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 and in the same month Blake captured a large part of the Dutch fishery-fleet and the twelve men-of-war that formed their convoy. On the 28th of September Blake and Penn again encountered the Dutch fleet, now commanded by De Ruyter and De Witt, off the Kentish Knock, defeated it, and chased it for two days. The Dutch took refuge in Goree. A third battle was fought near the end of November. By this time the ships under Blake’s command had been reduced in number to forty, and nearly the half of these were useless for want of seamen. Tromp, who had been reinstated in command, appeared in the Downs, with a fleet of eighty ships besides ten fireships. Blake, nevertheless, risked a battle off Dungeness, but was defeated, and withdrew into the Thames. The English fleet having been refitted, put to sea again in February 1653; and on the 18th Blake, at the head of eighty ships, encountered Tromp in the Channel. The Dutch force, according to Clarendon, numbered 100 ships of war, but according to the official reports of the Dutch, only seventy. The battle was severe, and continued through three days, the Dutch, however, retreating, and taking refuge in the shallow waters off the French coast. In this action Blake was severely wounded. The three English admirals put to sea again in May; and on the 3rd and 4th of June another battle was fought near the North Foreland. On the first day Dean and Monk were repulsed by Tromp; but on the second day the scales were turned by the arrival of Blake, and the Dutch retreated to the Texel.

Ill-health now compelled Blake to retire from the service for a time, and he did not appear again on the seas for about eighteen months; meanwhile he sat as a member of the Little Parliament (Barebones’s). In November 1654 he was selected by Cromwell to conduct a fleet to the Mediterranean to exact compensation from the duke of Tuscany, the knights of Malta, and the piratical states of North Africa, for wrongs done to English merchants. This mission he executed with his accustomed spirit and with complete success. Tunis alone dared to resist his demands, and Tunis paid the penalty of the destruction of its two fortresses by English guns. In the winter of 1655–1656, war being declared against Spain, Blake was sent to cruise off Cadiz and the neighbouring coasts, to intercept the Spanish shipping. One of his captains captured a part of the Plate fleet in September 1656. In April 1657 Blake, then in very ill health, suffering from dropsy and scurvy, and anxious to have assistance in his arduous duties, heard that the Plate fleet lay at anchor in the bay of Santa Cruz, in the island of Teneriffe. The position was a very strong one, defended by a castle and several forts with guns. Under the shelter of these lay a fleet of sixteen ships drawn up in crescent order. Captain Stayner was ordered to enter the bay and fall on the fleet. This he did. Blake followed him. Broadsides were poured into the castle and the forts at the same time; and soon nothing was left but ruined walls and charred fragments of burnt ships. The wind was blowing hard into the bay; but suddenly, and fortunately for the heroic Blake, it shifted, and carried him safely out to sea. “The whole action,” says Clarendon, “was so incredible that all men who knew the place wondered that any sober man, with what courage soever endowed, would ever have undertaken it; and they could hardly persuade themselves to believe what they had done; while the Spaniards comforted themselves with the belief that they were devils and not men who had destroyed them in such a manner.” The English lost one ship and 200 men killed and wounded. The thanks of parliament were voted to officers and men; and a very costly jewel (diamond ring) was presented to Blake, “as a testimony,” says Cromwell in his letter of 10th June, “of our own and the parliament’s good acceptance of your carriage in this action.” “This was the last action of the brave Blake.”

After again cruising for a time off Cadiz, his health failing more and more, he was compelled to make homewards before the summer was over. He died at sea, but within sight of Plymouth, on the 17th of August 1657. His body was brought to London and embalmed, and after lying in state at Greenwich House was interred with great pomp and solemnity in Westminster Abbey. In 1661 Charles II. ordered the exhumation of Blake’s body, with those of the mother and daughter of Cromwell and several others. They were cast out of the abbey, and were reburied in the churchyard of St Margaret’s. “But that regard,” says Johnson, “which was denied his body has been paid to his better remains, his name and his memory. Nor has any writer dared to deny him the praise of intrepidity, honesty, contempt of wealth, and love of his country.” Clarendon bears the following testimony to his excellence as a commander:—“He was the first man that declined the old track, and made it apparent that the science might be attained in less time than was imagined. He was the first man that brought ships to contemn castles on the shore, which had ever been thought very formidable, but were discovered by him to make a noise only, and to fright those who could be rarely hurt by them.”

 BLAKE, WILLIAM (1757–1827), English poet and painter, was born in London, on the 28th of November 1757. His father, James Blake, kept a hosier’s shop in Broad Street, Golden Square; and from the scanty education which the young artist received, it may be judged that the circumstances of the family were not very prosperous. For the facts of William Blake’s early life the world is indebted to a little book, called A Father’s Memoirs on a Child, written by Dr Malkin in 1806. Here we learn that young Blake quickly developed a taste for design, which his father appears to have had sufficient intelligence to recognize and assist by every means in his power. At the age of ten the boy was sent to a drawing school kept by Henry Pars in the Strand, and at the same time he was already cultivating his own taste by constant attendance at the different art sale rooms, where he was known as the “little connoisseur.” Here he began to collect prints after Michelangelo, and Raphael, Dürer and Heemskerk, while at the school in the Strand he had the opportunity of drawing from the antique. After four years of this preliminary instruction Blake entered upon another branch of art study. In 1777 he was apprenticed to James Basire, an engraver of repute, and with him he remained seven years. His apprenticeship had an important bearing on Blake’s artistic education, and marks the department of art in which he was made technically proficient. In 1778, at the end of his apprenticeship, he proceeded to the school of the Royal Academy, where he continued his early study from the antique, and had for the first time an opportunity of drawing from the living model.

This is in brief all that is known of Blake’s artistic education. That he ever, at the academy or elsewhere, systematically studied painting we do not know; but that he had already begun the practice of water colour for himself is ascertained. So far, however, the course of his training in art schools, and under Basire, was calculated to render him proficient only as a draughtsman and an engraver. He had learned how to draw, and he had mastered besides the practical difficulties of engraving, and with these qualifications he entered upon his career. In 1780 he exhibited a picture in the Royal Academy Exhibition, conjectured to have been executed in water colours, and he continued to contribute to the annual exhibitions up to the year 1808. In 1782 he married Catherine Boucher, the daughter of a market-gardener at Battersea, with whom he lived always on affectionate terms, and the young couple after their marriage established themselves in Green Street, Leicester Fields. Blake had already become acquainted with some of the rising artists of his time, amongst them Stothard, Flaxman and Fuseli, and he now began to see something of literary society. At the house of the Rev. Henry Mathew, in Rathbone Place, he used to recite and sometimes to sing poems of his own composition, and it was through the influence of this gentleman, combined with that of Flaxman, that Blake’s first volume of poetry was printed and published in 1783. From this time forward the artist came before the world in a double capacity. By education as well as native