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 between those of the monument of Lysicrates and the temple of Zeus Olympius at Athens. In the sacred enclosures of the Greek sanctuaries were other smaller temples or shrines, altars, statues and treasuries, the latter being built by the various cities, from which pilgrimages were made, to contain their treasures. At Olympia there were ten or eleven, the remains of some of which are of great interest. Of the treasury of the Cnidians at Delphi, discovered by the French, so much has been found that it has been possible to evolve a complete conjectural restoration in plaster, now in the Louvre. Its sculpture and the rich carving of its architectural features show that it was Ionian in character. In front was a portico-in-antis, in which the caryatide figures standing on pedestals took the place of columns. These are the earliest examples known of caryatide figures, and they precede those of the Erechtheum by about a century.

The most important temple in Asia Minor was the temple of Diana (Artemis) at Ephesus (356–334 ). The archaic temple was burnt in 356, and was immediately rebuilt with greater splendour from the designs of Paeonius. The site of the temple was discovered by Wood in 1869, and the remains brought over to the British Museum in 1875. There were 100 columns, 36 of which (according to Pliny) were sculptured, and it was probably on account of the magnificence of the sculpture that this temple was included among the seven wonders of the world. The sculptured bases are of two kinds, square and circular, in the latter case being the lower drums of the columns. Examples of both are in the British Museum, and several conjectural restorations have been made, among which that of Dr A. S. Murray has been generally accepted, but recent researches (1905) suggest that it remains still an unsolved problem.

The temple of Apollo Didymaeus, near Miletus, was the largest temple in Asia Minor, and its erection followed that of the temple at Ephesus, Paeonius and Daphnis of Miletus being the architects. The temple was decastyle, dipteral, with pronaos and vestibule, but no opisthodomos. The cella was so wide (75 ft.) that it remained open to the sky. The bases of the columns were elaborately carved with ornament, as if in rivalry with the temple of Diana. Both these temples were of the Ionic order, as also were those of Athena Polias at Priene (340 ), many of the capitals of which are in the British Museum, and the temples of Aphrodite at Aphrodisias and Cybele at Sardis.

The mausoleum at Halicarnassus, also of the Ionic order, built by Queen Artemisia in memory of her husband Mausolus, who died in 353, was, according to Pliny, recorded as one of the seven wonders of the world, probably on account of the eminence of the sculptors employed, Bryaxis, Leochares, Timotheus, Scopas and Pythius. Pliny’s description is somewhat vague, so that its actual design is a problem not yet solved. Professor Cockerell’s restoration is in accord with the description, but does not quite agree with the actual remains brought over by Newton and deposited in the British Museum. If the Nereid monument and the tombs at Cnidus and Mylasa be taken as suggesting the design, the peristyle (pteron) of thirty-six columns of the Ionic order with entablature stood on a lofty podium, richly decorated with bands of sculpture, and was crowned by a pyramid which, according to Pliny, “contracted itself by twenty-four steps into the summit of a meta.” The steps found are not high enough to constitute a meta, and it is possible therefore that, according to Mr J. J. Stevenson, these steps were over the peristyle only, and that the lofty steps which constituted the meta were in the centre, carried by the inner row of columns. The magnificent sculpture of the Macedonian period has in recent times been demonstrated by the discovery of the marble sarcophagi found at Sidon by Hamdi Bey and now in the museum at Constantinople.

The Lycian tombs, of which there are many hundreds carved in the rock in the south of Asia Minor, are copies of timber structures, based on the stone architecture of the neighbouring Greek cities (fig. 17). The Paiafa or Payava tomb (375–362 ), found at Xanthus and now in the British Museum, is apparently a copy, cut in the solid rock, of a portable shrine, in which the wood construction is clearly defined.

Capitals of the Greek Corinthian order have been found at Bassae, Epidaurus, Olympia and Miletus, but the earliest example of the complete order is represented in the Choragic monument of Lysicrates at Athens.

The most important example of the Greek Corinthian order is that of the temple of Jupiter Olympius at Athens, begun in 174, but not completed till the time of Hadrian, 117. The temple was 135 ft. wide and 354 ft. long, built entirely in Pentelic marble, the columns being 56 ft. high. There were eight columns in front and a double peristyle round.

The two porches of the Tower of the Winds at Athens (c. 75 ) had Corinthian capitals. The upper part of the tower, which was octagonal in plan, was sculptured with figures representing the winds.

The Greek houses discovered at Delos and Priene were very simple and unpretentious, but the palace near Palatitza in Macedonia, discovered by Messrs Heuzey and Daumet, would seem to have been of a very sumptuous character. The front of the palace measured 250 ft. In the centre was a vestibule flanked with Ionic columns on either side, leading to a throne room at one time richly decorated with marble, and with numerous other halls on either side. The date is ascribed to the middle of the 4th century

In selecting the sites for their theatres, the Greeks always utilized the slope of a hill, in which they could cut out the cavea, and thus save the expense of raising a structure to carry the seats, at the same time obtaining a beautiful prospect for the background. The theatre of Dionysus at Athens was discovered and excavated in 1864, and has fortunately preserved all the seats round the orchestra, sixty-seven in number, all in Pentelic marble, with the names inscribed thereon of the priests and dignitaries who occupied them. The largest theatre was at Megalopolis, with an auditorium 474 ft. in diameter. The most perfect, so far as the seats are concerned, is the theatre at Epidaurus, with a diameter of 415 ft. Other theatres are known at Dodona in Greece, Pergamum and Tralles in Asia Minor, and Syracuse and Segesta in Sicily.

The architecture of the Parthian dynasty, who from 250 to  226 occupied the greater part of Mesopotamia, their empire in 160  extending over 480,000 sq. m., was quite unknown until Sir A. H. Layard, following in the steps of Ross and Ainsworth, visited and measured the plan of the palace at Hatra (el Hadr) about 30 m. south of Mosul; the architecture of this palace shows that, on the one hand, the Parthians carried on the traditions of the barrel vault of the Assyrian palace, and on the other, from their contact with Hellenistic methods of building, had acquired considerable knowledge in the working of ashlar masonry.

El Hadr is first mentioned in history as having been unsuccessfully besieged by Trajan in 116, and it is recorded to have been a walled town containing a temple of the sun, celebrated for the value of its offerings. The temple referred to is probably the large square building at the back of the palace, as above the doorway is a rich frieze carved with griffins, similar to those found at Warka by Loftus, together with large quantities of Parthian coins. The remains (fig. 18) consist of a block of 380 ft. frontage, facing east, and 128 ft. deep, subdivided by walls of great thickness, running at right angles to the main front, and built in an immense court, divided down the centre by a wall, separating that portion on the south side, where the temple was situated, from that on the north side, which constituted the king’s palace. The seven subdivisions of the different widths were all covered with semi-circular barrel vaults which, being built side by side, mutually resisted the thrust, the outer walls being of greater thickness, with the same object. In the centre of the south block was an immense hall 49 ft. wide and 98 ft. deep, which formed the vestibule to the temple in the rear; this vestibule was flanked by a series of three smaller halls on either side, over which there was probably a second floor. On the palace or north side were