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 Heusden, Ravestein and Grave are all similarly situated. Breda is the next town in importance to the capital. Bergen-op-Zoom had originally a more maritime importance. Rozendaal, Eindhoven and Bokstel (or Boxtel) are important railway junctions. Bokstel was formerly the seat of an independent barony which came into the possession of Philip the Good in 1439. The castle was restored in modern times. The precarious position of the province on the borders of the country doubtless militated against an earlier industrial development, but since the separation from Belgium and the construction of roads, railways and canals there has been a general improvement, Tilburg, Eindhoven and Helmond all having risen into prominence in modern times as industrial centres. Leather-tanning and shoe-making are especially associated with the district called Langstraat, which is situated between Geertruidenberg and ’s Hertogenbosch, and consists of a series of industrial villages along the course of the Old Maas.

 BRACCIANO, a town in the province of Rome, Italy, 25 m. N.W. of Rome by rail, situated on the S.W. shore of the Lake of Bracciano, 915 ft. above sea-level. Pop. (1901) 3987. It is chiefly remarkable for its fine castle (built by the Orsini in 1460, and since 1696 the property of the Odescalchi) which has preserved its medieval character. The beautiful lake is the ancient Lacus Sabatinus, supposed to derive its name from an Etruscan city of the name of Sabate, which is wrongly thought to be mentioned in the Itineraries; the reference is really to the lake itself, which bore this name and gave it to one of the Roman tribes, the tribus Sabatina, founded in 387 (O. Cuntz in Jahreshefte des Österr. Arch. Instituts, ii., 1899, 85). It is 22 sq. m. in area, 538 ft. above sea-level, and 530 ft. deep; it is almost circular, but is held to be, not an extinct crater, but the result of a volcanic subsidence. The tufa deposits which radiate from it extend as far as Rome; various small craters surround it, while the existence of warm springs in the district (especially those of Vicarello, probably the ancient Aquae Apollinares) may also be noted. Many remains of ancient villas may be seen round the lake: above its west bank is the station of Forum Clodii, and on its north shore the village of Trevignano, which retains traces of the fortifications of an ancient town of unknown name. About half-a-mile east of it was a post station called Ad Novas. The site of Anguillara, on the south shore, was occupied by a Roman villa. The water of the lake partly supplies the Acqua Paola, a restoration by Paul V. of the Aqua Traiana.

 BRACCIOLINI, FRANCESCO (1566–1645), Italian poet, was born at Pistoia, of a noble family, in 1566. On his removing to Florence he was admitted into the academy there, and devoted himself to literature. At Rome he entered the service of Cardinal Maffeo Barberini, with whom he afterwards went to France. After the death of Clement VIII. he returned to his own country; and when his patron Barberini was elected pope, under the name of Urban VIII., Bracciolini repaired to Rome, and was made secretary to the pope’s brother, Cardinal Antonio. He had also the honour conferred on him of taking a surname from the arms of the Barberini family, which were bees; whence he was afterwards known by the name of Bracciolini dell’ Api. During Urban’s pontificate the poet lived at Rome in considerable reputation, though at the same time he was censured for his sordid avarice. On the death of the pontiff he returned to Pistoia, where he died in 1645. There is scarcely any species of poetry, epic, dramatic, pastoral, lyric or burlesque, which Bracciolini did not attempt; but he is principally noted for his mock-heroic poem Lo Scherno degli Dei, published in 1618, similar but confessedly inferior to the contemporary work of Tassoni, Secchia Rapita. Of his serious heroic poems the most celebrated is La Croce Racquistata.

 BRACE, CHARLES LORING (1826–1890), American philanthropist, was born on the 19th of June 1826 in Litchfield, Connecticut. He graduated at Yale in 1846, studied theology there in 1847–1848, and graduated from Union Theological Seminary in 1849. From this time he practically devoted his life to social work among the poor of New York, and to Christian propaganda among the criminal classes; and he became well known as a social reformer, at home and abroad. He started in 1852 to hold “boys’ meetings,” and in 1853 helped to found the Children’s Aid Society, establishing workshops, industrial schools and lodging-houses for newsboys. In 1872 he was a delegate to the international prison congress which met in London. He died at Campfer, in Tirol, on the 11th of August 1890. He published from time to time several volumes embodying his views on practical Christianity and its application to the improvement of social conditions.

 BRACE, JULIA (1806–1884), American blind deaf-mute, was born at Newington, Connecticut, on the 13th of June 1806. In her fifth year she became blind and deaf, and lost the power of speech. At the age of eighteen she entered the asylum for the deaf and dumb at Hartford. The study of blind deaf-mutes and their scientific training was then in its infancy; but she learnt to sew well, was neat in her dress, and had a good memory. Dr S. G. Howe’s experiments with her were interesting as leading to his success with Laura Bridgman. She died at Bloomington, Conn., on the 12th of August 1884.

 BRACE (through the Fr. from the plural of the Lat. bracchium, the arm), a measure of length, being the distance between the extended arms. From the original meaning of “the two arms” comes that of something which secures, connects, tightens or strengthens, found in numerous uses of the word, as a carpenter’s tool with a crank handle and socket to hold a bit for boring; a beam of wood or metal used to strengthen any building or machine; the straps passing over the shoulders to support the trousers; the leathern thong which slides up and down the cord of a drum, and regulates the tension and the tone; a writing and printing sign ({) for uniting two or more lines of letterpress or music; a nautical term for a rope fastened to the yard for trimming the sails (cf. the corresponding French term bras de vergue). As meaning “a couple” or “pair” the term was first applied to dogs, probably from the leash by which they were coupled in coursing. In architecture “brace mould” is the term for two ressaunts or ogees united together like a brace in printing, sometimes with a small bead between them.

 BRACEGIRDLE, ANNE (c. 1674–1748), English actress, is said to have been placed under the care of Thomas Betterton and his wife, and to have first appeared on the stage as the page in The Orphan at its first performance at Dorset Garden in 1680. She was Lucia in Shadwell’s Squire of Alsatia at the Theatre Royal in 1688, and played similar parts until, in 1693, as Araminta in The Old Bachelor, she made her first appearance in a comedy by Congreve, with whose works and life her name is most closely connected. In 1695 she went with Betterton and the other seceders to Lincoln’s Inn Fields, where, on its opening with Congreve’s Love for Love, she played Angelica. This part, and those of Belinda in Vanbrugh’s Provoked Wife, and Almira in Congreve’s Mourning Bride, were among her best impersonations, but she also played the heroines of some of Nicholas Rowe’s tragedies, and acted in the contemporary versions of Shakespeare’s plays. In 1705 she followed Betterton to the Haymarket, where she found a serious competitor in Mrs Oldfield, then first coming into public favour. The story runs that it was left for the audience to determine which was the better comedy actress, the test being the part of Mrs Brittle in Betterton’s Amorous Widow, which was played alternately by the two rivals on successive nights. When the popular vote was given in favour of Mrs Oldfield, Mrs Bracegirdle quitted the stage, making only one reappearance at Betterton’s benefit in 1709. Her private life was the subject of much discussion. Colley Cibber remarks that she had the merit of “not being unguarded in her private character,” while Macaulay does not hesitate to call her “a cold, vain and interested coquette, who perfectly understood how much the influence of her charms was increased by the fame of a severity which cost her nothing.” She was certainly the object of the adoration of many men,