even for the production of bright colours, and it is now frequently employed with certain alizarin dyestuffs