Page:EB1911 - Volume 07.djvu/540

Rh circlet with, so far as can be determined, four crosses of pearls or gems on it, and a large cross patée rising from it in front, and arches of jewels or pearls terminating in a large pearl at the top. A valuation of these ancient crowns was made at the time of the Commonwealth prior to their destruction. From this valuation we learn that St Edward’s crown was of gold filigree or “wirework” as it is called, and was set with stones, and was valued at £248. Queen Edith’s crown was found to be only of silver-gilt, with counterfeit pearls, sapphires and other stones, and was only valued at £16. At the Restoration an endeavour was made to reproduce as well as possible the old crowns and regalia according to their ancient form, and a new crown of St Edward was made on the lines of the old one for the coronation of Charles II. The framework of this crown, bereft of its jewels, is in the possession of Lady Amherst of Hackney. The crowns of James II., William III. and Anne generally resembled it in form (fig. 16). The later crowns of the Georges and William IV. are represented in general form in fig. 17. Although the marginal note in the coronation order of Queen Victoria indicates “K. Edward’s crown” as that with which the late queen was to be crowned, it was actually the state or imperial crown worn by the sovereign when leaving the church after the ceremony that was used. It had been altered for the coronation, and the arches were formed of oak leaves (fig. 18). Fig. 19 shows Queen Victoria’s crown with raised arches and without the inner cap of estate, which since the reign of Henry VII. has been degraded into forming a lining to the crowns of the sovereigns and the coronets of the peers. Fig. 20 shows the coronation crown of King Edward VII. The crown of Scotland, preserved with the Scottish regalia at Edinburgh, is believed to be composed of the original circlet worn by King Robert the Bruce. James V. made additions to it in 1535, and in general characteristics it much resembles an English crown of that date.

The kings of arms in England, Scotland and Ireland wear crowns, the ornamentation of which round the upper rim of the circlet is composed of a row of acanthus or oak leaves. Round the circlet is the singularly inappropriate text from Psalm li., “Miserere mei Deus secundum magnam misericordiam tuam.” The form of these crowns seems to have been settled in the reign of Charles II. Before that period they varied at different times, according to representations given of them in grants of arms, &c.

This brings us to the crowns of lesser dignity, known for that reason as coronets, and worn by the five orders of peers.

The use of crowns by dukes originated in 1362, when Edward III. created his sons Lionel and John dukes of Clarence and Lancaster respectively. This was done by investing them with a sword, a cap of maintenance or estate, and with a circlet of gold set with precious stones, which was imposed on the head. Previous to this dukes had been invested at their creation by the girding on of a sword only. In 1387 Richard II. created Richard de Vere marquess of Dublin, and invested him by girding on a sword, and by placing a golden circlet on his head. The golden circlet was confined to dukes and marquesses till 1444, when Henry VI. created Henry Beauchamp, earl of Warwick, premier earl, and the letters patent effecting this concede that the earl and his heirs shall wear a golden circlet on the head on feast days, even in the royal presence. As to the form of these circlets we have no clear knowledge. The dignity of a viscount was first created by Henry VI. in 1439, but nothing is said of any insignia pertaining to that dignity.

It is believed that a circlet of gold with an upper rim of pearls was first conferred on a viscount by James I., who conceded it to Robert Cecil, Viscount Cranborne. However, in 1625–1626 it is definitely recorded that the viscounts carried their coronets in their hands in the coronation procession from Westminster Hall to the Abbey church. The use of a coronet by the barons dates from the coronation of Charles II., and by letters patent of the 7th of August 1661 their coronet is described as a circle of gold with six pearls on it.

At the present day the coronet of a duke (fig. 21) is formed of a circlet of gold, from which rise eight strawberry leaves. The coronet of a marquess (fig. 22) differs from that of a duke in having only four strawberry leaves, the intervening spaces being occupied by four low points which are surmounted by pearls. The coronet of an earl (fig. 23) differs again by having eight tall rays on each of which is set a pearl, the intervening spaces being occupied by strawberry leaves one-fourth of the height of the rays. The coronet of a viscount (fig. 24) has sixteen small pearls fixed to the golden circlet, and the coronet of a baron (fig. 25) has six large pearls similarly arranged.

—L. G. Wickham Legg, English Coronation Records (London, 1901); The Ancestor, Nos. i. and ii. (London, 1902); Stothard, The Monumental Effigies of Great Britain (London, 1817).

CROWN DEBT, in English law, a debt due to the crown. By various statutes—the first dating from the reign of Henry VIII. (1541)—the crown has priority for its debts before all other creditors. At common law the crown always had a lien on the lands and goods of debtors by record, which could be enforced even when they had passed into the hands of other persons. The difficulty of ascertaining whether lands were subject to a crown lien or not was often very great, and a remedy was provided by the Judgments Act 1839, and the Crown Suits Act