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 (London, 1897); W. W. Greg, A List of Masques, Pageants, &c. (Bibliogr. Soc.) (London, 1902).

As to early London theatres see T. F. Ordish, Early London Theatres (London, 1894).

Some information as to puppet-plays, &c., will be found in Henry Morley’s Memoirs of Bartholomew Fair (London, 1859).

Among earlier critical essays on the Elizabethan and Stuart drama should be mentioned those of Sir Philip Sidney, G. Puttenham and W. Webbe, T. Rymer and Dryden. For recent essays and notes on the Elizabethan drama in general, see, besides the essays of Coleridge, Lamb (including the introductory remarks in the Specimens), Hazlitt, &c., and the remarkable series of articles in the Retrospective Review (1820–1828), the Publications and Transactions of the Old and New Shakespeare Societies (1841, &c.; 1874, &c.), which also contain reprints of early works of great importance for the history of the Elizabethan drama and stage, such as Henslowe’s Diary, &c., the Jahrbuch der deutschen Shakespeare-Gesellschaft (1865, &c.), as well as the German journals Anglia, Englische Studien, &c., and the Modern Language Review (Cambridge).

The later English drama from the reopening of the theatres (1660) is treated in L. N. Chase, The English Heroic Play (New York, 1903); C. Cibber, Apology for the Life of C. Cibber, written by himself, new ed. by R. W. Lowe (2 vols., London, 1889), who has also edited Churchill’s Rosciad and Apology (London, 1891); J. Doran, Their Majesties’ Servants: annals of the English Stage (3 vols., London, 1888); A. Filon, Le Théâtre anglais: hier, aujourd’hui, demain (Paris, 1896); W. Hazlitt, A View of the English Stage (Works, ed. A. R. Waller, vol. viii.) (London, 1903); W. Nicholson, The Struggle for a Free Stage in London (Westminster, 1907).

The following treat of the modern German drama in particular periods:—R. Prölss, ''Gesch. der deutschen Schauspielkunst von den Anfangen bis 1850 (Leipzig, 1900); R. E. Prutz, Vorlesungen über die Geschichte des deutschen Theaters (Berlin, 1847); R. Froning, Das Drama der Reformationszeit (Stuttgart, 1900); C. Heine, Das Schauspiel der deutschen Wanderbühne vor Gottsched (Halle, 1889); J. Minor, Die Schicksalstragodie in ihren Hauptvertretern (Frankfort, 1883); M. Martersteig, Das deutsche Theater im XIX ten Jahrh.'' (Leipzig, 1904). See also G. G. Gervinus, Geschichte der deutschen Dichtung (5th ed., 5 vols., Leipzig, 1871–1874); and the literary histories of K. Goedeke (Grundriss), A. Koberstein, &c. A special aspect of the drama in modern Germany is dealt with in P. Bahlmann, Die lateinischen Dramen von Wimpheling’s Stylpho bis zur Mitte des XVI ten Jahrhunderts, 1480–1550 (Münster, 1893), and the same author’s Jesuiten-Dramen der niederrheinischen Ordensprovinz (Leipzig, 1896).

The standard history of the modern German stage is Eduard Devrient, ''Gesch. der deutschen Schauspielkunst (2 vols., Leipzig, 1848–1861); see also R. Prölss, Gesch. der deutschen Schauspielkunst von den Anfangen bis 1850 (Leipzig, 1900); O. G. Flüggen, Biographisches Buhnen-Lexikon der deutschen Theater'' (Munich, 1892).

A good account of the history of the Dutch drama is F. von Hellwald’s Geschichte des holländischen Theaters (Rotterdam, 1874). See also the authorities under J. van den Vondel.

Information concerning the Danish drama will be found in the autobiographies of Holberg, Öhlenschläger and Andersen; see also vol. i. of G. Brandes’s Main Currents in Nineteenth Century Literature (Eng. tr., London, 1901). As to the modern Norwegian drama see the same writer’s Ibsen-Bjornson Studies (Eng. tr., London, 1899); also E. Tissot, Le Drame norvégien (Paris, 1893).

The Russian drama is treated in P. O. Morozov’s Istoria Russkago Teatra (History of the Russian Theatre), vol. i. (St Petersburg, 1889); see also P. de Corvin, Le Théâtre en Russie (Paris, 1890). A. Brückner, Geschichte der russischen Literatur (Leipzig, 1905), may be consulted with advantage. Information as to the dramatic portions of other Slav literatures will be found in A. Pipin and V. Spasovich’s Istoria Slavianskikh Literatur (History of Slavonic Literatures), German translation by T. Pech (2 vols., Leipzig, 1880–1884).

