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 Celts. But an earlier wave of Celtic invasion represented by the Goidels had passed westwards along the valleys of the Usk and Wye, leaving traces in place-names (e.g. llwch, lake), and in the Ogham inscribed stones found at Glanusk, Trallwng and Trecastle, and probably surviving into historic times around the Beacon range and farther south even to Gower and Kidwelly. The conquest of the district by the Romans was effected between about 75 and 80, and they established a frontier fort (which some have called Caer Bannau, identifying it as Bannium) some 3 m. out of the present town of Brecon, with smaller stations on roads leading thereto at Y Gaer near Crickhowell, and at Capel Colbren in the direction of Neath. On the departure of the Romans, the Goidelic hill-tribes, probably with help from Gower and Ireland, seem to have regained possession of the Usk valley under the leadership of a chieftain of their own race, Brychan, who became the ancestor of one of the three chief tribes of hereditary Welsh saints. His territory (named after him Brycheiniog, whence Brecknock) lay wholly east of the Eppynt range, for the lordship of Buallt, corresponding to the modern hundred of Builth, to the west, remained independent, probably till the Norman invasion. Most of the older churches of central Brecknockshire and east Carmarthenshire were founded by or dedicated to members of Brychan’s family.

From the middle of the 8th century to the 10th, Brycheiniog proper often bore the brunt of Mercian attacks, and many of the castles on its eastern border had their origin in that period. Subsequently, when Bernard de Newmarch and his Norman followers obtained possession of the country in the last quarter of the 11th century, these were converted into regular fortresses. Bernard himself initiated this policy by building a castle at Talgarth on the Upper Wye, but in 1091 he moved southwards, defeated the regulus of Brycheiniog, Bleddyn ab Maenarch, and his brother-in-law Rhys ap Tewdwr, the prince of south-west Wales, and with materials obtained from the Roman fort of Caer Bannau, built a castle at Brecon, which he made his caput baroniae. Brycheiniog was then converted into a lordship marcher and passed to the Fitzwalter, de Breos, the Bohun and the Stafford families in succession, remaining unaffected by the Statute of Rhuddlan (1282), as it formed part of the marches, and not of the principality of Wales.

The Irfon valley, near Builth, was, however, the scene of the last struggle between the English and Llewelyn, who in 1282 fell in a petty skirmish in that district. The old spirit of independence flickered once again when Owen Glendower marched to Brecon in 1403. Upon the attainder of Edward, duke of Buckingham, in 1521, the lordship of Brecon with its dependencies became vested in the crown. In 1536 it was grouped with a whole series of petty lordships marcher and the lordship of Builth to form the county of Brecknock with Brecon as the county town, and the place for holding the county court. The county returns one member to parliament, and has done so since 1536; the borough of Brecon, with the town of Llywel, had also a separate representative from the same date till 1885, when it became merged in the county.

 BREDA, a fortified town in the province of North Brabant, Holland, at the confluence of the canalized rivers Merk and Aa, 15 m. by rail E.N.E. of Roozendaal. Pop. (1900) 26,296. It is connected by steam tramway with Antwerp (30 m. S.S.W.), and with Geertruidenberg in the north, and the island of Duiveland on the west. The fortress of Breda, which was once considered impregnable, has been dismantled, but the town is still protected by extensive lines of fortification and lies in the midst of a district which can be readily laid under water. It has a fine quay, town-hall and park. There are several Roman Catholic and Protestant churches. The principal Protestant church is a Gothic building dating from the end of the 13th century, with a fine tower, and a choir of later date (1410). Among the many interesting monuments is the imposing tomb of the stadtholder Count Engelbert II. of Nassau and his wife. This is the work of Tomasino Vincenz of Bologna, who, though a pupil of Raphael in painting, in sculpture followed Michelangelo, to whom the work is sometimes ascribed. Since 1828 Breda has been the seat of a royal military academy for all arms of the service. It also possesses a Latin school, an arsenal, and a modern prison built on the isolated-cell principle. The prison is in the form of a rotunda, 58 yds. in diameter, and covered by a high dome. In the middle is the office of the administration, and on the top of this a small watch-tower. Round the walls of the rotunda are the cells, 208 in number, and arranged in four tiers with balconies reached by iron staircases. Each cell measures 35 cub. yds., is provided with an electric bell communicating with the warder in the tower, heated by hot-air pipes, and lighted by day through a window on the outer wall of the rotunda, and from sunset till ten o’clock by electric light. The industries of Breda comprise the manufacture of linen and woollen goods, carpets, hats, beer and musical instruments. In the neighbourhood of the town are the villages of Ginneken and Prinsenhage, situated in the midst of pretty pine woods. They form favourite places of excursion, and in the woods at Ginneken is a Kneipp sanatorium.

History.—Breda was in the 11th century a direct fief of the Holy Roman Empire, its earliest known lord being Henry I. (1098–1125), in whose family it continued, though, from the latter part of the 13th century, in the female line, until Alix, heiress of Philip (d. 1323), sold it to Brabant. In 1350 the fief was resold to John (Jan) of Polanen (d. 1377), the heiress of whose line, Joanna (d. 1445), married Engelbert of Nassau-Dillenburg (d. 1442). Henceforth it remained in the house of Nassau, passing ultimately to William I. (1533–1584), the first stadtholder of the Netherlands. Breda obtained municipal rights in 1252, but was first surrounded with walls in 1534 by Count Henry of Nassau, who also restored the old castle, originally built by John of Polanen in 1350. From this period until late in the 19th century it remained the most important of the line of fortresses along the Meuse. Breda was captured by surprise by the Spaniards in 1581; but in 1590 it fell again into the hands of Maurice of Nassau, 68 picked men contriving to get into the town concealed under the turf in a peat-boat. The so-called “Spaniard’s Hole” still marks the spot where the peat-boat lay. Its surrender in 1625, after a ten months’ siege, to the Spaniards under Spinola is the subject of the famous picture by Velasquez in the Museo del Prado in Madrid. In 1637 Breda was recaptured by Frederick Henry of Orange after a four months’ siege, and in 1648 it was finally ceded to Holland by the treaty of Westphalia. During the wars of the French Revolution, it was taken by Dumouriez in 1793, evacuated soon after and retaken by Pichegru in 1795, after the whole of Holland had already succumbed to the French. In 1813, a sally being made by the French garrison on an advance-guard of the Russians under Benckendorff, the citizens of Breda again made themselves masters of the town.

Breda was the residence, during his exile, of Charles II., who, by the declaration of Breda (1660), made known the conditions of his acceptance of the crown of England. In 1696 William, prince of Orange and king of England, built the new castle, one of the finest buildings of the period, which now serves as the military academy. Breda also derives some celebrity from the various political congresses of which it has been the scene. In 1575 a conference was held here between the ambassadors of Spain and those of the United Provinces; in 1667 a peace was signed between England, Holland, France and Denmark; and in 1746–1747 the representatives of the same powers met in the town to discuss the terms of another treaty.

 BREDAEL, JAN FRANS VAN (1683–1750), Flemish painter, son of Alexander van Bredael (d. 1720), who was also an artist, was born in Antwerp. He imitated the style of Wouverman and Breughel with such dexterity that even connoisseurs are often unable to distinguish his copies of their pictures from the originals. He visited England, where he was so well employed that in a few years he was able to retire to his native country with a competency. The earl of Derwentwater was one of his chief patrons. There were several other van Bredaels, who won honour as artists—notably (1622–1719), Alexander’s father, and  (1688–1739). They were formerly known as “Breda,” but this apparently is incorrect, though it occurs as a signature on a picture by Jan Frans in the Amsterdam gallery.