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 BAYAZID, or, a border fortress of Asiatic Turkey, chief town of a sanjak of the Erzerum vilayet, situated close to the frontiers of Russia and Persia, and looking across a marshy plain to the great cone of Ararat, at a general altitude of 6000 ft. It occupies a site of great antiquity, as the cuneiform inscriptions on the neighbouring rocks testify; it stands on the site of the old Armenian town of Pakovan. It is picturesquely situated in an amphitheatre of sharp, rocky hills. The great trade route from Trebizond by Erzerum into N.W. Persia crosses the frontier at Kizil Dize a few miles to the south and does not enter the town. A knoll above the town is occupied by the half-ruined fort or palace of former governors, built for Mahmud Pasha by a Persian architect and considered one of the most beautiful buildings in Turkey. It contains two churches and a monastery, the Kasa Kilissa, famous for its antiquity and architectural grandeur. The cuneiform inscriptions are on the rock pinnacles above the town, with some rock chambers, indicating a town or fortress of the Vannic period. The population has lately decreased and now numbers about 4000. A Russian consul resides here and the town is a military station. It was captured during the Russian campaigns of 1828 and 1854, also in 1878, but was then recaptured by the Turks, who subjected the Russian garrison to a long siege; the place was ultimately relieved, but a massacre of Christians then took place in the streets. Bayazid was restored to Turkey by the treaty of Berlin.

 BAYBAY, a town of the province of Leyte, island of Leyte, Philippine Islands, on the W. coast. Pop. (1903) 22,990. The town proper is situated at the mouth of the Pagbañganan river, 45 m. S.S.W. of Tacloban, the provincial capital. A superior grade of hemp is exported. Other products are rice, corn, copra, cacao, sugar, cattle and horses. The Cebú dialect of the Visayan language is spoken.

 BAY CITY, a city and the county seat of Bay county, Michigan, U.S.A., on the Saginaw river, about 2 m. from its entrance into Saginaw Bay and about 108 m. N.N.W. of Detroit. Pop. (1890) 27,839; (1900) 27,628, of whom 8483 were foreign-born, including 2413 English-Canadians, 1743 Germans, 1822 Poles—the city has a Polish weekly newspaper—and 1075 French-Canadians; (1910, census) 45,166. Bay City is served by the Michigan Central, the Père Marquette, the Grand Trunk and the Detroit & Mackinac railways, and by lake steamers. The city extends for several miles along both sides of the river, and is in a good farming district, with which it is connected by stone roads. Among the public buildings are the Federal building, the city hall and the public library. The city has lumber and fishing interests (perch, whitefish, sturgeon, pickerel, bass, &c. being caught in Saginaw Bay), large machine shops and foundries (value of products in 1905, $1,743,155, or 31% of the total of the city’s factory products), and various manufactures, including ships (wooden and steel), wooden ware, wood-pipe, veneer, railroad machinery, cement, alkali and chicory. A salt basin underlies the city, and, next to the lumber industry, the salt industry was the first to be developed, but its importance has dwindled, the product value in 1905 being $20,098 out of $5,620,866 for all factory products. Near the city are valuable coal mines, and there is one within the city limits. At Essexville (pop. in 1910, 1477), N.E., at Banks, N.W., and at Salzbury, S.W. of Bay City, are beet-sugar factories—sugar beets are extensively grown in the vicinity. Alcohol is made from the refuse molasses obtained from these beet-sugar factories. The municipality owns and operates the water-works and electric-lighting plant. The settlements of Lower Saginaw and Portsmouth were made in 1837, and were later united to form Bay City, which was incorporated as a village in 1859, and chartered as a city in 1865. In 1905 West Bay City (pop. 1900, 13,119) and Bay City were consolidated.

