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 oath, embodied in the document, to observe its stipulations. Each took a copy and one was held by the scribe to be stored in the archives.

Appeal to the king was allowed and is well attested. The judges at Babylon seem to have formed a superior court to those of provincial towns, but a defendant might elect to answer the charge before the local court and refuse to plead at Babylon.

Finally, it may be noted that many immoral acts, such as the use of false weights, lying, &c., which could not be brought into court, are severely denounced in the Omen Tablets as likely to bring the offender into “the hand of God” as opposed to “the hand of the king.”

.—Contracts in general: Oppert and Menant, Documents juridiques de l’Assyrie et de la Chaldée (Paris, 1877); J. Kohler and F. E. Peiser, Aus dem babylonischen Rechtsleben (Leipzig, 1890 ff.); F. E. Peiser, Babylonische Verträge (Berlin, 1890), Keilinschriftliche Actenstücke (Berlin, 1889); Br. Meissner, Beiträge zur altbabylonischen Privatrecht (Leipzig, 1893); F. E. Peiser, “Texte juristischen und geschäftlichen Inhalts,” vol. iv. of Schrader’s Keilinschriftliche Bibliothek (Berlin, 1896); C. H. W. Johns, Assyrian Deeds and Documents relating to the Transfer of Property (3 vols., Cambridge, 1898); H. Radau, Early Babylonian History (New York, 1900); C. H. W. Johns, Babylonian and Assyrian Laws, Contracts and Letters (Edinburgh, 1904). For editions of texts and the innumerable articles in scientific journals see the bibliographies and references in the above works. “The Code of Hammurabi,” Editio princeps, by V. Scheil in tome iv. of the Textes Elamites-Semitiques of the Mémoires de la délégation en Perse (Paris, 1902); H. Winckler, “Die Gesetze Hammurabis Königs von Babylon um 2250 v. Chr.” Der alte Orient, iv. Jahrgang, Heft 4; D. H. Müller, Die Gesetze Hammurabis (Vienna, 1903); J. Kohler and F. E. Peiser, Hammurabis Gesetz (Leipzig, 1904); R. F. Harper, The Code of Hammurabi, King of Babylon about 2250  (Chicago, 1904); S. A. Cook, The Laws of Moses and the Code of Hammurabi (London, 1903).

BACAU, the capital of the department of Bacau, Rumania; situated among the foothills of the Carpathian Mountains, and on the river Bistritza, which enters the river Sereth 5 m. S. Pop. (1900) 16,187, including 7850 Jews. Although of modern growth, Bacau is one of the chief commercial centres in Moldavia, possessing many large timber yards. It is on the main railway from Czernovitz, in Bukovina, to Galatz; and on two branch lines, one of which enters Transylvania through the Ghimesh Pass, while both give access to the salt mines, petroleum wells and forests of the Carpathians. BACCARAT, a gambling card-game (origin of name unknown), supposed to have been introduced into France from Italy during the reign of Charles VIII. There are two accepted varieties of the game—baccarat chemin de fer (railway) and baccarat banque (or à deux tableaux). In baccarat chemin de fer six full packs of cards are used. These are shuffled by a croupier and then by any of the players who wish to do so. From three to eleven persons may play. Counters are generally used and are sold by the banker who afterwards redeems them. The croupier takes a number of cards from the top of the pack and passes them to the player on his right (sometimes left) who becomes banker, a position which he holds until he loses, when the deal passes to the player next in order. The other players are called punters. The banker places before him the sum he wishes to stake and the punters do likewise, unless a punter desires to go bank, signifying his intention by saying, Banco! In this case he plays against the entire stake of the banker. After the stakes have been made the dealer deals a card to his right for the punters, then one to himself, then a third to his left for the punters and, finally, another to himself, all face downwards. Court cards and tens count nothing; all others the number of their pips. Each punter looks at his cards, and any one having 8 or 9 turns his card up and announces it, the hand then being at an end. The player having the highest stake plays for both punters, and if the card turned is better than that of the banker, the latter pays each punter the amount of his stake. If not, the banker wins all stakes and the game proceeds as before. If no announcement is made, meaning that neither player holds 8 or 9, the banker deals another card to the player on his right, who, if his first card is 6 or 7, will refuse it, fearing to overrun. The second card is turned face upwards on the table. If his card is 5 he may, or may not, accept the second card, according to his judgment. In case of his refusal the card is offered to the second punter. If the first card is baccarat (i.e. amounts to 0) or 1, 2, 3 or 4, a punter always accepts the second card. The banker then decides whether he will draw another card himself or expose his original ones, and when he has made his play pays or receives according as he wins or loses. Ties neither win nor lose but go over to the next deal. A player who has lost on going bank may go bank again, but no player may go bank more than twice in succession. In the variation baccarat banque (or à deux tableaux), three packs of cards are used and the banker is permanent; the player who offers to risk the largest amount occupying the position. A line is drawn across the table and any one wishing to do so may place his stake à cheval, i.e. on the line. Stakes so placed neither win nor lose if one side wins and the other loses, but win if both sides win and are lost if both sides lose. The laws of baccarat are complicated and no one code is accepted as authoritative, the different clubs making their own rules.

