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 strong, powerful, and even fierce and destructive god, who, with his goad or golden spear, smites the foes of his worshipper, and thus in this respect offers at least some points of similarity to Rudra, which may have favoured the fusion of the two gods. As regards Vishṇu, this god occupies already a place in the Vedic mythology, though by no means one of such prominence as would entitle him to that degree of exaltation implied in his character as one of the three hypostases of the divinity. Moreover, although in his general nature, as a benevolent, genial being, the Vedic god corresponds on the whole to the later Vishṇu, the preserver of the world, the latter exhibits many important features for which we look in vain in his prototype, and which most likely resulted from sectarian worship or from an amalgamation with local deities. In one or two of them, such as his names Vāsudeva and Vaikuntha, an attempt may again be traced to identify Vishṇu with Indra, who, as we have seen, was one of the Vedic triad of gods. The characteristic feature of the elder Vishṇu is his measuring the world with his three strides, which are explained as denoting either the three stations of the sun at the time of rising, culminating and setting, or the triple manifestation of the luminous element, as the fire on earth, the lightning in the atmosphere and the sun in the heavens.

The male nature of the triad was supposed to require to be supplemented by each of the three gods being associated with a female energy (Śakti). Thus Vāch or Sarasvatī, the goddess of speech and learning, came to be regarded as the śakti, or consort of Brahmā; Śrī or Lakshmī, “beauty, fortune,” as that of Vishṇu; and Umā or Pārvatī, the daughter of Himavat, the god of the Himālaya mountain, as that of Śiva. On the other hand, it is not improbable that Pārvatī—who has a variety of other names, such as Kālī (“the black one”), Durgā (“the inaccessible, terrible one”), Māha-devī (“the great goddess”)—enjoyed already a somewhat extensive worship of her own, and that there may thus have been good reason for assigning to her a prominent place in the Brāhmanical system.

A compromise was thus effected between the esoteric doctrine of the metaphysician and some of the most prevalent forms of popular worship, resulting in what was henceforth to constitute the orthodox system of belief of the Brāhmanical community. Yet the Vedic pantheon could not be altogether discarded, forming part and parcel, as it did, of that sacred revelation (śruti), which was looked upon as the divine source of all religious and social law (smṛiti, “tradition”), and being, moreover, the foundation of the sacrificial ceremonial on which the priestly authority so largely depended. The existence of the old gods is, therefore, likewise recognized, but recognized in a very different way from that of the triple divinity. For while the triad represents the immediate manifestation of the eternal, infinite soul—while it constitutes, in fact, the Brahmă itself in its active relation to mundane and seemingly material occurrences, the old traditional gods are of this world, are individual spirits or portions of the Brahma like men and other creatures, only higher in degree. To them an intermediate sphere, the heaven of Indra (the svarloka or svarga), is assigned to which man may raise himself by fulfilling the holy ordinances; but they are subject to the same laws of being; they, like men, are liable to be born again in some lower state, and, therefore, like them, yearn for emancipation from the necessity of future individual existence. It is a sacred duty of man to worship these superior beings by invocations and sacrificial observances, as it is to honour the pitṛis (“the fathers”), the spirits of the departed ancestors. The spirits of the dead, on being judged by Yama, the Pluto of Hindū mythology, are supposed to be either passing through a term of enjoyment in a region midway between the earth and the heaven of the gods, or undergoing their measure of punishment in the nether world, situated somewhere in the southern region, before they return to the earth to animate new bodies. In Vedic mythology Yama was considered to have been the first mortal who died, and “espied the way to” the celestial abodes, and in virtue of precedence to have become the ruler of the departed; in some passages, however, he is already regarded as the god of death. Although the pantheistic system allowed only a subordinate rank to the old gods, and the actual religious belief of the people was probably but little affected by their existence, they continued to occupy an important place in the affections of the poet, and were still represented as exercising considerable influence on the destinies of man. The most prominent of them were regarded as the appointed Lokapālas, or guardians of the world; and as such they were made to preside over the four cardinal and (according to some authorities) the intermediate points of the compass. Thus Indra, the chief of the gods, was regarded as the regent of the east; Agni, the fire (ignis), was in the same way associated with the south-east; Yama with the south; Śurya, the sun ( ), with the south-west; Varūṇa, originally the representative of the all-embracing heaven ( ) or atmosphere, now the god of the ocean, with the west; Vāyu (or Pavana), the wind, with the north-west; Kubera, the god of wealth, with the north; and Soma (or Chaṇdra) with the north-east. In the institutes of Manu the Lokapālas are represented as standing in close relation to the ruling king, who is said to be composed of particles of these his tutelary deities. The retinue of Indra consists chiefly of the Gandharvas (probably etym. connected with  ), a class of genii, considered in the epics as the celestial musicians; and their wives, the Apsaras, lovely nymphs, who are frequently employed by the gods to make the pious devotee desist from carrying his austere practices to an extent that might render him dangerous to their power. Nārada, an ancient sage (probably a personification of the cloud, the “water-giver”), is considered as the messenger between the gods and men, and as having sprung from the forehead of Brahmā. The interesting office of the god of love is held by Kāmadeva, also called Ananga, the bodyless, because, as the myth relates, having once tried by the power of his mischievous arrow to make Śiva fall in love with Pārvatī, whilst he was engaged in devotional practices, the urchin was reduced to ashes by a glance of the angry god. Two other mythological figures of some importance are considered as sons of Śiva and Pārvatī, viz. Kārttikeya or Skanda, the leader of the heavenly armies, who was supposed to have been fostered by the six Kṛittikās or Pleiades; and Gaṇeśa (“lord of troops”), the elephant-headed god of wisdom, and at the same time the leader of the dii minorum gentium.

Orthodox Brāhmanical scholasticism makes the attainment of final emancipation (mukti, moksha) dependent on perfect knowledge of the divine essence. This knowledge can only be obtained by complete abstraction of the mind from external objects and intense meditation on the divinity, which again presupposes the total extinction of all sensual instincts by means of austere practices (tapas). The chosen few who succeed in gaining complete mastery over their senses and a full knowledge of the divine nature become absorbed into the universal soul immediately on the dissolution of the body. Those devotees, on the other hand, who have still a residuum, however slight, of ignorance and worldliness left in them at the time of their death, pass to the world of Brahmā, where their souls, invested with subtile corporeal frames, await their reunion with the Eternal Being.

The pantheistic doctrine which thus forms the foundation of the Brahmanical system of belief found its most complete exposition in one of the six orthodox darśanas, or philosophical systems, the Vedānta philosophy. These systems are considered as orthodox inasmuch as they recognize the Veda as the revealed source of religious belief, and never fail to claim the authority of the ancient seers for their own teachings, even though—as in the case of Kapila, the founder of the materialistic Sānkhya system—they involve the denial of so essential a dogmatic point as the existence of a personal creator of the world. So much, indeed, had freedom of speculative thought become a matter of established habit and intellectual necessity, that no attempt seems ever to have been made by the leading theological party to put down such heretical doctrines, so long as the sacred character of the privileges of their caste was not openly called in question. Yet internal dissensions on such cardinal points of belief could not but weaken the authority of the hierarchical