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 of slight additions made to this Nikāya as late as the time of Asoka, 3rd century And the developed doctrine, found in certain portions of it, shows that these are later than the four old Nikāyas. For a generation or two the books so put together were handed down by memory, though probably written memoranda were also used. And they were doubtless accompanied from the first, as they were being taught, by a running commentary. About one hundred years after the Buddha’s death there was a schism in the community. Each of the two schools kept an arrangement of the canon—still in Pāli, or some allied dialect. Sanskrit was not used for any Buddhist works till long afterwards, and never used at all, so far as is known, for the canonical books. Each of these two schools broke up in the following centuries, into others. Several of them had their different arrangements of the canonical books, differing also in minor details. These books remained the only authorities for about five centuries, but they all, except only our extant Pāli Nikāyas, have been lost in India. These then are our authorities for the earliest period of Buddhism. Now what are these books?

We talk necessarily of Pāli books. They are not books in the modern sense. They are memorial sentences or verses intended to be learnt by heart. And the whole style and method of arrangement is entirely subordinated to this primary necessity. Each sūtra (Pāli, sutta) is very short; usually occupying only a page, or perhaps two, and containing a single proposition. When several of these, almost always those that contain propositions of a similar kind, are collected together in the framework of one dialogue, it is called a sullanta. The usual length of such a suttanta is about a dozen pages; only a few of them are longer, and a collection of such suttantas might be called a book. But it is as yet neither narrative nor essay. It is at most a string of passages, drawn up in similar form to assist the memory, and intended, not to be read, but to be learnt by heart. The first of the four Nikāyas is a collection of the longest of these suttantas, and it is called accordingly the Dīgha Nikāya, that is “the Collection of Long Ones” (sci. Suttantas). The next is the Majjhima Nikāya, the “Collection of the suttantas of Medium Length”—medium, that is, as being shorter than the suttantas in the Dīgha, and longer than the ordinary suttas preserved in the two following collections. Between them these first two collections contain 186 dialogues, in which the Buddha, or in a few cases one of his leading disciples, is represented as engaged in conversation on some one of the religious, or philosophic, or ethical points in that system which we now call Buddhism. In depth of philosophic insight, in the method of Socratic questioning often adopted, in the earnest and elevated tone of the whole, in the evidence they afford of the most cultured thought of the day, these dialogues constantly remind the reader of the dialogues of Plato. But not in style. They have indeed a style of their own; always dignified, and occasionally rising into eloquence. But for the reasons already given, it is entirely different from the style of Western writings which are always intended to be read. Historical scholars will, however, revere this collection of dialogues as one of the most priceless of the treasures of antiquity still preserved to us. It is to it, above all, that we shall always have to go for our knowledge of the most ancient Buddhism. Of the 186, 175 had by 1907 been edited for the Pāli Text Society, and the remainder were either in the press or in preparation.

A disadvantage of the arrangement in dialogues, more especially as they follow one another according to length and not according to subject, is that it is not easy to find the statement of doctrine on any particular point which is interesting one at the moment. It is very likely just this consideration which led to the compilation of the two following Nikāyas. In the first of these, called the Anguttara Nikāya, all those points of Buddhist doctrine capable of expression in classes are set out in order. This practically includes most of the psychology and ethics of Buddhism. For it is a distinguishing mark of the dialogues themselves that the results arrived at are arranged in carefully systematized groups. We are familiar enough in the West with similar classifications, summed up in such expressions as the Seven Deadly Sins, the Ten Commandments, the Thirty-nine Articles, the Four Cardinal Virtues, the Seven Sacraments and a host of others. These numbered lists (it is true) are going out of fashion. The aid which they afford to memory is no longer required in an age in which books of reference abound. It was precisely as a help to memory that they were found so useful in the early Buddhist times, when the books were all learnt by heart, and had never as yet been written. And in the Anguttara we find set out in order first of all the units, then all the pairs, then all the trios, and so on. It is the longest book in the Buddhist Bible, and fills 1840 pages 8vo. The whole of the Pāli text has been published by the Pāli Text Society, but only portions have been translated into English. The next, and last, of these four collections contains again the whole, or nearly the whole, of the Buddhist doctrine; but arranged this time in order of subjects. It consists of 55 Samyuttas or groups. In each of these the suttas on the same subject, or in one or two cases the suttas addressed to the same sort of people, are grouped together. The whole of it has been published in five volumes by the Pāli Text Society. Only a few fragments have been translated.

Many hundreds of the short suttas and verses in these two collections are found, word for word, in the dialogues. And there are numerous instances of the introductory story stating how, and when, and to whom the sutta was enunciated—a sort of narrative framework in which the sutta is set—recurring also. This is very suggestive as to the way in which the earliest Buddhist records were gradually built up. The suttas came first embodying, in set phrases, the doctrine that had to be handed down. Those episodes, found in two or three different places, and always embodying several suttas, came next. Then several of these were woven together to form a suttanta. And finally the suttantas were grouped together into the two Nikāyas, and the suttas and episodes separately into the two others. Parallel with this evolution, so to say, of the suttas, the short statements of doctrine, in prose, ran the treatment of the verses. There was a great love of poetry in the communities in which Buddhism arose. Verses were helpful to the memory. And they were adopted not only for this reason. The adherents of the new view of life found pleasure in putting into appropriate verse the feelings of enthusiasm and of ecstasy which the reforming doctrines inspired. When particularly happy in literary finish, or peculiarly rich in religious feeling, such verses were not lost. These were handed on, from mouth to mouth, in the small companies of the brethren or sisters. The oldest verses are all lyrics, expressions either of emotion, or of some deep saying, some pregnant thought. Very few of them have been preserved alone. And even then they are so difficult to understand, so much like puzzles, that they were probably accompanied from the first by a sort of comment in prose, stating when, and why, and by whom they were supposed to have been uttered. As a general rule such a framework in prose is actually preserved in the old Buddhist literature. It is only in the very latest books included in the canon that the narrative part is also regularly in verse, so that a whole work consists of a collection of ballads. The last step, that of combining such ballads into one long epic poem, was not taken till after the canon was closed. The whole process, from the simple anecdote in mixed prose and verse, the so-called ākhyāna, to the complete epic, comes out with striking clearness in the history of the Buddhist canon. It is typical, one may notice in passing, of the evolution of the epic elsewhere; in Iceland, for instance, in Persia and in Greece. And we may safely draw the conclusion that if the great Indian epics, the Mahā-bhārata and the Rāmāyana, had been in existence when the formation of the Buddhist canon began, the course of its development would have been very different from what it was.

As will easily be understood, the same reasons which led to literary activity of this kind, in the earliest period, continued to hold good afterwards. A number of such efforts, after the Nikāyas had been closed, were included in a supplementary Nikāya called the Khuddaka Nikāya. It will throw very useful light upon the intellectual level in the Buddhist community just