BACCHANALIA, the Lat. name for the wild and mystic festivals of Bacchus (Dionysus). They were introduced into Rome from lower Italy by way of Etruria, and held in secret, attended by women only, on three days in the year in the grove of Simila (Stimula, Semele; Ovid, Fasti, vi. 503), near the Aventine hill. Subsequently, admission to the rites were extended to men and celebrations took place five times a month. The evil reputation of these festivals, at which the grossest debaucheries took place, and all kinds of crimes and political conspiracies were supposed to be planned, led in 186 to a decree of the senate—the so-called Senatus consultum de Bacchanalibus, inscribed on a bronze tablet discovered in Calabria (1640), now at Vienna—by which the Bacchanalia were prohibited throughout the whole of Italy, except in certain special cases, in which the senate reserved the right of allowing them, subject to certain restrictions. But, in spite of the severe punishment inflicted upon those who were found to be implicated in the criminal practices disclosed by state investigation, the Bacchanalia were not stamped out, at any rate in the south of Italy, for a very long time (Livy xxxix. 8-19, 41; xl. 19). BACCHYLIDES, Greek lyric poet, was born at Iulis, in the island of Ceos. His father’s name was probably Meidon; his mother was a sister of Simonides, himself a native of Iulis. Eusebius says that Bacchylides “flourished” ( ) in Ol. 78. 2 (467 ). As the term  refers to the physical prime, and was commonly placed at about the fortieth year, we may suppose that Bacchylides was born circa 507 Among his Odes the earliest that can be approximately dated is xii., which may belong to 481 or 479 ; the latest is vi., of which the date is fixed by the recently found fragment of the Olympic register to Ol. 82. 1 (452 ). He would thus have been some forty-nine years younger than his uncle Simonides, and some fifteen years younger than Pindar. Elsewhere Eusebius states that Bacchylides “was of repute” ( ) in Ol. 87. 2 (431 ); and Georgius Syncellus, using the same word, gives Ol. 88 (428–425 ). The phrase would mean that he was then in the fulness of years and of fame. There is nothing improbable in the supposition that he survived the beginning of the Peloponnesian war.

Bacchylides, like Simonides and Pindar, visited the court of Hiero I. of Syracuse (478–467). In his fifth Ode (476 ), the word  (v. 11) has been taken to mean that he had already been the guest of the prince; and, as Simonides went to Sicily in or about 477, that is not unlikely. Ode iii. (468 ) was possibly written at Syracuse, as verses 15 and 16 suggest. He there pays a high compliment to Hiero’s taste in poetry (ver. 3 ff.). A scholium on Pyth. ii. 90 (166) avers that Hiero preferred the Odes of Bacchylides to those of Pindar. The Alexandrian scholars interpreted a number of passages in Pindar as hostile allusions to Bacchylides or Simonides. If the scholiasts