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 Asia and the southern part of North America. H. R. Göppert named the common amber-yielding pine of the Baltic forests Pinites succinifer, but as the wood, according to some authorities, does not seem to differ from that of the existing genus it has been also called Pinus succinifera. It is improbable, however, that the production of amber was limited to a single species; and indeed a large number of conifers belonging to different genera are represented in the amber-flora. The resin contains, in addition to the beautifully preserved plant-structures, numerous remains of insects, spiders, annelids, crustaceans and other small organisms which became enveloped while the exudation was fluid. In most cases the organic structure has disappeared, leaving only a cavity, with perhaps a trace of chitin. Even hair and feathers have occasionally been represented among the enclosures. Fragments of wood not infrequently occur, with the tissues well-preserved by impregnation with the resin; while leaves, flowers and fruits are occasionally found in marvellous perfection. Sometimes the amber retains the form of drops and stalactites, just as it exuded from the ducts and receptacles of the injured trees. The abnormal development of resin has been called “succinosis.” Impurities are often present, especially when the resin dropped on to the ground, so that the material may be useless except for varnish-making, whence the impure amber is called firniss. Enclosures of pyrites may give a bluish colour to amber. The so-called “black amber” is only a kind of jet. “Bony amber” owes its cloudy opacity to minute bubbles in the interior of the resin.

Although amber is found along the shores of a large part of the Baltic and the North Sea, the great amber-producing country is the promontory of Samland. Pieces of amber torn from the sea-floor are cast up by the waves, and collected at ebb-tide. Sometimes the searchers wade into the sea, furnished with nets at the end of long poles, by means of which they drag in the sea-weed containing entangled masses of amber; or they dredge from boats in shallow water and rake up amber from between the boulders. Divers have been employed to collect amber from the deeper waters. Systematic dredging on a large scale was at one time carried on in the Kurisches Haff by Messrs Stantien and Becker, the great amber merchants of Königsberg. At the present time extensive mining operations are conducted in quest of amber. The “pit amber” was formerly dug in open works, but is now also worked by underground galleries. The nodules from the “blue earth” have to be freed from matrix and divested of their opaque crust, which can be done in revolving barrels containing sand and water. The sea-worn amber has lost its crust, but has often acquired a dull rough surface by rolling in sand.

Amber is extensively used for beads and other trivial ornaments, and for cigar-holders and the mouth-pieces of pipes. It is regarded by the Turks as specially valuable, inasmuch as it is said to be incapable of transmitting infection as the pipe passes from mouth to mouth. The variety most valued in the East is the pale straw-coloured, slightly cloudy amber. Some of the best qualities are sent to Vienna for the manufacture of smoking appliances. In working amber, it is turned on the lathe and polished with whitening and water or with rotten stone and oil, the final lustre being given by friction with flannel. During the working much electricity is developed.

By gradually heating amber in an oil-bath it becomes soft and flexible. Two pieces of amber may be united by smearing the surfaces with linseed oil, heating them, and then pressing them together while hot. Cloudy amber may be clarified in an oil-bath, as the oil fills the numerous pores to which the turbidity is due. Small fragments, formerly thrown away or used only for varnish, are now utilized on a large scale in the formation of “ambroid” or “pressed amber.” The pieces are carefully heated with exclusion of air and then compressed into a uniform mass by intense hydraulic pressure; the softened amber being forced through holes in a metal plate. The product is extensively used for the production of cheap jewellery and articles for smoking. This pressed amber yields brilliant interference colours in polarized light. Amber has often been imitated by other resins like copal and kauri, as well as by celluloid and even glass. True amber is sometimes coloured artificially.

Amber was much valued as an ornamental material in very early times. It has been found in Mycenaean tombs; it is known from lake-dwellings in Switzerland, and it occurs with neolithic remains in Denmark, whilst in England it is found with interments of the bronze age. A remarkably fine cup turned in amber from a bronze-age barrow at Hove is now in the Brighton Museum. Beads of amber occur with Anglo-Saxon relics in the south of England; and up to a comparatively recent period the material was valued as an amulet. It is still believed to possess certain medicinal virtue.

Rolled pieces of amber, usually small but occasionally of very large size, may be picked up on the east coast of England, having probably been washed up from deposits under the North Sea. Cromer is the best-known locality, but it occurs also on other parts of the Norfolk coast, as well as at Yarmouth, Southwold, Aldeburgh and Felixstowe in Suffolk, and as far south as Walton-on-the-Naze in Essex, whilst northwards it is not unknown in Yorkshire. On the other side of the North Sea, amber is found at various localities on the coast of Holland and Denmark. On the shores of the Baltic it occurs not only on the Prussian and Pomeranian coast but in the south of Sweden, in Bornholm and other islands, and in S. Finland. Amber has indeed a very wide distribution, extending over a large part of northern Europe and occurring as far east as the Urals. Some of the amber districts of the Baltic and North Sea were known in prehistoric times, and led to early trade with the south of Europe. Amber was carried to Olbia on the Black Sea, Massilia on the Mediterranean, and Hatria at the head of the Adriatic; and from these centres it was distributed over the Hellenic world.

Whilst succinite is the common variety of European amber, the following varieties also occur:—

Gedanite, or “brittle amber,” closely resembling succinite, but much more brittle, not quite so hard, with a lower melting-point and containing no succinic acid. It is often covered with a white powder easily removed by wiping. The name comes from Gedanum, the Latin name of Danzig.

Stantienite, a brittle, deep brownish-black resin, destitute of succinic acid.

Beckerite, a rare amber in earthy-brown nodules, almost opaque, said to be related in properties to gutta-percha.

Glessite, a nearly opaque brown resin, with numerous microscopic cavities and dusty enclosures, named from glesum, an old name for amber.

Krantzite, a soft amber-like resin, found in the lignites of Saxony.

Allingite, a fossil resin allied to succinite, from Switzerland.

Roumanite, or Rumanian amber, a dark reddish resin, occurring with lignite in Tertiary deposits. The nodules are penetrated by cracks, but the material can be worked on the lathe. Sulphur is present to the extent of more than 1%, whence the smell of sulphuretted hydrogen when the resin is heated. According to G. Murgoci the Rumanian amber is true succinite.

Simetite, or Sicilian amber, takes its name from the river Simeto or Giaretta. It occurs in Miocene deposits and is also found washed up by the sea near Catania. This beautiful material presents a great diversity of tints, but a rich hyacinth red is common. It is remarkable for its fluorescence, which in the opinion of some authorities adds to its beauty. Amber is also found in many localities in Emilia, especially near the sulphur-mines of Cesena. It has been conjectured that the ancient Etruscan ornaments in amber were wrought in the Italian material, but it seems that amber from the Baltic reached the Etruscans at Hatria. It has even been supposed that amber passed from Sicily to northern Europe in early times—a supposition said to receive some support from the fact that much of the amber dug up in Denmark is red; but it must not be forgotten that reddish amber is found also on the Baltic, though not being fashionable it is used rather for varnish-making than for ornaments. Moreover, yellow amber after long burial is