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 mocking-bird, having been heard to imitate the song of the nightingale, the crowing of a cock, and even the cackling of a hen. In confinement it can be taught to whistle a variety of tunes, and even to imitate the human voice.

The blackbird is found in every country of Europe, even breeding—although rarely—beyond the arctic circle, and in eastern Asia as well as in North Africa and the Atlantic islands. In most parts of its range it is migratory, and in Britain every autumn its numbers receive considerable accession from passing visitors. Allied species inhabit most parts of the world, excepting Africa south of the Sahara, New Zealand and Australia proper, and North America. In some of these the legs as well as the bill are yellow or orange; and in a few both sexes are glossy black. The ring-ousel, Turdus torquatus, has a dark bill and conspicuous white gorget, whence its name. It is rarer and more local than the common blackbird, and occurs in England only as a temporary spring and autumn visitor.

 BLACK BUCK (Antilope cervicapra), the Indian Antelope, the sole species of its genus. This antelope, widely distributed in India, with the exception of Ceylon and the region east of the Bay of Bengal, stands about 32 in. high at the shoulder; the general hue is brown deepening with age to black; chest, belly and inner sides of limbs pure white, as are the muzzle and chin, and an area round the eyes. The horns are long, ringed, and form spirals with from three to five turns. The doe is smaller in size, yellowish-fawn above, and this hue obtains also in young males. These antelopes frequent grassy districts and are usually found in herds. Coursing black-buck with the (q.v.) is a favourite Indian sport.

 BLACKBURN, COLIN BLACKBURN, (1813–1896), British judge, was born in Selkirkshire in 1813, and educated at Eton and at Trinity College, Cambridge, taking high mathematical honours in 1835. He was called to the bar in 1838, and went the northern circuit. His progress was at first slow, and he employed himself in reporting and editing, with T. F. Ellis, eight volumes of the highly-esteemed Ellis and Blackburn reports. His deficiency in all the more brilliant qualities of the advocate almost confined his practice to commercial cases, in which he obtained considerable employment in his circuit; but he continued to belong to the outside bar, and was so little known to the legal world that his promotion to a puisne judgeship in the court of queen’s bench in 1859 was at first ascribed to Lord Campbell’s partiality for his countrymen, but Lord Lyndhurst, Lord Wensleydale and Lord Cranworth came forward to defend the appointment. Blackburn himself is said to have thought that a county court judgeship was about to be offered him, which he had resolved to decline. He soon proved himself one of the soundest lawyers on the bench, and when he was promoted to the court of appeal in 1876 was considered the highest authority on common law. In 1876 he was made a lord of appeal and a life peer. Both in this capacity and as judge of the queen’s bench he delivered many judgments of the highest importance, and no decisions have been received with greater respect. In 1886 he was appointed a member of the commission charged to prepare a digest of the criminal law, but retired on account of indisposition in the following year. He died at his country residence, Doonholm in Ayrshire, on the 8th of January 1896. He was the author of a valuable work on the Law of Sales.

 BLACKBURN, JONATHAN (c. 1700–c. 1765), American portrait painter, was born in Connecticut. He seems to have been the son of a painter, and to have had a studio in Boston in 1750–1765; among his patrons were many important early American families, including the Apthorps, Amorys, Bulfinches, Lowells, Ewings, Saltonstalls, Winthrops, Winslows and Otises of Boston. Some of his portraits are in the possession of the public library of Lexington, Massachusetts, and of the Massachusetts Historical Society, but most of them are privately owned and are scattered over the country, the majority being in Boston. John Singleton Copley was his pupil, and it is said that he finally left his studio in Boston, through jealousy of Copley’s superior success. He was a good portrait painter, and some of his pictures were long attributed to Copley.

 BLACKBURN, a municipal, county and parliamentary borough of Lancashire, England, 210 m. N.W. by N. from London, and 24 N.N.W. from Manchester, served by the Lancashire & Yorkshire and the London & North Western railways, with several lines from all parts of the county. Pop. (1891) 120,064; (1901) 127,626. It lies in the valley of a stream called in early times the Blackeburn, but now known as the Brook. The hills in the vicinity rise to some 900 ft., and among English manufacturing towns Blackburn ranks high in beauty of situation. Besides numerous churches and chapels the public buildings comprise a large town hall (1856), market house, exchange, county court, municipal offices, chamber of commerce, free library, and, outside the town, an infirmary. There are an Elizabethan grammar school, in modern buildings (1884) and an excellent technical school. The Corporation Park and Queen’s Park are well laid out, and contain ornamental waters. There is an efficient tramway service, connecting the town with Darwen, 5 m. south. The cotton industry employs thousands of operatives, the iron trade is also very considerable, and many are engaged in the making of machines; but a former woollen manufacture is almost extinct. Blackburn’s speciality in the cotton industry is weaving. Coal, lime and building stone are abundant in the neighbourhood. Blackburn received a charter of incorporation in 1851, and is governed by a mayor, 14 aldermen and 42 councillors. The county borough was created in 1888. The parliamentary borough, which returns two members, is coextensive with the municipal, and lies between the Accrington and Darwen divisions of the county. Area, 7432 acres.

Blackburn is of considerable antiquity; indeed, the 6th century is allocated to the original foundation of a church on the site of the present parish church. Of another church on this site Cranmer was rector after the Reformation. Blackburn was for some time the chief town of a district called Blackburnshire, and as early as the reign of Elizabeth ranked as a flourishing market town. About the middle of the 17th century it became famous for its “checks,” which were afterwards superseded by a similar linen-and-cotton fabric known as “Blackburn greys.” In the 18th century the ability of certain natives of the town greatly fostered its cotton industry; thus James Hargreaves here probably invented his spinning jenny about 1764, though the operatives, fearing a reduction of labour, would have none of it, and forced him to quit the town for Nottingham. He was in the employment of Robert Peel, grandfather of the prime minister of that name, who here instituted the factory system, and as the director of a large business carefully fostered the improvement of methods.

 BLACKBURNE, FRANCIS (1782–1867), lord chancellor of Ireland, was born at Great Footstown, Co. Meath, Ireland, on the 11th of November 1782. Educated at Trinity College, Dublin, he was called to the English bar in 1805, and practised with great success on the home circuit. Called to the Irish bar in 1822, he vigorously administered the Insurrection Act in Limerick for two years, effectually restoring order in the district. In 1826 he became a serjeant-at-law, and in 1830, and again, in 1841, was attorney-general for Ireland. In 1842 he became master of the rolls in Ireland, in 1846 chief-justice of the queen’s bench, and in 1852 (and again in 1866) lord chancellor of Ireland. In 1856 he was made a lord justice of appeal in Ireland. He is remembered as having prosecuted O’Connell and presided at the trial of Smith O’Brien. He died on the 17th of September 1867.

 BLACKCOCK (Tetrao tetrix), the English name given to a bird of the family Tetraonidae or grouse, the female of which is known as the grey hen and the young as poults. In size and plumage the two sexes offer a striking contrast, the male weighing about 4 ℔, its plumage for the most part of a rich glossy black shot with blue and purple, the lateral tail feathers curved outwards so as to form, when raised, a fan-like crescent, and the eyebrows destitute of feathers and of a bright vermilion red. The female, 