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 hanks for the preparing and finishing processes. But a reel hanks yarns for bleaching, dyeing, printing, polishing and bundling, and is adapted for cops, ring spools, doubling bobbins or cheeses. From cops, ring spools and cheeses the yarn is usually drawn over one end, but flanged bobbins are mounted upon spindles and the yarn is drawn from the side. A reel has a circumference of 54 in., and after making 80 or 560 revolutions it automatically stops; the first gives a lea of 120 yds. and the last a hank of 840 yds. For grant reeling, however, a hank may be from 5000 to 10,000 yds. long. Reeling is of two kinds, namely, open and crossed. Open reeling forms leas, and seven of these are united in one hank by a lease band which retains the divisions. In cross reeling a thread is traversed over a portion of the reel surface by a reciprocating guide to form a hank without divisions. On the completion of a set of hanks the reel is made to collapse and thus facilitate the removal of the yarn.

Bundling Press.—Hanks are made into short or long bundles, each weighing 5 or 10 ℔. In short bundles it is usual to form groups of ten hanks, and these are twisted together, folded and compressed into bundles; but in long bundles the hanks are compressed without being folded. A press consists of a strong table upon which a box, with open ends, is formed. The bottom of this box is grooved transversely and made to rise and fall by wheel gearing or by eccentrics. The sides and top are made of vertical and horizontal bars, set to coincide with the grooves in the bottom. To one set of vertical bars a similar number of horizontal top pieces are hinged, and to the other set levers are jointed, which hold the horizontal bars in position. When the hinged bars are turned up, strings are drawn through the grooves, and the bottom is covered with stout paper. The hanks are then laid in the box, another paper is placed above them, and the hinged bars are drawn down and locked. The bottom then rises a predetermined distance, and automatically stops. While in this position the strings are tied, the bottom of the press next descends, and the bundle is removed.

 COTYS, a name common to several kings of Thrace. The most important of them, a cruel and drunken tyrant, who began to reign in 382, was involved with the Athenians in a dispute for the possession of the Thracian Chersonese. In this he was assisted by the Athenian Iphicrates, to whom he had given his daughter in marriage. On the revolt of Ariobarzanes from Persia, Cotys opposed him and his ally, the Athenians. In 358 he was murdered by the sons of a man whom he had wronged.

See Cornelius Nepos, Iphicrates, Timotheus; Xenophon, Agesilaus; Demosthenes, Contra Aristocratem; Theopompus in Müller, Fragmenta Historicorum Graecorum, i.

 COUCH, DARIUS NASH (1822–1897), American soldier, was born at South East, Putnam county, N.Y., on the 23rd of July 1822, and graduated from West Point in 1846, serving in the Mexican war and in the war against the Seminole Indians. He left the army in 1855, but soon after the outbreak of the civil war he was made a brigadier-general U.S.V. He served as a divisional commander in the battles of the Army of the Potomac in 1862, and at Fredericksburg (December 1862) and Chancellorsville (May 1863) he commanded the II. corps. He had been made a major-general U.S.V. in July 1862. During the Gettysburg campaign he was employed in organizing the Pennsylvanian militia, and he subsequently served in the West, taking part in the battle of Nashville, and in the final operations in the Carolinas. He left the army after the war. General Couch died on the 12th of February 1897 at Norwalk, Connecticut.

 COUCY, LE CHÂTELAIN DE, French trouvère of the 12th century. He is probably the Guy de Couci who was castellan of the castle of that name from 1186 to 1203. Some twenty-six songs are attributed to him, and about fifteen or sixteen are undoubtedly authentic. They are modelled very closely on Provençal originals, but are saved from the category of mere imitations by a grace and simplicity peculiar to the author. The legend of the love of the Châtelain de Coucy and the Lady of Fayel, in which there figures a jealous husband who makes his wife eat the heart of her lover, has no historical basis, and dates from a late 13th century romance by Jakemon Sakesep. It is worth noting that the story, which seems to be Breton in origin, has been also told of a Provençal troubadour, Guilhem de Cabestaing, and of the minnesinger Reinmar von Brennenberg. Pierre de Belloy, who wrote some account of the family of Couci, made the story the subject of his tragedy Gabrielle de Vergy.

