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 island of Rodriguez until about 1761. Leguat has given a delightful description of its quaint habits. The male stood about 2 ft. 9 in. high; its colour was brownish grey, that of its mate more inclined to brown, with a whitish breast. The wings were rudimentary, the tail very small, almost hidden, and the thigh feathers were thick and curled “like shells.” A round mass of bone, “as big as a musket ball,” was developed on the wings of the males, and they used it as a weapon of offence while they whirled themselves about twenty or thirty times in four or five minutes, making a noise with their pinions like a rattle. The mien was fierce and the walk stately, the birds living singly or in pairs. The nest was a heap of palm leaves a foot high, and contained a single large egg which was incubated by both parents. The food consisted of seeds and leaves, and the birds aided digestion by swallowing large stones; these were used by the Dutch sailors to sharpen their knives with. One of these stones, nearly an inch and a half in length, of extremely hard volcanic rock, is in the Cambridge museum. The fighting knobs mentioned above, are very interesting, large exostoses on one of the wrist-bones of either wing; they were undoubtedly covered with a thick, callous skin. Thousands of bones of this curious flightless pigeon were collected through Sir E. Newton’s exertions, and by H. H. Sclater on behalf of the Royal Society of London. The results are several almost complete skeletons of both sexes, composed however out of the enormous mass of the dissociated bones.

 DODONA, in Epirus, the seat of the most ancient and venerable of all Hellenic sanctuaries. Its ruins are at Dramisos, near Tsacharovista. In later times the Greeks of the south looked on the inhabitants of Epirus as barbarians; nevertheless for Dodona they always preserved a certain reverence, and the temple there was the object of frequent missions from them. This temple was dedicated to Zeus, and connected with the temple was an oracle which enjoyed more reputation in Greece than any other save that at Delphi, and which would seem to date from earlier times than the worship of Zeus; for the normal method of gathering the responses of the oracle was by listening to the rustling of an old oak tree, which was supposed to be the seat of the deity. We seem here to have a remnant of the very ancient and widely diffused tree-worship. Sometimes, however, auguries were taken in other manners, being drawn from the moaning of doves in the branches, the murmur of a fountain which rose close by, or the resounding of the wind in the brazen caldrons which formed a circle all round the temple. Croesus proposed to the oracle his well-known question; Lysander sought to obtain from it a sanction for his ambitious views; the Athenians frequently appealed to its authority during the Peloponnesian War. But the most frequent votaries were the neighbouring tribes of the Acarnanians and Aetolians, together with the Boeotians, who claimed a special connexion with the district.

Dodona is not unfrequently mentioned by ancient writers. It is spoken of in the Iliad as the stormy abode of Selli who sleep on the ground and wash not their feet, and in the Odyssey an imaginary visit of Odysseus to the oracle is referred to. A Hesiodic fragment gives a complete description of the Dodonaea or Hellopia, which is called a district full of corn-fields, of herds and flocks and of shepherds, where is built on an extremity ( ) Dodona, where Zeus dwells in the stem of an oak ( ). The priestesses were called doves ( ) and Herodotus tells a story which he learned at Egyptian Thebes, that the oracle of Dodona was founded by an Egyptian priestess who was carried away by the Phoenicians, but says that the local legend substitutes for this priestess a black dove, a substitution in which he tries to find a rational meaning. From inscriptions and later writers we learn that in historical times there was worshipped, together with Zeus, a consort named Dione (see further ; ; ).

The ruins, consisting of a theatre, the walls of a town, and some other buildings, had been conjectured to be those of Dodona by Wordsworth in 1832, but the conjecture was changed into ascertained fact by the excavations of Constantin Carapanos. In 1875 he made some preliminary investigations; soon after, an extensive discovery of antiquities was made by peasants, digging without authority; and after this M. Carapanos made a systematic excavation of the whole site to a considerable depth. The topographical and architectural results are disappointing, and show either that the site always retained its primitive simplicity, or else that whatever buildings once existed have been very completely destroyed.

To the south of the hill, on which are the walls of the town, and to the east of the theatre, is a plateau about 200 yds. long and 50 yds. wide. Towards the eastern end of this terrace are the scanty remains of a building which can hardly be anything but the temple of Zeus; it appears to have consisted of pronaos, naos or cella, and opisthodomus, and some of the lower drums of the internal columns of the cella were still resting on their foundations. No trace of any external colonnade was found. The temple was about 130 ft. by 80 ft. It had been converted into a Christian church, and hardly anything of its architecture seems to have survived. In it and around it were found the most interesting products of excavation—statuettes and decorative bronzes, many of them bearing dedications to Zeus Naïus and Dione, and inscriptions, including many small tablets of lead which contained the questions put to the oracle. Farther to the west, on the same terrace, were two rectangular buildings, which M. Carapanos conjectures to have been connected with the oracle, but which show no distinguishing features.

Below the terrace was a precinct, surrounded by walls and flanked with porticoes and other buildings; it is over 100 yds. in length and breadth, and of irregular shape. One of the buildings on the south-western side contained a pedestal or altar, and is identified by M. Carapanos as a temple of Aphrodite, on the insufficient evidence of a single dedicated object; it does not seem to have any of the characteristics of a temple. In front of the porticoes are rows of pedestals, which once bore statues and