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 silver ores, lead, nitrate of soda, borax and salt. Iron and manganese ores are also found. Besides Antofagasta the principal towns are Taltal, Mejillones, Cobija (the old capital) and Tocopilla. Up to 1879 the province belonged to Bolivia, and was known as the department of Atacama, or the Litoral. It fell into the possession of Chile in the war of 1879–82, and was definitely ceded to that republic in 1885. ANTOINE, ANDRÉ (1858–), French actor-manager, was born at Limoges, and in his early years was in business. But he was an enthusiastic amateur actor, and in 1887 he founded in Paris the Théâtre Libre, in order to realize his ideas as to the proper development of dramatic art. For an account of his work, which had enormous influence on the French stage, see : France. In 1894 he gave up the direction of this theatre, and became connected with the Gymnase, and later (1896) with the Odéon. ANTONELLI, GIACOMO (1806–1876), Italian cardinal, was born at Sonnino on the 2nd of April 1806. He was educated for the priesthood, but, after taking minor orders, gave up the idea of becoming a priest, and chose an administrative career. Created secular prelate, he was sent as apostolic delegate to Viterbo, where he early manifested his reactionary tendencies in an attempt to stamp out Liberalism. Recalled to Rome in 1841, he entered the office of the papal secretary of state, but four years later was appointed pontifical treasurer-general. Created cardinal (11th June 1847), he was chosen by Pius IX. to preside over the council of state entrusted with the drafting of the constitution. On the 10th of March 1848 Antonelli became premier of the first constitutional ministry of Pius IX., a capacity in which he displayed consummate duplicity. Upon the fall of his cabinet Antonelli created for himself the governorship of the sacred palaces in order to retain constant access to and influence over the pope. After the assassination of Pellegrino Rossi (15th November 1848) he arranged the flight of Pius IX. to Gaeta, where he was appointed secretary of state. Notwithstanding promises to the powers, he restored absolute government upon returning to Rome (12th April 1850) and violated the conditions of the surrender by wholesale imprisonment of Liberals. In 1855 he narrowly escaped assassination. As ally of the Bourbons of Naples, from whom he had received an annual subsidy, he attempted, after 1860, to facilitate their restoration by fomenting brigandage on the Neapolitan frontier. To the overtures of Ricasoli in 1861, Pius IX., at Antonelli’s suggestion, replied with the famous “Non possumus,” but subsequently (1867) accepted, too late, Ricasoli’s proposal concerning ecclesiastical property. After the September Convention (1864) Antonelli organized the Legion of Antibes to replace French troops in Rome, and in 1867 secured French aid against Garibaldi’s invasion of papal territory. Upon the reoccupation of Rome by the French after Mentana, Antonelli again ruled supreme, but upon the entry of the Italians in 1870 was obliged to restrict his activity to the management of foreign relations. He wrote, with papal approval, the letter requesting the Italians to occupy the Leonine city, and obtained from the Italians payment of the Peter’s pence (5,000,000 lire) remaining in the papal exchequer, as well as 50,000 scudi&mdash;the first and only instalment of the Italian allowance (subsequently fixed by the Law of Guarantees, March 21, 1871) ever accepted by the Holy See. At Antonelli’s death the Vatican finances were found to be in disorder, with a deficit of 45,000,000 lire. His personal fortune, accumulated during office, was considerable, and was bequeathed almost entirely to members of his family. To the Church he left little and to the pope only a trifling souvenir. From 1850 until his death he interfered little in affairs of dogma and church discipline, although he addressed to the powers circulars enclosing the Syllabus (1864) and the acts of the Vatican Council (1870). His activity was devoted almost exclusively to the struggle between the papacy and the Italian Risorgimento, the history of which is comprehensible only when the influence exercised by his unscrupulous, grasping and sinister personality is fully taken into account. He died on the 6th of November 1876. ANTONELLO DA MESSINA (c. 1430–1479), Italian painter, was probably born at Messina about the beginning of the 15th century, and laboured at his art for some time in his native country. Happening to see at Naples a painting in oil by Jan Van Eyck, belonging to Alphonso of Aragon, he was struck by the peculiarity and value of the new method, and set out for the Netherlands to acquire a knowledge of the process from Van Eyck’s disciples. He spent some time there in the prosecution of his art; returned with his secret to Messina about 1465; probably visited Milan; removed to Venice in 1472, where he painted for the Council of Ten; and died there in the middle of February 1479 (see Venturi’s article in Thieme-Becker, Künstlerlexikon, 1907). His style is remarkable for its union&mdash;not always successful&mdash;of Italian simplicity with Flemish love of detail. His subjects are frequently single figures, upon the complete representation of which he bestows his utmost skill. There are extant&mdash;besides a number more or less dubious&mdash;twenty authentic productions, consisting of renderings of “Ecce Homo,” Madonnas, saints, and half-length portraits, many of them painted on wood. The finest of all is said to be the nameless picture of a man in the Berlin museum. The National Gallery, London, has three works by him, including the “St Jerome in his Study.” Antonello exercised an important influence on Italian painting, not only by the introduction of the Flemish invention, but also by the transmission of Flemish tendencies. ANTONINI ITINERARIUM, a valuable register, still extant, of the stations and distances along the various roads of the Roman empire, seemingly based on official documents, which were probably those of the survey organized by Julius Caesar, and carried out under Augustus. Nothing is known with certainty as to the date or author. It is considered probable that the date of the original edition was the beginning of the 3rd century, while that which we possess is to be assigned to the time of Diocletian. If the author or promoter of the work is one of the emperors, it is most likely to be Antoninus Caracalla.

ANTONINUS, SAINT [, also called ] (1389–1459), archbishop of Florence, was born at that city on the 1st of March 1389. He entered the Dominican order in his 16th year, and was soon entrusted, in spite of his youth, with the government of various houses of his order at Cortona, Rome, Naples and Florence, which he laboured zealously to reform. He was consecrated archbishop of Florence in 1446, and won the esteem and love of his people, especially by his energy and resource in combating the effects of the plague and earthquake in 1448 and 1453. He died on the 2nd of May 1459, and was canonized by Pope Adrian VI. in 1523. His feast is annually celebrated on the 13th of May. Antoninus had a great reputation for theological learning, and sat as papal theologian at the council of Florence (1439). Of his various works, the list of which is given in Quétif-Echard, De Scriptoribus Ord. Praedicat., i. 818, the best-known are his Summa theologica (Venice, 1477; Verona, 1740) and the Summa confessionalis (Mondovi, 1472), invaluable to confessors.

ANTONINUS LIBERALIS, Greek grammarian, probably flourished about 150. He wrote a collection of forty-one tales of mythical metamorphoses ( ), chiefly valuable as a source of mythological knowledge.

ANTONINUS PIUS [], ( 86–161), Roman emperor 138–161, the son of Aurelius Fulvus, a Roman consul whose family had originally belonged to Nemausus (Nîmes), was born near Lanuvium on the 19th of September 86. After the death of his father, he was brought up under the care of Arrius Antoninus, his maternal grandfather, a man of integrity and culture, and on terms of friendship with the younger Pliny. Having filled with more than usual success the offices of quaestor and praetor,