 DRAMBURG, a town of Germany in the kingdom of Prussia, on the Drage, a tributary of the Oder, 50 m. E. of Stettin, on the railway Ruhnow-Neustettin. Pop. 5800. It contains an Evangelical church, a gymnasium, a hospital and various administrative offices, and carries on cotton and woollen weaving, tanning, brewing and distilling.

 DRAMMEN, a seaport of Norway, in Buskerud and Jarlsberg-Laurvik amter (counties), at the head of Drammen Fjord, a western arm of Christiania Fjord, 33 m. by rail S. W. from Christiania. Pop. (1900) 23,093. Its situation, at the mouth of the broad Drammen river, between lofty hills, is very beautiful. It is the junction of railways from Christiania to Haugsund, Kongsberg and Hönefos, and to Laurvik and Skien. The town is modern, having suffered from fires in 1866, 1870 and 1880. It consists of three parts: Bragernaes on the north, divided by the river from Strömsö and the port, Tangen, on the south. The prosperity of Drammen depends mainly on the timber trade; and saw-milling is an active industry, the logs being floated down the river from the upland forests. Timber and wood-pulp are exported (over half of each to Great Britain), with paper, ice and some cobalt and nickel ore. The chief imports are British coal and German machinery. Salmon are taken in the upper reaches of the Drammen.

 DRANE, AUGUSTA THEODOSIA (1823–1894), English writer, was born at Bromley, near Bow, on the 29th of December 1823. Brought up in the Anglican creed, she fell under the influence of Tractarian teaching at Torquay, and joined the Roman Catholic Church in 1850. She wrote, and published anonymously, an essay questioning the Morality of Tractarianism, which was attributed to John Henry Newman. In 1852, after a prolonged stay in Rome, she joined the third order of St Dominic, to which she belonged for over forty years. She was prioress (1872–1881) of the Stone convent in Staffordshire, where she died on the 29th of April 1894. Her chief works in prose and verse are: The History of Saint Dominic (1857; enlarged edition, 1891); The Life of St Catherine of Siena (1880; 2nd ed., 1899); Christian Schools and Scholars (1867); The Knights of St John (1858); Songs in the Night (1876); and the Three Chancellors (1859), a sketch of the lives of William of Wykeham, William of Waynflete and Sir Thomas More.

 DRAPER, JOHN WILLIAM (1811–1882), American scientist, was born at St Helen’s, near Liverpool, on the 5th of May 1811. He studied at Woodhouse Grove, at the University of London, and, after removing to America in 1832, at the medical school of the University of Pennsylvania in 1835–1836. In 1837 he was elected professor of chemistry in the University of the City of New York, and was a professor in its school of medicine in 1840–1850, president of that school in 1850–1873, and professor of chemistry until 1881. He died at Hastings, New York, on the 4th of January 1882. He made important researches in photo-chemistry, made portrait photography possible by his improvements (1839) on Daguerre’s process, and published a Text-book on Chemistry (1846), Text-book on Natural Philosophy (1847), Text-book on Physiology (1866), and Scientific Memoirs (1878) on radiant energy. He is well known also as the author of The History of the Intellectual Development of Europe (1862), applying the methods of physical science to history, a History of the American Civil War (3 vols., 1867–1870), and a History of the Conflict between Religion and Science (1874).

His son, (1837–1882), graduated at the University of New York in 1858, became professor of natural science there in 1860, and was professor of physiology (in the medical school) and dean of the faculty in 1866–1873. He succeeded his father as professor of chemistry, but only for a year, dying in New York on the 20th of November 1882. Henry Draper’s most important contributions to science were made in spectroscopy; he ruled metal gratings in 1869–1870, made valuable spectrum photographs after 1871, and proved the presence of oxygen in the sun in a monograph of 1877. Edward C. Pickering carried on his study of stellar spectra with the funds of the Henry Draper Memorial at Harvard, endowed by his widow (née Mary Anna Palmer).

 DRAPER, one who deals in cloth or textiles generally. The Fr. drap, cloth, from which drapier and Eng. “draper” are derived, is of obscure origin. It is possible that the Low Lat. drappus or trappus (the last form giving the Eng. “trappings”) may be connected with words such as “drub,” Ger. treffen, beat; the original sense would be fulled cloth. “Drab,” dull, pale, brown, is also connected, its first meaning being a cloth of a natural undyed colour. The Drapers’ Company is one of the great livery companies of the city of London. The fraternity is of very early origin. Henry Fitz-Alwyn (d. 1212?), the first mayor of London, is said to have been a draper. The first charter was granted in 1364. The Drapers’ Gild was one of the