The songs of the Châtelain de Coucy were edited by Fritz Fath (Heidelberg, 1883). For the romance see Gaston Paris, in the ''Hist. litt. de la France'' (vol. 28, pp. 352-360). An exquisite song, “Chanterai por mon courage,” expressing a woman’s regrets for her lover at the Crusade, is attributed in one MS., probably erroneously, to the Lady of Fayel (Hist. litt. xxiii. 556). An English metrical romance of “The Knight of Curtesy,” and the “Fair Lady of Faguell,” was printed by William Copland, and reprinted in Ritson’s Eng. Metrical Romances (ed. E. Goldsmid, vol. iii., 1885).

 COUCY-LE-CHÂTEAU, a village of northern France, in the department of Aisne, 18 m. W.S.W. of Laon on a branch of the Northern railway. Pop. (1906) 663. It has extensive remains of fortifications of the 13th century, the most remarkable feature of which is the Porte de Laon, a gateway flanked by massive towers and surmounted by a fine apartment. Coucy also has a church of the 15th century, preserving a façade in the Romanesque style. The importance of the place is due, however, to the magnificent ruins of a feudal fortress (see ) crowning the eminence on the slope of which the village is built. The remains, which embrace an area of more than 10,000 sq. yds., form an irregular quadrilateral built round a court-yard and flanked by four huge towers. The nucleus of the stronghold is a donjon over 200 ft. high and over 100 ft. in diameter, standing on the south side of the court. Three large vaulted apartments, one above the other, occupy its interior. The court-yard was surrounded on the ground-floor by storehouses, kitchens, &c., above which on the west and north sides were the great halls known as the Salle des preux and the Salle des preuses. A chapel projected from the west wing. The bailey or base-court containing other buildings and covering three times the area of the château extended between it and the village. The architectural unity of the fortress is due to the rapidity of its construction, which took place between 1230 and 1242, under Enguerrand III., lord of Coucy. A large part of the buildings was restored or enlarged at the end of the 14th century by Louis d'Orléans, brother of Charles VI., by whom it had been purchased. The place was dismantled in 1652 by order of Cardinal Mazarin. It is now state property. In 1856 researches were carried on upon the spot by Viollet-le-Duc, and measures for the preservation of the ruins were subsequently undertaken.

Sires de Coucy.—Coucy gave its name to the sires de Coucy, a feudal house famous in the history of France. The founder of the family was Enguerrand de Boves, a warlike lord, who, at the end of the 11th century seized the castle of Coucy by force. Towards the close of his life, he had to fight against his own son, Thomas de Marle, who in 1115 succeeded him, subsequently becoming notorious for his deeds of violence in the struggles between the communes of Laon and Amiens. He was subdued by King Louis VI. in 1117, but his son Enguerrand II. continued the struggle against the king. Enguerrand III., the Great, fought at Bouvines under Philip Augustus (1214), but later he was accused of aiming at the crown of France, and he took part in the disturbances which arose during the regency of Blanche of Castile. These early lords of Coucy remained till the 14th century in possession of the land from which they took their name. Enguerrand IV., sire de Coucy, died in 1320 without issue and was succeeded by his nephew Enguerrand, son of Arnold, count of Guines, and Alix de Coucy, from whom is descended the second line of the house of Coucy. Enguerrand VI. had his lands ravaged by the English in 1339 and died at Crécy in 1346. Enguerrand VII., sire de Coucy, count of Soissons and Marle, and chief butler of France, was sent as a hostage to England, where he married Isabel, the eldest daughter of King Edward III. Wishing to remain neutral in the struggle between England and France, he went to fight in Italy. Having made claims upon the domains of the house of Austria, from which he was descended through his mother, he was defeated in battle (1375–1376). He was entrusted with various diplomatic negotiations, and took part in the crusade of Hungary against the Sultan Bayezid, during which he was taken prisoner, and died shortly after the battle of Nicopolis (1397). His daughter Marie sold the fief of Coucy to Louis, duke of Orleans, in 1400. (see above) did not belong to the house of the lords of Coucy, but was castellan of the castle of that name.