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 long neglect, and many of them must have been cut in pieces for burnishers or for the mail skirts and gussets attached to the later arming doublets. As the fashion of plate armour changed, the smith might adapt an old harness to the new taste, but more often it would be cast aside. Men to whom the sight of a steel coat called up the business of their daily life wasted no sentimentality over an obsolete piece. The early antiquaries might have saved us many priceless things, but it was not until a few virtuosi of the 18th century were taken with the Gothic fancy that popular archaeology dealt with aught but Greek statuary and Roman inscriptions. The 19th century was well advanced before an interest in medieval antiquities became common amongst educated men, and for most contemporaries of Dr Johnson a medieval helm was a barbarous curiosity exciting the same measure of mild interest as does the Zulu knobkerry seen by us as we pass a pawnbroker’s window.

7. Fire-arms. (For the development of cannon, see and .)&mdash;Hand-cannons appear almost simultaneously with the larger bombards. They were made by the Flemings in the 14th century. An early instance of the use of hand fire-arms in England is the siege of Huntercombe Manor in 1375. These were simply small cannon, provided with a stock of wood, and fired by the application of a match to the touch-hole. During the 15th century the hand-gun was steadily improved, and its use became more general. Edward IV., landing in England in 1471 to reconquer his throne, brought with him a force of Burgundian hand-gun men (mercenaries), and in 1476 the Swiss at Morat had no less than 6000 of their men thus armed. The prototype of the modern military weapon is the  (q.v.), a form of which was afterwards called in England the caliver. Various dates are given for the introduction of the arquebus, which owed many of its details to the perfected crossbow which it superseded. The Spanish army in the Italian wars at the beginning of the 16th century was the first to make full and effective use of the new weapon, and thus to make the fire action of infantry a serious factor in the decision of battles. The Spaniards also took the next step in advance. The  (q.v.) was heavier and more powerful than the arquebus, and, in the hands of the duke of Alva’s army in the Netherlands, so conclusively proved its superiority that it at once replaced its rival in the armies of Europe. Both the arquebus and the musket had a touch-hole on the right side of the barrel, with a pan for the priming, with which a lighted quick match was brought in contact by pressing a trigger. The musket, on account of its weight, was provided with a long rest, forked in the upper part and furnished with a spike to stick in the ground. The matchlock (long-barrelled matchlocks are still used by various uncivilized peoples, notably in India) was the typical weapon of the soldier for two centuries. The class of hand fire-arms provided with an arrangement for striking a spark to ignite the powder charge begins with the wheel-lock. This lock was invented at Nuremberg in 1515, but was seldom applied to the arquebus and musket on account of the costliness of its mechanism and the uncertainty of its action. The early forms of flint-lock (snaphance) were open to the same objections, and the fire-lock (as the flint-lock was usually called) remained for many years after its introduction the armament of special troops only, till about the beginning of the 18th century it finally superseded the old matchlock. Thenceforward the fire-lock (called familiarly in England “Brown Bess”) formed with the (q.v.) the armament of all infantry, and the fire-arms carried by other troops were constructed on the same principle. Flint-lock muskets were supplanted about 1830–1840 by the percussion musket, in which a fulminate cap was used. A Scottish clergyman, Alexander Forsyth, invented this method of ignition in 1807, but it was not till 1820 that it began to come into general use. (See .) The system of firing the charge by a fulminate was followed by the invention of the (q.v.). The muzzle-loading rifle, employed by special troops since about 1800, came into general use in the armies of Europe about 1854–1860. It was superseded, as a result of the success of the needle-gun in the war of 1866, by the breech-loading rifle, this in its turn giving way to the magazine rifle about 1886–1890. (See .) Neither breech-loaders nor revolvers, however, are inventions of modern date. Both were known in Germany as early as the close of the 15th century. There are in the Musée d’Artillerie at Paris wheel-lock arquebuses of the 16th century which are breech-loaders; and there is, in the Tower armoury, a revolver with the old matchlock, the date of which is about 1550. A German arquebus of the 16th century, in the museum of Sigmaringen, is a revolver of seven barrels. Nor is rifling a new thing in fire-arms, for there was a rifled arquebus of the 15th century, in which the balls were driven home by a mallet, and a patent was taken out in England for rifling in 1635. All these systems were thus known at an early period in the history of fire-arms, but for want of the minutely accurate workmanship required and, above all, of a satisfactory firing arrangement, they were left in an undeveloped state until modern times. The earliest pistols were merely shorter handguns, modified for mounted men, and provided with a straight stock which was held against the breastplate (poitrinal or petronel). The long-barrelled pistol was the typical weapon of the cavalry of the 16th century. (See .) With the revival of shock tactics initiated by Gustavus Adolphus the length of the pistol barrel became less and less, and its stock was then shaped for the hand alone. (See .)

ARMSTEAD, HENRY HUGH (1828–1905), English sculptor, was first trained as a silversmith, and achieved the highest excellence with the “St George’s Vase” and the “Outram Shield.” He rose to the front rank among contemporary sculptors, his chief works being the external sculptural decorations of the colonial office in Whitehall, the sculptures on the southern and eastern sides of the podium of the Albert Memorial, the large fountain at King’s College, Cambridge, and numerous effigies, such as “Bishop Wilberforce” at Winchester, and “Lord John Thynne” at Westminster, with smaller portraiture and much ideal work. His sense of style and nobility was remarkable; and he was besides gifted with a fine power of design and draughtsmanship, which he put to good use in his early years for book illustration. He was elected associate of the Royal Academy in 1875 and a full member in 1880. ARMSTRONG, ARCHIBALD (d. 1672), court jester, called “Archy,” was a native of Scotland or of Cumberland, and according to tradition first distinguished himself as a sheep-stealer; afterwards he entered the service of James VI., with whom he became a favourite. When the king succeeded to the English throne, Archy was appointed court jester. In 1611 he was granted a pension of two shillings a day, and in 1617 he accompanied James on his visit to Scotland. His influence was considerable and he was greatly courted and flattered, but his success appears to have turned his head. He became presumptuous, insolent and mischievous, excited foolish jealousies between the king and Henry, prince of Wales, and was much disliked by the members of the court. In 1623 he accompanied Prince Charles and Buckingham in their adventure into Spain, where he was much caressed and favoured by the Spanish court and, according to his own account, was granted a pension. His conduct here became more intolerable than ever. He rallied the infanta on the defeat of the Armada and censured the conduct of the expedition to Buckingham’s face. Buckingham declared he would have him hanged, to which the jester replied that “dukes had often been hanged for insolence but never fools for talking.” On his return he gained some complimentary allusions from Ben Jonson by his attacks upon the Spanish marriage. He retained his post on the accession of Charles I., and accumulated a considerable fortune, including the grant by the king of 1000 acres in Ireland. After the death of Buckingham in 1628, whom he declared “the greatest enemy of three kings,” the principal object of his dislike and rude jests was Laud, whom he openly vilified and ridiculed. He pronounced the following grace at Whitehall in Laud’s presence: “Great praise be given to God and little laud to the devil,” and after the news of the rebellion in Scotland in 1637 he greeted Laud on his way to the council chamber at Whitehall with: “Who’s fool now? Does not your