 BAYEUX, a town of north-western France, capital of an arrondissement in the department of Calvados, 18 m. N.W. of Caen on the Western railway. Pop. (1906) 6930. Bayeux is situated on the Aure, 5 m. from the English Channel. Its majestic cathedral was built in the 13th century on the site of a Romanesque church, to which the lateral arcades of the nave and the two western towers with their high stone spires belonged. A third and still loftier tower, the upper part of which, in the florid Gothic style, is modern, surmounts the crossing. The chancel, surrounded with radiating chapels, is a fine example of early Gothic. Underneath it there is a crypt of the 11th century restored in the 15th century. The oak stalls in the choir are fine examples of late 16th-century carving. The former bishop’s palace, parts of which are of great age though the main building is of the 18th century, serves as law-court and hôtel de ville. Bayeux possesses many quaint, timbered houses and stone mansions in its quiet streets. The museum contains the celebrated Bayeux tapestry (see below). The town is the seat of a bishop and of a sub-prefect; it has tribunals of first instance and of commerce, an ecclesiastical seminary, a communal college and a chamber of arts and manufactures. Dyeing, leather-dressing, lace-making and the manufacture of porcelain for household and laboratory purposes are carried on.

Till the 4th century Bayeux bore the name of Augustodurum, but afterwards, when it became the capital of the two tribes of the Baiocasses and Viducasses, took the name of Civitas Baiocassium. Its bishopric dates from the latter half of the 4th century. Before the Norman invasion it was governed by counts. Taken in 890 by the Scandinavian chief, Rollo, it was soon after peopled by the Normans and became a residence of the dukes of Normandy, one of whom, Richard I., built about 960 a castle which survived till the 18th century. During the quarrels between the sons of William the Conqueror it was pillaged and sacked by Henry I. in 1106, and in later times it underwent siege and capture on several occasions during the Hundred Years’ War and the religious wars of the 16th century. Till 1790 it was the capital of the Bessin, a district of lower Normandy.  BAYEUX TAPESTRY, THE. This venerable relic consists of a band of linen, 231 ft. long and 20 in. wide, now light brown with age, on which have been worked with a needle, in worsteds of eight colours, scenes representing the conquest of England by the Normans. Of these scenes there are seventy-two, beginning with Harold’s visit to Bosham on his way to Normandy, and ending with the flight of the English from the battle of Hastings, though the actual end of the strip has perished. Along the top and the bottom run decorative borders with figures of animals, scenes from fables of Aesop and of Phaedrus, from husbandry and the chase, and occasionally from the story of the Conquest itself (see ; Plate I. fig. 7). Formerly known as the Toile de St Jean, it was used on certain feast days to decorate the nave of Bayeux cathedral. Narrowly escaping the perils of the Revolution, it was exhibited in Paris, by Napoleon’s desire, in 1803–1804, and has since been in civil custody at Bayeux, where it is now exhibited under glass. In the Franco-German War (1871) it was hastily taken down and concealed.

“The noblest monument in the world relating to our old English history,” as William Stukeley described it in 1746, it has been repeatedly described, discussed and reproduced, both in France and in England since 1730. The best coloured reproduction is that by C. A. Stothard in 1818, published in the sixth volume of Vetusta Monumenta; but in 1871–1872 the “tapestry” was photographed for the English education authorities by E. Dossetter.

Local tradition assigned the work to the Conqueror’s wife. F. Pluquet, in his Essai historique sur la ville de Bayeux (Caen, 1829), was the first to reject this belief, and to connect it with the Conqueror’s half-brother Odo, bishop of Bayeux, and this view, which is now accepted, is confirmed by the fact that three of the bishop’s followers mentioned in Domesday Book are among the very few named figures on the tapestry. That Odo had it executed for his cathedral seems tolerably certain, but whether it was worked by English fingers or not has been disputed, though some of the words upon it have been held to favour that view. Freeman emphatically pronounced it to be “a contemporary work,” and historically “a primary authority in fact the highest authority on the Norman side.” As some of its evidence is unique, the question of its authority is important, and Freeman’s conclusions have been practically