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 but he could write to the level of the common heart without loss of dignity or pointedness. His Reasons for the Christian Religion is still, for its evidential purpose, better than most works of its kind. His Poor Man’s Family Book is a manual that continues to be worthy of its title. His Saints’ Everlasting Rest will always command the grateful admiration of pious readers. It is also charged with a robust and manly eloquence and a rare and unsought felicity of language that make it a masterpiece of style. Perhaps no thinker has exerted so great an influence upon nonconformity as Baxter has done, and that not in one direction only, but in every form of development, doctrinal, ecclesiastical and practical. He is the type of a distinct class of the Christian ministry—that class which aspires after scholarly training, prefers a broad to a sectarian theology, and adheres to rational methods of religious investigation and appeal. The rational element in him was very strong. He had a settled hatred of fanaticism. Even Quakerism he could scarcely endure. Religion was with him all and in all—that by which all besides was measured, and to whose interests all else was subordinated. Isaac Barrow said that “his practical writings were never minded, and his controversial ones seldom confuted,” and John Wilkins, bishop of Chester, asserted that “if he had lived in the primitive time he had been one of the fathers of the church.”

 BAXTER, ROBERT DUDLEY (1827–1875), English economist and statistician, was born at Doncaster in 1827. He was educated privately and at Trinity College, Cambridge. He studied law and entered his father’s firm of Baxter & Co., solicitors, with which he was connected till his death. Though studiously attentive to business, he was enabled, as a member of the Statistical and other learned societies, to accomplish much useful economic work. His principal economic writings were The Budget and the Income Tax (1860), Railway Extension and its Results (1866), The National Income (1868), The Taxation of the United Kingdom (1869), National Debts of the World (1871), Local Government and Taxation (1874), and his purely political writings included The Volunteer Movement (1860), The Redistribution of Seats and the Counties (1866), History of English Parties and Conservatism (1870), and The Political Progress of the Working Classes (1871).

 BAXTER, WILLIAM (1650–1723), British antiquarian, critic and grammarian, nephew of Richard Baxter, the divine, was born at Llanllugan, Montgomeryshire. When he went to Harrow school, at the age of eighteen, he was unable to read, and could speak no language except Welsh. His progress must have been remarkable, since he published his Latin grammar about ten years afterwards. During the greater part of his life Baxter was a schoolmaster, and was finally headmaster of the Mercers’ school, where he remained till shortly before his death on the 31st of May 1723. He was an accomplished linguist, and his learning was undoubtedly very great. His published works are: De Analogia (1679), an advanced Latin grammar; Anacreontis Teii Carmina, including two odes of Sappho (1695; reprinted in 1710, “with improvements,” which he was accused of having borrowed from the edition of Joshua Barnes); Horace (1701 and subsequent editions, regarded as remarkable for its abuse of Bentley); Glossarium Antiquitatum Britannicarum (1719); and Glossarium Antiquitatum Romanarum (1826). The last two works were published by the Rev. Moses Williams, the second (which goes no farther than the letter A) under the title of Reliquiae Baxterianae, including an autobiographical fragment. Baxter also contributed to a joint translation of Plutarch’s Moralia, and left notes on Juvenal and Persius.

 BAY, a homonymous term of which the principal branches are as follows, (1) The name of the sweet laurel (Laurus nobilis) or bay tree (see ); this word is derived through the O. Fr. baie, from Lat. baca, berry, the bay bearing a heavy crop of dark purple berries. The leaves of the bay were woven in garlands to crown poets, and hence the word is often used figuratively in the sense of fame and reward. (2) A wide opening or indentation in a coast line. This may be of the same origin as “bay,” in the architectural sense, or from a Latin word which is seen in the place name Baiae. (3) The name of a colour, of a reddish brown, principally used of the colour in horses; there are various shades, light bay, bright bay, &c. This word is derived from the Latin badius, which is given by Varro (in Nonnius, pp. 80-82) as one of the colours of horses. The word is also seen in (q.v.). (4) The deep bark of dogs. This word is also seen in the expression “at bay,” properly of a hunted animal who at the last turns on the “baying” hounds and defends itself. The origin of the word is the O. Fr. bayer, abayer, Lat. badare, properly to gape, open wide the mouth. (5) An architectural term (Fr. travée, Ital. compartimento, Ger. Abteilung) for any division or compartment of an arcade, roof, &c. Each space from pillar to pillar in a cathedral, church or other building is called a “bay” or “severy.” This word is also to be referred to bayer, to gape.

A “bay-window” or “bow-window” is a window projecting outwards and forming a recess in the apartment. Bay-windows may be rectangular, polygonal or semicircular in plan, in the last case being better known as bow-windows. The bay-window would seem to have been introduced in the 15th century, but the earliest examples of importance are those which were built during the reign of Edward IV. (1461–1483), when it was largely employed in the colleges of Oxford and Cambridge and in the feudal castles of the period. Examples are found in the palace at Eltham, Cowdray Castle in Sussex, Thornbury Castle in Gloucestershire, and in the George Inn at Glastonbury; one of the finest of a later date is that of the Banqueting Hall at Hampton Court, some 50 ft. high. In the great entrance halls of ancient mansions the floor of the last bay of the hall was generally raised two or three steps, and this portion was reserved for the lord of the manor and his guests, and was known as the dais. The usual position of the bay-window is at one end of this dais, and occasionally but rarely at both ends. The sills of the windows are at a lower level than those in the hall, and, raised on one or two steps, are seats in the recess. The recess of the bay-window was generally covered with a ribbed vault of elaborate design, and the window itself subdivided by mullions and transoms. In some of the larger windows such as those at Cowdray and Hampton Court there are no fewer than five transoms, and this sub-division gave great scale to the design. The same feature when employed in an upper storey and supported by corbels or brackets is known as an oriel window. (See also and .)

 BAYAMO, an old inland city on the N. slope of the Sierra Maestra in Santiago province, Cuba. Pop. (1907) 4102. It lies on a plain by the Bayamo river, in a fertile country, but isolated from sea and from railway. Its older parts are extraordinarily irregular. The streets are of all widths, and of all degrees of crookedness, and run in all directions. Bayamo was the third of the seven cities founded by Diego Velazquez, and was established in 1513. During much of the 16th century it was one of the most important agricultural and commercial settlements of the island. Its inland situation gave it relative security against the pirates who then infested West Indian seas, and the misfortunes of Santiago were the fortunes of Bayamo. Down the river Cauto, then open to the sea for vessels of 200 tons, and through Manzanillo, Bayamo drove a thriving contraband trade that made it at the opening of the 17th century the leading town of Cuba. A tremendous flood, in 1616, choking the Cauto with trees and