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 next season’s flowers appear. There are numerous varieties in cultivation, differing in the variegation of their leaves. AUDAEUS, or, a church reformer of the 4th century, by birth a Mesopotamian. He suffered much persecution from the Syrian clergy for his fearless censure of their irregular lives, and was expelled from the church, thereupon establishing an episcopal monastic community. He was afterwards banished into Scythia, where he worked successfully among the Goths, not living to see the destruction of his labours by Athanaric. The Audaeans celebrated the feast of Easter on the same day as the Jewish Passover, and they were also charged with attributing to the Deity a human shape, an opinion which they appear to have founded on Genesis i. 26. Theodoret groundlessly accuses them of Manichean tendencies.

AUDE, a river of south-western France, rising in the eastern Pyrenees and flowing into the Golfe du Lion. Rising in a small lake a short distance east of the Puy de Carlitte, it soon takes a northerly direction and flows for many miles through deep gorges of great beauty as far as the plain of Axat. Beyond Axat its course again lies through defiles which become less profound as the river nears Carcassonne. Below that town it receives the waters of the Fresquel and turns abruptly east. From this point to its junction with the Cesse its course is parallel with that of the Canal du Midi. The river skirts the northern spurs of the Corbières, some distance below which it is joined by the Orbieu and the Cesse. It then divides into two branches, the northernmost of which, the Aude proper, runs east and empties into the Mediterranean some 12 m. east-north-east of Narbonne, while the other branch, the Canal de la Robine, turning south, traverses that town, below which its course to the sea lies between two extensive lagoons, the Étang de Bages et de Sigean and the Étang de Gruissan. The Aude has a length of 140 m. and a basin 2061 sq. m. in extent. There is practically no traffic upon it. AUDE, a maritime department of southern France, formed in 1790 from part of the old province of Languedoc. Area, 2448 sq. m. Pop. (1906) 308,327. It is bounded E. by the Mediterranean, N. by the departments of Hérault and Tarn, N.W. by Haute-Garonne, W. by Ariège, and S. by Pyrénées-Orientales. The department is traversed on its western boundary from S. to N. by a mountain range of medium height, which unites the Pyrenees with the southern Cévennes; and its northern frontier is occupied by the Montagne Noire, the most westerly portion of the Cévennes. The Corbières, a branch of the Pyrenees, run in a south-west and north-east direction along the southern district. The (q.v.), its principal river, has almost its entire length in the department, and its lower course, together with its tributary the Fresquel, forms the dividing line between the Montagne Noire and the Pyrenean system.

The lowness of the coast causes a series of large lagoons, the chief of which are those of Bages et Sigean, Gruissan, Lapalme and Leucate. The climate is warm and dry, but often sudden in its alterations. The wind from the north-west, known as the cers, blows with great violence, and the sea-breeze is often laden with pestilential effluvia from the lagoons. The agriculture of the department is in a flourishing condition. The meadows are extensive and well watered, and are pastured by numerous flocks and herds. The grain produce, consisting mainly of wheat, oats, rye and Indian corn, exceeds the consumption, and the vineyards yield an abundant supply of both white and red wines, those of Limoux and the Narbonnais being most highly esteemed. Truffles are abundant. The olive and chestnut are the chief fruits. Mines of iron, manganese, and especially of mispickel, are worked, and there are stone-quarries and productive salt-marshes. Brewing, distilling, cooperage, iron-founding, hat-making and machine construction are carried on, and there are flour-mills, brick-works, saw-mills, sulphur refineries and leather and paper works. The formerly flourishing textile industries are now of small importance. The department imports coal, lime, stone, salt, raw sulphur, skins and timber and exports agricultural and mineral products, bricks and tiles, and other manufactured goods. It is served by the Southern railway. The Canal du Midi, following the courses of the Fresquel and the Aude, traverses it for 76 m.; and a branch, the Canal de la Robine, which passes through Narbonne to the sea, has a length of 24 m. The capital is Carcassonne, and the department is divided into the four arrondissements of Carcassonne, Limoux, Narbonne and Castelnaudary, with 31 cantons and 439 communes. It belongs to the 16th military region, and to the académie (educational division) of Montpellier, where also is its court of appeal. It forms the diocese of Carcassonne, and part of the province of the archbishop of Toulouse. Carcassonne, Narbonne and Castelnaudary are the principal towns. At Alet, which has hot springs of some note, there are ruins of a fine Romanesque cathedral destroyed in the religious wars of the 16th century. The extensive buildings of the Cistercian abbey of Fontfroide, near Bizanet, include a Romanesque church, a cloister, dormitories and a refectory of the 12th century. A curious polygonal church of the 11th century at Rieux-Minervois, the abbey-church at St Papoul, with its graceful cloister of the 14th century, and the remains of the important abbey of St Hilaire, founded in the 6th century and rebuilt from the 12th to the 15th century, are also of antiquarian interest. Rennes-les-Bains has mineral springs of repute. AUDEBERT, JEAN BAPTISTE (1759–1800), French artist and naturalist, was born at Rochefort in 1759. He studied painting and drawing at Paris, and gained considerable reputation as a miniature-painter. Employed in preparing plates for the Histoire des coléoptères of G. A. Olivier (1756–1814), he acquired a taste for natural history. In 1800 appeared his first original work, L’Histoire naturelle des singes, des makis et des galéopithèques, illustrated by sixty-two folio plates, drawn and engraved by himself. The colouring in these plates was unusually beautiful, and was applied by a method devised by himself. Audebert died in Paris in 1800, leaving complete materials for another great work, Histoire des colibris, des oiseaux-mouches, des jacamars et des promérops, which was published in 1802. Two hundred copies were printed in folio, one hundred in large quarto, and fifteen were printed with the whole text in letters of gold. Another work, left unfinished, was also published after the author’s death, L’Histoire des grimpereaux et des oiseaux de paradis. The last two works also appeared together in two volumes, Oiseaux dorés ou à reflets métalliques (1802). AUDEFROI LE BATARD, French trouvère, flourished at the end of the 12th century and was born at Arras. Of his life nothing is known. The seigneur de Nesles, to whom some of his songs are addressed, is probably the châtelain of Bruges who joined the crusade of 1200. Audefroi was the author of at least five lyric romances: Argentine, Belle Idoine, Belle Isabeau, Belle Emmelos and Béatrix. These romances follow older chansons in subject, but the smoothness of the verse and beauty of detail hardly compensate for the spontaneity of the shorter form.

AUDIENCE (from Lat. audire, to hear), the act or state of hearing, the term being therefore transferred to those who hear or listen, as in a theatre, at a concert or meeting. In a more technical sense, the term is applied to the right of access to the sovereign enjoyed by the peers of the realm individually and by the House of Commons collectively. More particularly it means the ceremony of the admission of ambassadors, envoys or others to an interview with a sovereign or an important official for the purpose of presenting their credentials. In France, audience is the term applied to the sitting of a law court for hearing actions. In Spain, audiencia is the name given to certain tribunals which try appeals from minor courts. The Spanish judges were originally known as oidores, hearers, from the Spanish oir, to hear; but they are now called ministros, or magistrados togados, robed judges, as the gown of the Spanish judge is called a toga. The audiencia pretorial, i.e. of the praetor, was a court in Spanish America from which there was no appeal