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 Euclid, Book V., proved Algebraically (1874); Euclid and his Modern Rivals (1879), the work on which his reputation as a mathematician largely rests; and Curiosa Mathematica (1888). Throughout this dual existence Mr Dodgson pertinaciously refused to acquiesce in being publicly identified with “Lewis Carroll.” Though the fact of his authorship of the “Alice” books was well known, he invariably stated, when occasion called for such a pronouncement, that “Mr Dodgson neither claimed nor acknowledged any connexion with the books not published under his name.” He died at Guildford, on the 14th of January 1898. His memory is appropriately kept green by a cot in the Children’s Hospital, Great Ormond Street, London, which was endowed perpetually by a public subscription.

 DODO (from the Portuguese Dóudo, a simpleton), a large bird formerly inhabiting the island of Mauritius, but now extinct—the Didus ineptus of Linnaeus. When, in 1507, the Portuguese discovered the island which we now know as Mauritius they named it Ilha do Cerné, from a notion that it must be the island of that name mentioned by Pliny; but most authors have insisted that it was known to the seamen of that nation as Ilha do Cisne—perhaps but a corruption of Cerne, and brought about by their finding it stocked with large fowls, which, though not aquatic, they likened to swans, the most familiar to them of bulky birds. In 1598 the Dutch, under Van Neck, took possession of the island and renamed it Mauritius. A narrative of this voyage was published, in 1601, if not earlier, and has been often reprinted. Here we have birds spoken of as big as swans or bigger, with large heads, no wings, and a tail consisting of a few curly feathers. The Dutch called them Walgvögels (the word is variously spelled), i.e. nauseous birds, either because no cooking made them palatable, or because this island-paradise afforded an abundance of fare so much superior. De Bry gives two admirably quaint prints of the doings of the Hollanders, and in one of them the Walgvögel appears, being the earliest published representation of its unwieldy form, with a footnote stating that the voyagers brought an example alive to Holland. Among the company there was a draughtsman, and from a sketch of his, Clusius, a few years after, gave a figure of the bird, which he vaguely called “Gallinaceus Gallus peregrinus,” but described rather fully. Meanwhile two other Dutch fleets had visited Mauritius. One of them had rather an accomplished artist on board, and his drawings fortunately still exist (see article ). Of the other a journal kept by one of the skippers was subsequently published. This in the main corroborates what has been before said of the birds, but adds the curious fact that they were now called by some Dodaarsen and by others Dronten.

Henceforth Dutch narrators, though several times mentioning the bird, fail to supply any important fact in its history. Their navigators, however, were not idle, and found work for their naturalists and painters. Clusius says that in 1605 he saw at Pauw’s House in Leyden a dodo’s foot, which he minutely describes. In a copy of Clusius’s work in the high school of Utrecht is pasted an original drawing by Van de Venne superscribed “Vera effigies huius avis Walghvögel (quae & a nautis Dodaers propter foedam posterioris partis crassitiem nuncupatur), qualis viua Amsterodamum perlata est ex insula Mauritii. Anno M.DC.XXVI.” Now a good many paintings of the dodo drawn from life by Roelandt Savery (1576–1639) exist; and the paintings by him at Berlin and Vienna—dated 1626 and 1628—as well as the picture by Goiemare, belonging to the duke of Northumberland, dated 1627, may be with greater plausibility than ever considered portraits of a captive bird. It is even probable that this was not the first example painted in Europe. In the private library of the emperor Francis I. of Austria was a series of pictures of various animals, supposed to be by the Dutch artist Hoefnagel, who was born about 1545. One of these represents a dodo, and, if there be no mistake in Von Frauenfeld’s ascription, it must almost certainly have been painted before 1626, while there is reason to think that the original may have been kept in the vivarium of the emperor Rudolf II., and that the portion of a dodo’s head, which was found in the museum at Prague about 1850, belonged to this example. The other pictures by Roelandt Savery, like those in the possession of the Zoological Society of London and others, are undated, but were probably all painted about the same time—1626–1628. The large picture in the British Museum, once belonging to Sir Hans Sloane, by an unknown artist, but supposed to be by Roelandt Savery, is also undated; while the still larger one at Oxford (considered to be by the younger Savery) bears a much later date, 1651. Undated also is a picture in Holland said to be by Pieter Holsteyn.

In 1628 we have the evidence of the first English observer of the bird—one Emanuel Altham, who mentions it in two letters written on the same day from Mauritius to his brother at home (Proc. Zool. Soc. 1874, pp. 447-449). In one he says: “You shall receue a strange fowle: which I had at the Iland Mauritius called by ye portingalls a Do Do: which for the rareness thereof I hope wilbe welcome to you.” The passage in the other letter is to the same effect, with the addition of the words “if it liue.” In the same fleet with Altham sailed Sir Thomas Herbert, whose Travels ran through several editions. It is plain that he could not have reached Mauritius till 1629, though 1627 has been usually assigned as the date of his visit. The fullest account he gives of the bird is in his edition of 1638: “The Dodo comes first to a description: here, and in Dygarrois (and no where else, that ever I could see or heare of) is generated the Dodo (a Portuguize name it is, and has reference to her simpleness,) a Bird which for shape and rareness might be call’d a Phoenix (wer’t in Arabia:)” &c. Herbert was weak as an etymologist, but his positive statement, corroborated as it is by Altham, cannot be set aside, and hence we do not hesitate to assign a Portuguese derivation for the word. Herbert also gave a figure of the bird.

Proceeding chronologically we next come upon a curious bit of evidence. This is contained in a MS. diary kept between 1626 and 1640, by Thomas Crossfield of Queen’s College, Oxford, where, under the year 1634, mention is casually made of one Mr Gosling “who bestowed the Dodar (a blacke Indian bird) vpon ye Anatomy school.” Nothing more is known of it. About 1638, Sir Hamon Lestrange tells us, as he walked London streets he saw the picture of a strange fowl hung out on a cloth canvas, and going in to see it found a great bird kept in a chamber “somewhat bigger than the largest Turky cock, and so legged and footed, but shorter and thicker.” The keeper called it a dodo and showed the visitors how his captive would swallow “large peble stones as bigge as nutmegs.”

In 1651 Morisot published an account of a voyage made by François Cauche, who professed to have passed fifteen days in Mauritius, or “l’isle de Saincte Apollonie,” as he called it, in 1638. According to De Flacourt the narrative is not very trustworthy, and indeed certain statements are obviously inaccurate. Cauche says he saw there birds bigger than swans, which he describes so as to leave no doubt of his meaning dodos; but perhaps the most important facts (if they be facts) that he